From Publishers Weekly
A major writer of the contemporary, post-Boom generation in Latin America, Cuban-born Montero (The Last Night I Spent With You; The Messenger) offers up more of the startling imagery and hypnotizing storytelling her readers have come to expect in her fourth novel to be translated into English. This time, however, the brutal tale she has to tell sags under the weight of its dark portentousness. In her retelling of the true and tragic love story of Simil Bolosse and Zul‚ Rev‚, Montero illuminates the world of Haitian Voudon as it is practiced by the downtrodden Haitian immigrants who work in the sugar-cane fields of the Dominican Republic. At the age of 12, Zul‚, the wild and willful only surviving daughter of a cursed family, is anointed mambo, or priestess, of a powerful Dominican Voudon community and undergoes a seven-year apprenticeship. The most important of the celebrations she presides over is a Holy Week procession, a Gag , which each year wends its way across the sugar-cane fields. As the novel begins, a Gag is being planned, but threats of violence threaten to derail it. Simil Bolosse, a Haitian renegade once Zul‚'s lover and now her enemy, has pledged to cut her to pieces if she refuses to join forces with him. Perhaps even more dangerous is Zul‚'s half-Chinese bodyguard, who pines for his mistress and is consumed by jealousy. At once a brutal, expressionistic voodoo fairy tale and an indictment of the plight of Haitian cane workers in the Dominican Republic, this demanding novel proves that Montero is capable, like Zul‚, of "looking at the sun for a long time, searching with staring eyes for the temporal cause of its fury."
Copyright 2001 Cahners Business Information, Inc.
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From Booklist
Montero, a columnist in Puerto Rico and the Cuban-born author of a string of celebrated novels, based this grim glimpse into the vicious and corrupt politics of Hispaniola and contemporary Haitian voodoo on true-life events. Taut, cryptic, and disturbing, this is a highly mythologized story about a contest of wills between the leaders of two voodoo
societes. At the head of one, a community composed mostly of Haitians who crossed the Dominican Republic border to cut sugar cane, is Mistress Zule, a young priestess of considerable powers and little experience. Her rival is Simila Bolesseto, a notoriously violent and wily voodoo priest and trickster. As the two circle and confront each other, Montero portrays a terrifying world poisoned by hate, greed, and sexual jealously, in which people cast spells to torture and kill, and, even more horrific, where the capricious gods, or
loa, mount, or possess, their worshipers to enact bloody dramas of their own, letting mere mortals fall where they will.
Donna SeamanCopyright © American Library Association. All rights reserved
--Ce texte provient d'une édition qui n'est plus publiée ou qui est non diponible.
