While I have only had the opportunity to hear one other version of this piece (Shaw/Atl) I can confidently say this recording does not disapoint. The quartet--which interestingly highlights the bass and mezzo more than the tenor and soprano, I think--is fantastic, as is the chorus, orchestra, and conducting. If this recording could be said to have any flaws, it would be, of course, Suthland's diction; also, Horne's singing is a matter of taste. Personaly, I think there is nothing in the world like those tenoresque lines in the "Liber scriptus." Every word sung by Tavela is beautiful, but I'd have to say the most heartstopping moment is Pavorotti's entrance in the Kyrie--it is absolutely breathtaking.