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Frequently Bought Together
Product Details
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Track Listings
| 1. Red Letter Year |
| 2. Alla This |
| 3. Present/Infant |
| 4. Smiling Underneath |
| 5. Way Tight |
| 6. Emancipated Minor |
| 7. Good Luck |
| 8. The Atom |
| 9. Round A Pole |
| 10. Landing Gear |
| 11. Star Matter |
| 12. Red Letter Year Reprise |
Product Description
Album Description
Prolific feminist singer-songwriter Ani DiFranco began performing at the age of nine, establishing her independence by living on her own from the age of 15 onwards. Literate, ebullient and a natural live performer, she quickly won converts drawn equally from Folk and Rock audiences. Her debut album confirmed this promise, its lyrics informed by feminist theory but never subsumed by rhetoric or preciousness. As she told Billboard magazine in 1995: `It`s not like I have an agenda in my music. It`s just that to me, the world is political. Politics is music - is life! That`s the lens I look through.` 12 tracks.
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Customer Reviews
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Most helpful customer reviews
5.0 out of 5 stars
Ani is the best!,
By Momma D "Karri" (CAnada) - See all my reviews
This review is from: Red Letter Year (Audio CD)
In the many years that I have been following Ani she has done some great albums, and taken some paths that i have not followed, but this is a path i would follow over and over again. This album speaks to me on so many levels. What my friends and I lovingly refer to as "angry chick music" has blossomed over the years into so much more, and this album reflects that beautifully. No longer the angry girl with guitar (for quite some time - though i wont admit how long!) she is a beautiful songwriter, a talented musician, and so much more, and all of that shines through on this album...
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Most Helpful Customer Reviews on Amazon.com (beta) Amazon.com:
3.5 out of 5 stars (29 customer reviews) 24 of 26 people found the following review helpful
2.0 out of 5 stars
Eh. Just ok.,
By Crystal M. Russell - Published on Amazon.com
This review is from: Red Letter Year (Audio CD)
I've been a die-hard Ani fan for 12 years. I buy each album she puts out without question, and will probably consider to do so, hoping she will shock and awe me as she once did in the days of Dilate and Little Plastic Castles.Red Letter Year seems to be at the bottom of a downhill slide that started when she began playing with the voice-synthesizer and instrumentals. So much of Red Letter Year has been so overly-synthesized that you can barely hear her voice, much less make out what she's saying. Sure, some of it rings through, and you get those wonderfully Ani lyrics, but, despite much searching, I can hardly find anything here that reminds me of why I love her. Normally, I find one or two (or three or four) songs per album that I replay incessently for weeks and months on end. There's nothing here that made me want to listen to the CD more than once. I am saddened by it, but hope that Ani will make a comeback with something more relevent, something more "ani", for her old, diehard fans. 21 of 24 people found the following review helpful
4.0 out of 5 stars
Finally, the band works!,
By K. Gallagher - Published on Amazon.com
This review is from: Red Letter Year (Audio CD)
I was always crazy about Ani's solo work, going back to the early 90's, but I have always regretted her decision to try to develop a full band -- the amazing qualities of her musicianship and songs never translated to an upright bass, terrible horns, and marginal rotating bandmates. However, the new album achieves some awesome heights, particularly the tracks 'Red Letter Year', 'Alla This', and 'Smiling Underneath'. Her signature percussive guitar attack is all but gone, but I think she finally may have found a sound with her band. The drums are extraordinary throughout, and some very interesting effects/sounds pepper many of the songs. However, even more so than the improvements in the band, Ani's voice has reached an incredible maturity. In many songs, there's a simple (yet very strong) sweetness to it, and very seldom do you hear the overly-affected vocal tremolo that has marred her singing style on the last few albums. If you take away the inexplicably horrible final track (which sounds like a bunch of drunk high school band castoffs trying very unsuccessfully to sound "fun"), this album is truly a treat. Highly recommended, especially for those who may have been avoiding her recent albums due to the reduction of the visceral results of her and her acoustic guitar. Great job Ani!!
8 of 8 people found the following review helpful
4.0 out of 5 stars
Conquering/being conquered by New Orleans,
By Paul Allaer - Published on Amazon.com
This review is from: Red Letter Year (Audio CD)
Ani Difranco relocated from Buffalo to New Orleans, and this has clearly had a profound effect on her writing and musical style. And at all that (plus having become a mom) hasn't stopped Ani from continuing to be the prolific writer that she's always been. This is Ani's 18th proper studio album (never mind the many live albums and compilations)."Red Letter Year" (12 tracks, 47 min.) brings a renewed focus from Ani. After a disappointing opening title track (yes, we get it, you don't like Bush) that is simply not interesting musically, the album kicks into gear with "Alla This", which immediately brings forward the influence of New Orleans and the Louisiana music underground. The album features plenty of horns and other brass music, and Ani makes the best of it. There remain of course several tracks of more traditional Ani songs, sparse, with acoustic guitars (such as on "Star Matter"). One of my favorite tracks is "The Atom", a beautiful pensive tune with such lines as "I had a great great uncle who worked on the atomic bomb/He got a nobel price in physics and a place in this song", hehe. The album closer is an instrumental reprise of the title track, a full brass all-out re-interpretation, just beautiful. In all, "Red Letter Year" is a most welcome addition to the rich Ani Difranco catalog. I saw Ani in concert earlier this year at the Langerado festival in South Florida, and she brought a tremendous set, playing many of the classics along with a couple tracks from this album (which by then was not out yet). |
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