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Rendering in Pen and Ink: The Classic Book On Pen and Ink Techniques for Artists, Illustrators, Architects, and Designers
 
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Rendering in Pen and Ink: The Classic Book On Pen and Ink Techniques for Artists, Illustrators, Architects, and Designers [Paperback]

Arthur L. Guptill
5.0 out of 5 stars  See all reviews (7 customer reviews)
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Rendering in Pen and Ink: The Classic Book On Pen and Ink Techniques for Artists, Illustrators, Architects, and Designers + Sketching Your Favorite Subjects in Pen & Ink + First Steps Drawing in Pen & Ink
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Product Description

Product Description

Arthur L. Guptill's classic Rendering in Pen and Ink has long been regarded as the most comprehensive book ever published on the subject of ink drawing. This is a book designed to delight and instruct anyone who draws with pen and ink, from the professional artist to the amateur and hobbyist. It is of particular interest to architects, interior designers, landscape architects, industrial designers, illustrators, and renderers.

Contents include a review of materials and tools of rendering; handling the pen and building tones; value studies; kinds of outline and their uses; drawing objects in light and shade; handling groups of objects; basic principles of composition; using photographs, study of the work of well-known artists; on-the-spot sketching; representing trees and other landscape features; drawing architectural details; methods of architectural rendering; examination of outstanding examples of architectural rendering; solving perspective and other rendering problems; handling interiors and their accessories; and finally, special methods of working with pen including its use in combination with other media.

The book is profusely illustrated with over 300 drawings that include the work of famous illustrators and renderers of architectural subjects such as Rockwell Kent, Charles Dana Gibson, James Montgomery Flagg, Willy Pogany, Reginald Birch, Harry Clarke, Edward Penfield, Joseph Clement Coll, F.L. Griggs, Samuel V. Chamberlain, Louis C. Rosenberg, John Floyd Yewell, Chester B. Price, Robert Lockwood, Ernest C. Peixotto, Harry C. Wilkinson, Bertram Grosvenor Goodhue, and Birch Burdette Long. Best of all, Arthur Guptill enriches the text with drawings of his own.

About the Author

Arthur L. Guptill (1891-1956) who co-founded Watson-Guptill Publications and was co-editor of American Artist magazine, was an architect, a painter, an art director, an author, and a teacher. Born in Gorham, Maine, he graduated with a degree in architecture from Pratt Institute in 1912, and then studied at the Massachusetts Institute of Technology. A partner in Bearse & Guptill, architectural designers and illustrators, from 1919 to 1925, Mr. Guptill was a freelance specialist in design, freelance advertising artist, and advertising agency consultant from 1916 to 1937. The founder, president, and director of activities of the Amateur Artists Association of America, Mr. Guptill wrote numerous art instruction books. He taught at Pratt and the Brooklyn Museum and was a member of the Art Directors Club of New York and a fellow of the Royal Society of Arts in England. Susan E. Meyer was born and raised in New York City. She was graduated from the University of Wisconsin and attended the Universita per Stranieri in Perugia, Italy. Ms. Meyer has had a long history of involvement with Arthur Guptill's work. For over seven years, as managing editor of Watson-Guptill Publications, the company he co-founded, she compiled and edited his books. In that capacity, she also compiled, edited, and collaborated on a number of other books on watercolorists and their techniques, painting portraits, and designing with type. In addition, Ms. Meyer was editor of American Artist magazine, where Guptill himself was once co-editor. She is the author of over a dozen books and is currently the director of Roundtable Press, Inc. in New York City.

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Customer Reviews

7 Reviews
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Average Customer Review
5.0 out of 5 stars (7 customer reviews)
 
 
 
 
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4 of 4 people found the following review helpful
5.0 out of 5 stars No other book is necessary, April 2 2002
By 
Elizabeth "Reader" (Bronx, NY, United States) - See all my reviews
(REAL NAME)   
This review is from: Rendering in Pen and Ink: The Classic Book On Pen and Ink Techniques for Artists, Illustrators, Architects, and Designers (Paperback)
If you have a desire to learn to draw with pen and ink this is the first book you should buy. It is thorough and informative. It goes into great detail about different techniques used to obtain certain effects (or textures). I refer to this book time and time again, and although my main media is not pen and ink, I cannot help but to be inspired by his lessons.

This is a fun medium and an inexpensive one. If you are truly interested in learning the ins and outs of pen and ink drawing and can only afford one book, this is the book.

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4 of 4 people found the following review helpful
5.0 out of 5 stars Your 'Bible' for Pen & Ink!, Nov 21 1999
By 
Jim Sprague Jr. "Artist" (San Diego, CA USA) - See all my reviews
(REAL NAME)   
This review is from: Rendering in Pen and Ink: The Classic Book On Pen and Ink Techniques for Artists, Illustrators, Architects, and Designers (Paperback)
This book is: 1) To the point and clear to understand. 2) Detailed with explainations for all techniques. 3) Filled with illustrations and examples cover-to-cover. I consider this to be my 'bible' for Pen & Ink. I was able to learn so much in such a short amount of time. It made my experience, excelling in this media, fun and enjoyable to go through! This is a MUST to have in your collection!
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3 of 3 people found the following review helpful
5.0 out of 5 stars Brilliant book for any illustrator!, Feb 21 2004
By 
Stephen Ressel (North Dakota, USA) - See all my reviews
(REAL NAME)   
This review is from: Rendering in Pen and Ink: The Classic Book On Pen and Ink Techniques for Artists, Illustrators, Architects, and Designers (Paperback)
This book, published in 1930, was once out of print for a span, but has become a mainstay of illustration books since reprinted in the 1970's. While the average modern illustrator/comic artist would pick it up and think, 'Ew. Old Stuff', it provides all the necessities on how to arrange, light, crop, render and delineate objects.

When I picked it up in art school I used it a bit, read it a bit and then forgot it because I went into an art form that didn't use illustrative technique as specifically shown in this book. Now, getting back into ink drawing, I have rediscovered this book and realize it is probably the best illustration book on the market. Purely brilliant in an age where most books on art are very sloppy, watered dowqn or mis-informed.

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