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"This intelligent, wide-ranging book brings Bach's eternal music into conjunction with the forces of history. Paul Elie makes us realize how even great music, if it is to last over time, must change in order to stay the same." -- Wendy Lesser
"From the stately 'Sheep Shall Safely Graze' and the solemn St. Matthew Passion to the wildly exuberant Fantasia and Gould's Goldberg Variations, the music of Bach often serves as a listener's introduction to classical music. In this brilliant and passionate appreciation, Elie (The Life You Save May Be Your Own) offers not only a brief biography of the great musician but an exceptional study of the ways that numerous musicians have rendered Bach's music through the years through various technologies. Bach's music has been interpreted to suit new inventions, from the 78-rpm record, the LP, and headphones and Walkman to the compact disc and digital file. These inventions have taken the music into new contexts, from the living room to the open road to outer space (Voyager carried a recording of the first prelude of book one of The Well-Tempered Clavier). Bach himself was an inventor, fashioning a new musical instrument, the lautenwerk, or lute-harpsichord, and composing "Inventions," short, tight keyboard pieces. Elie devotes chapters to various artists who used the technologies of their time to reconsider Bach and introduce his music to a new audience. The famed medical missionary Albert Schweitzer, for example, was also an accomplished organist whose biography of Bach as well as his recordings of Bach's Fugue in D Minor on wax-cylinder recordings introduced Bach's music to a world beyond the church. Pablo Casals recorded Bach's cello suites on 78-rpm record albums, bringing Bach into living rooms everywhere. Reading Elie's stately and gorgeous prose is much like losing oneself in Glenn Gould's Goldberg Variations, for his study convincingly demonstrates that the music of Bach is the most persuasive rendering of transcendence there is." -- Publishers Weekly (starred review)
"The author of The Life You Save May Be Your Own (2003) returns with a tour de force about Johann Sebastian Bach and a description and assessment of the recordings that have made his work an essential part of our culture. Elie, a former senior editor with FSG and now a senior fellow at Georgetown University's Berkley Center for Religion, Peace, and World Affairs, tells a polyphonic tale, weaving throughout his narrative a history of the recording industry and brisk biographies of Bach and the 20th-century performers who first recorded his work for mass audiences, including Albert Schweitzer, Leopold Stokowski, Pablo Casals and Glenn Gould. The author begins with a snapshot of Bach's pervasive presence today, then takes us back to 1935 and Schweitzer's recordings of Bach's organ works on wax cylinders. Throughout the text, Elie moves us forward in the history of technology -- from 78s to LPs to tapes to CDs to MP3s, showing how Bach managed to remain relevant. We also follow the careers of his principals; Elie's treatment of the talented and troubled Gould is especially sensitive and enlightening. Occasionally, the author enters the narrative for a personal connection, perhaps nowhere more affectingly than in his account of the time he danced in the rain on the Tanglewood grass while Yo-Yo Ma played a Bach cello suite. Elie also tells us how other cultural figures have employed the music and the man -- e.g., Douglas Hofstadter's 1979 book Godel, Escher, Bach, the 1968 album Switched-On Bach and the use of Bach in films and on TV. The author's passion, thorough research and imaginative heart produce one revelation after another." -- Kirkus (starred review)
"[Reinventing Bach] is a book of epic sweep, like a novel made up of multiple strands...Elie deploys considerable scholarship...and he writes beautifully. He makes a strong case that within less than a century a succession of new recording media...have brought Bach's music, in multiple versions, to vast numbers of new listeners at the press of a button. It is a luxury previously unavailable even to princes, who in order to enjoy live performances had to employ entire orchestras. Recording technology has made a monarch of everyone. A chapter or two into the book, you will find yourself reaching out for your 'Goldberg Variations.'" -- The Economist
Paul Elie, for many years a senior editor with FSG, is now a senior fellow with Georgetown University's Berkley Center for Religion, Peace, and World Affairs. His first book, The Life You Save May Be Your Own, received the PEN/Martha Albrand Prize and was a National Book Critics Circle award finalist in 2003. He lives in New York City.See all Product Description