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Red-Color News Soldier
 
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Red-Color News Soldier (Paperback)

de Li Zhensheng (Author)
4.7étoiles sur 5  Voir tous les commentaires (6 évaluations de client)
Prix éditeur: CDN$ 59.95
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Following World War II, China found itself struggling with a conversion to communism that had wreaked havoc on the nation's economy, causing a devastating famine and extreme economic depression. In 1966 China's leader, Mao Zedong, gave his support to radicals within the communist party who envisioned a revolutionary social upheaval that would destroy all traces of the reactionary past. This was the beginning of a ten-year period of violence and chaos known as the Cultural Revolution. Many top officials lost their positions and numerous provincial governments came under the control of the radicals. The radical movement was primarily led by students who formed organizations known as "Red Guards," which used violent methods to punish people they saw as "anti-Maoists" or counter-revolutionaries. At the height of the Cultural Revolution (1966-70) China's universities were closed and much of its populace was sent to rural "re-education centres" where they were indoctrinated with Maoist policies. It is during this period that Li Zhensheng worked as a photojournalist for the "Heilongjiang Daily", shooting film both for the paper and, as we know now, for himself. While Li worked for a newspaper supporting the Maoist movement and admits he did not think Mao's policies to be incorrect at the beginning of his tenure at the newspaper, his hiding of film was a highly subversive action. As a photographer, Li wanted to document the Cultural Revolution for himself and for others in the future. He put himself at risk by hiding film stills that the government would have destroyed, capturing events of which little or no other visual record exists. Looking at the photos in this book, one sees the difference between the photos published in the "Daily" and those Li hid for himself, allowing for a rare understanding of how the Chinese government controlled media during the Cultural Revolution. The Heilongjiang province where Li worked was crucial because of its proximity to the then Soviet Union. Its main city, Harbin, had been occupied by the Soviets following World War II and was later set up as a communication hub between the Soviet Union and China. It was the communist centre which bred the revolutionary movement, leading to China's unification under communist control in 1949. This Russian influence can be seen in the details of Li's photographs, right down to the city's typically Russian-style architecture. Many of Li's techniques as a photographer borrow from his training as a filmmaker, including his creation of "handheld panoramic" photos by shooting overlapping frames of large panoramas and pasting the stills together to create the illusion of one continuous shot. His inventive techniques and powerful images make Li one of the premier Chinese photographers alive today. This book, which takes its name from the literal translation of Li's accreditation as a photographer approved by the Communist Party headquarters in ! Beijing, is part of the key to understanding one of the most turbulent and still notorious eras of modern history. The book includes a preface, introduction, text by the photographer, chronology, maps, and extensive photo captions for over 400 photos (almost all of which have never been seen before).


About the Author

Li Zhensheng was born in Dalian, China in 1940. After studying film, he joined The Heilongjiang Daily as a photojournalist in 1963 and documented the Chinese Cultural Revolution. In 1987, a collection of twenty of his photos from the Cultural Revolution titled "Let History Tell the Future" was released and won the grand prize at China's National Press Association Photo Competition. Since October 1996 he has been a visiting scholar, lecturing on the Cultural Revolution at Harvard and Princeton universities. His work has appeared in Time, The New York Times Magazine, Der Spiegel (Germany), and Le Nouvel Observateur (France). Li, a Chinese citizen, is currently engaged in academic research, writing, and lecturing. Jonathan D. Spence is Sterling Professor of History at Yale University. He is the author of a distinguished body of work on the history of modern China, including the seminal book, The Search for Modern China (1990). The Gate of Heavenly Peace: The Chinese and Their Revolution 1895-1980 (1981) was awarded the Los Angeles Times Book Prize for History. Spence was named a MacArthur Fellow in 1988 and is established as a one of the foremost experts on modern China.

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L'avis des consommateurs

6 évaluations
5 étoiles:
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4 étoiles:
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3 étoiles:    (0)
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4.7étoiles sur 5 (6 évaluations de client)
 
 
 
 
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5.0étoiles sur 5 Wonderful, Jui 11 2004
Par Un client
This isn't just a history book laced with photos; this is also a personal view on the Cultural Revolution from the photographer's point of view. Informative and emotional at the same time. Wonderful.
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4.0étoiles sur 5 The Many Faces of the Cultural Revolution, Mars 22 2004
Par T. E Sheller "jedimasterbooboo" (Santa Maria, CA United States) - Voir tous mes commentaires
(REAL NAME)   
For those of us fascinated and puzzled over the cultural revolution in China, here are photos to bring to life what we've been reading.There are many faces to study. This document seems curiously objective even though the author has his own story to tell of being treated unfairly. I would not describe the photos as shocking to those who have studied these events in China's history. This is a great companion to any other narrative one might be studying on the subject. Also, the author is a remarkable person. This is another work on the cultural revolution where I come away feeling gratitude toward the author. Li Zhensheng has a more benign story in comparison with some other personal accounts that were part of my introduction to this subject. I enjoy this additional perspective. There is much to see here.
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5.0étoiles sur 5 Amazing, Mars 13 2004
Par Un client
For those readers whose knowledge of the Great Leap Forward and the Cultural Revolution is limited to film, here is a document that shows that some of the films that portray these scenes were not exaggerated. These photographs do much more work than most documentary photographs. There is something uncannily immediate about them, as though the events depicted happened only yesterday; sometimes it is as though they were still happening. The text that accompanies the photographs follows the story of the photographer and his work through these years, and is interesting and well written. I came away from this book with the feeling of horror at fascism that I have never felt before. This book communicates something original and timeless about the human condition that I believe is priceless and rare. If you can't afford this book, you should seek it out at a bookstore and read it.
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Commentaires client les plus récents

4.0étoiles sur 5 A shocking look at a remarkable period
Although the photographs are the main focus of this book, the accompanying text is also illuminating as an individual's account of his experiences of the Cultural Revolution. Read more
Publié le Déc 22 2003 par Paul Donovan

5.0étoiles sur 5 "Cultural Revolution"? What sort of revolution?
I remember reading a review of this in the Far Eastern Economic Review (Oct 16, 2003 issue) and I said to myself after reading that review that I had to somehow find a copy of... Read more
Publié le Oct. 25 2003 par B. Fang

5.0étoiles sur 5 RARE BUT VIVID COLORS OF A REVOLUTION
I confess that this review is only based on a browsing of this startling book in a bookstore. It presents what it claims is the only known photographic documentation of the entire... Read more
Publié le Oct. 15 2003 par Shashank Tripathi

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