Repo Man is a twisted movie, which blends social satire, sci-fi, suburban angst and consumerism targets that were prominent in the 1980s, such as TV preachers, people who claimed to see UFOs, and angry punk rockers rebelling against the gamor of the decade. Emilio Estevez plays a nihilistic young male out of a job and practically robbed of a future when his parents, apparently hippies or born-again Christians, give all of his savings away to a TV preacher so they can 'send bibles to El Salvador,' according to the holy mission of this evangelist that appears in the movie often. He meets up w/ Bud, who offers him [money]to move his wife's car out of a 'bad area,' presumably a ghetto. After the chaotic scene, Otto (Estevez's character)knew something was up, and gets dragged into becoming a 'repo man,' a guy that repossesses cars when the owners do not pay their bills.
The company, among other parties, such as eccentric UFO spotters, and the Rodriguez brothers, are after this one car driven by a lobotomized scientist which contains some alien device of some sort in its trunk that disintegrates those who come in cotact with it, such as a highway patroman and one of Otto's punk rock anarchist friends. The movie consists of nothing but chaos throughout the plot in which all the groups invovled try to get hold of this Chavrolet Malibu, and the ending is rather surprisng, but very cheesy at the same time. The sci-fi effects in this movie are dated, and scream 80s (after all this movie was made in 1984), but its satirical edge and rather cryptic storyline make Repo Man an interesting, but occassionally bewildering film.