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Red Harvest Paperback – Jul 17 1989


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Product Details

  • Paperback: 224 pages
  • Publisher: Vintage; Reprint edition (July 17 1989)
  • Language: English
  • ISBN-10: 0679722610
  • ISBN-13: 978-0679722618
  • Product Dimensions: 20.3 x 13.1 x 1.5 cm
  • Shipping Weight: 200 g
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (30 customer reviews)
  • Amazon Bestsellers Rank: #155,583 in Books (See Top 100 in Books)


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By microfiche TOP 1000 REVIEWER on Feb. 11 2013
Format: Kindle Edition Verified Purchase
Red Harvest is from Dashiel Hammet's "Continental Op" series. The Roaring 1920s. Floozies and bootleggers in California. The owner of a mining town - official name : Personville but everyone calls it Poisonville - had called in the gangs to break a strike. His problem is, the strike busters won't leave. Now they are running his town from the police chief down, and they've killed his son. The Op tells the old man that he'll get rid of the crooks; but in his own way - and no half-measures in case the plutocrat wants to back down to save his own life.

There are four king-pins. They're working with each other comfortably, and with the crooked police chief. There's a 'dame' [of course] who is quite in with the king-pins but will tell whatever she wants about him and anyone else she knows, so long as the price is right. Note : whatever She wants. The Op can't assume it's the straight dope.

So how does he turn this mutual appreciation society against each other? It's quite a good old-time caper novel, with gunfire, ice-picks and a high body count. I'm not a fan of the grit and gore type of mystery generally; but I like Hammet and Chandler and this is good stuff. Something about the Op that gets me. Maybe it's that he's pushing 50 and the reflexes are slowing, and he's seen it all and frankly isn't impressed.
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Between 1915 and 1922, Dashiell Hammett worked for the Pinkerton Detective Agency, initially from Baltimore's Continental Building office and later in Washington State and California. His experiences for the firm provided the background and the name for the Continental Detective Agency that features in most of his stories and in two of his novels (including "Red Harvest"), and Pinkerton operative James Wright served as the model for the "fat, middle-aged, hard-boiled, pig-headed guy" referred to only as the Continental Op.
In "Red Harvest," the Op is summoned to Personville (known locally as Poisonville), where he is engaged by newspaper publisher Donald Willson, who is murdered before the agent has an opportunity to meet him. At first the novel feels like a traditional murder mystery; in its first half there are two homicides (among more than two dozen gangland-style assassinations) whose clues are scattered for the reader--and the Op--to solve.
Yet the two whodunits are red herrings meant to distract--and entertain--the reader (and crime novel aficionados will figure both of them out within a few paragraphs). Not just a murder mystery, "Red Harvest" pursues broader themes: how corruption and greed poisons the inhabitants of Poisonville, how the Op is able to thwart the ambitions of various criminals by playing their own unprincipled game, and how his own abandonment of professional code nearly destroys the detective himself.
Most of the crooks are stock figures from noir central casting, but the novel's femme fatale, Dinah Brand, is the most memorable.
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"Red Harvest" was author Dashiell Hammett's first novel. The material was not entirely original; it first appeared in serial form in "Black Mask" magazine in 1927-1928 under the title "The Cleansing of Poisonville". Hammett reworked the story into novel form, and "Red Harvest" was published in 1929. This is also the first of Hammett's popular "Continental Op" novels, which feature an unnamed private detective employed by the Continental Detective Agency of San Francisco. "Red Harvest"'s narrator and veteran Continental operative defies any idea of a glamorous or attractive crime fighter. He's short, pot-bellied, alcoholic, and resolutely cynical. He's living in an immoral world, where success comes to those who fight fire with fire. Like all of Hammett's protagonists, he has little use for the law, but lives by a personal code to which he strictly adheres. That doesn't make him especially ethical, only principled. But Hammett's characters, like Hammett himself, are coping in their own way with the widespread corruption that ruled America's cities in the 1920s and 1930s.
"Red Harvest"'s opening paragraph is one of the best hooks I've ever read in a novel. It's fantastic. We are sucked into the mind of our narrator, the unnamed Continental operative, and we want only to read more about this man of such blunt wit. The Continental Op has been called to a town named Personville by the owner of the town's newspaper, Donald Willsson. He doesn't know what the job is, but before he can find out, the client is murdered. So the first order of business is to solve the murder. In doing so, our detective discovers how Personville got its nickname, Poisonville. Everything and everyone in this town is corrupt.
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Dashiell Hammett's first novel, Red Harvest, is an enjoyable book to read because it is entertaining, but, at the same time, worthy of analysis. An anonymous "continental operative," a detective, is summoned to Poisonville on a secret mission by the owner of the town's newspaper and isn't to find out what the reason is until he gets to town. The man that summoned our narrator, the detective, is killed, however, before we or he ever get to figure out what job he is supposed to do. But, because Willsson is dead, the narrator has a job, anyway. In solving this murder, the narrator begins to find more and more crime. Behind one crime there is another, and, after that, another and another. Everywhere he looks there is more scandal and corruption, and in only person in town, a prostitute, can he even find a friend. The book is pretty entertaining, but it kind of fades out on the last twenty pages or so and loses your attention, at times. It's nice reading books, though, where the characters actually go places and do things--Dashiell Hammett's Red Harvest is a wonderful alternative to Virginia Woolf.
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