Requiem for Battleship Yamato [Hardcover]

Requiem for Battleship Yamato is about sacrifice-immolation on the altar of national survival. It was written not to needlessly lionize the wanton sacrifice of combatants in order to bring to an end what one historian called "a war to establish and revive the stature of man." Instead, it was written, and properly so, as catharsis: Yoshida Mitsuru, as a 20-year old ensign on the bridge of the Yamato during its final voyage, had witnessed War, and thus wished that future generations would no longer be called upon to "prove themselves worthy," and to bear the burden of armed conflict.

Yoshida's prose satisfactorily captures the spirit on board the Yamato prior to its climactic encounter. Yet there is no way to adequately describe what the men of the Yamato went through during the ship's final hours. One author called it "a glorious way to die." Alternatively, the battle could be described as a nautical siege, a maritime battle of Troy. There is no apotheosis in death; death is merely a release from duty. During the battle, one man struggles to keep the deck clean by throwing overboard limbs severed by bomb shrapnel or machine-gun fire. Below decks, men grapple with the bodies of their comrades; once-inviting hot tubs (the Yamato has several of them, we are told) are filled to the brim with the ranks of the dead. In the bridge, officers are mowed down by machine-gun bullets. There is no sanctuary aboard the most massive dreadnought ever constructed.

This is a highly readable book, redolent with poignant memories, written by a man who had the courage to confront his phantoms. Through Yoshida's book, many souls who fought during the Pacific War found a voice.

"Three thousand corpses, still entombed today. What were their thoughts as they died?"

For this reason alone 'Requiem for Battleship Yamato' would command attention even if it were only an average work. But it is not an average work; it is a classic in the truest sense of this much abused word, which must be placed alongside books such as 'The Last Enemy' by Richard Hillary.

Written in a spare, almost poetic style, 'Requiem' tells the story of the Yamato's last doomed sortie from the viewpoint of one of her junior officers. Alongside glimpses of life on board the great battleship, we gain an insight into the thoughts and personal lives of her crew as they prepare for what most realise will be a mission from which there will be no return.

As the tension mounts and enemy forces close in for the inevitable kill, Yoshida provides a moving commentary on the Yamato's last days and hours, with poignant vignettes of such figures as the force commander Vice Admiral Ito, who had correctly appreciated the futility of the mission yet carried out his task with calm resolution.

With the Yamato entering her final death agony, Yoshida gives us harrowing descriptions of the effects of explosives and steel on human flesh - a timely reminder in this age of glossy propaganda of the true face of battle. Then there is the homecoming, with Yoshida's personal struggle to come to terms with the meaning of his survival while so many of his comrades are dead.

No review of this book would be complete without acknowledging the outstanding work of its translator, Richard Minear, who has also provided an excellent introduction. Thanks to his efforts, this work will not only be read with profit by the military historian, but anyone who seeks to broaden his understanding of the human condition.

Written as a tribute to his shipmates, "Requiem" is also a powerful anti-war book.