Retribution opens with the raucous festivities surrounding the annual procession to honor the Bodhisattva Guanyin. Changsheng, the young wife of the local coffin maker Liu Laoshi, is raped while making an offering to Guanyin in the hope of increasing her chances of bearing a son. Changsheng hangs herself following the encounter, and Liu Laoshi exacts bloody vengeance on the rapist's own wife and favorite prostitute. This act of sexual violence and its retribution provide the narrative pivot around which is woven a web of interconnecting stories, whose characters and events provide divergent perspectives on the rape and its aftermath. The result is an unforgettable exploration of the intersections of sexual desire, sadism, folk belief, and the inexorable cycles of karmic retribution.
Retribution
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Review
Li carves out a dark novel set in the red light district of the small Jiling township... What unfolds is a melange of stories told from the perspective of various townspeople concerning the individuals, events, and aftermath of [a] single, fateful evening... Like works by Hong Ying, the narratives are brutally real and even sinister at times. Library Journal The novel explores the intersections of sexual desire, sadism, folk belief and karmic retribution. Indianapolis Star The Jiling Chronicles...will demostrate to the English-reading world why he has been critically indentified as a premier writer of Chinese fiction in our time. -- Timothy C. Wong World Literature Today The English publication of Li Yong-p'ing's intriguing and complex novel is certainly timely and most welcome. -- Lingchei Letty Chen MCLC List 3/1/2006
About the Author
Li Yung-p'ing is a Chinese-Malaysian writer and one of Taiwan's best-known and most controversial novelists. His other works include Haidong Qing and Zhu Ling's Wanderings in the Wonderland.Howard Goldblatt is professor of Chinese literature at the University of Notre Dame. He is translator of The Taste of Apples (Columbia, 2001) and co-editor of The Columbia Anthology of Modern Chinese Literature (Columbia, 1996). Sylvia Li-chun Lin is assistant professor of East Asian languages and literature at Notre Dame. Together they have translated Chu T'ien-wen's Notes of a Desolate Man and Alai's Red Poppies.
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First Sentence
Everyone who saw her said she was good-looking, but no one could have foreseen how such pure, unaffected beauty would one day turn into a curse. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt
Everyone who saw her said she was good-looking, but no one could have foreseen how such pure, unaffected beauty would one day turn into a curse. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt
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