Revelation Space Paperback – Feb 4 2013
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Alastair Reynolds's first novel is "hard" SF on an epic scale, crammed with technological marvels and immensities. Its events take place over a relatively short period, but have roots a billion years old--when the Dawn War ravaged our galaxy.
Sylveste is the only man ever to return alive and sane from a Shroud, an enclave in space protected by awesome gravity-warping defences: "a folding a billion times less severe should have required more energy than was stored in the entire rest-mass of the galaxy." Now an intuition he doesn't understand makes him explore the dead world Resurgam, whose birdlike natives long ago tripped some booby-trap that made their own sun erupt in a deadly flare.
Meanwhile, the vast, decaying lightship Nostalgia for Infinity is coming for Sylveste, whose dead father (in AI simulation) could perhaps help the Captain, frozen near absolute zero yet still suffering monstrous transformation by nanotech plague. Most of Infinity's tiny crew have hidden agendas--Khouri the reluctant contract-assassin believes she must kill Sylveste to save humanity--and there are two bodiless stowaways, one no longer human and one never human. Shocking truths emerge from bluff, betrayal and ingenious lies.
The trail leads to a neutron star where an orbiting alien construct has defences to challenge the Infinity's planet-wrecking superweapons.
At the heart of this artefact, the final revelations detonate--most satisfyingly. Dense with information and incident, this longish novel has no surplus fat and seems almost too short. A sparkling SF debut. --David Langford --This text refers to an alternate Paperback edition.
From Publishers Weekly
This distant-past/far-future, hard sci-fi tour de force probes a galaxy-wide enigma: why does spacefaring humanity encounter so few remnants of intelligent life? Excavating the 900,000-year-old Amarantin civilization on its home world, Resurgam, archaeologist Dan Sylveste discovers evidence of a splinter cult that abandoned Resurgam for the stars but returned, only to be swallowed up by a mysterious cataclysm that destroyed all the Amarantins. Aboard the Nostalgia for Infinity, a vast light-hugger ship in interstellar space, the ominous Triumvirate of cyborg starfarers seeks Sylveste to heal its captain, afflicted by the deadly Melding Plague, which turns once-humans into their own semisentient spaceships. In Chasm City on the slum-ridden world of Yellowstone, assassin Ana Khouri joins the Nostalgia's crew intent on killing Sylveste. Clearly intoxicated by cutting-edge scientific research in bioengineering, space physics, cybernetics Reynolds spins a ravishingly inventive tale of intrigue. Hard SF addicts will applaud the author's talent for creating convincing alien beings and the often uneasy merging of human and machine intelligence, depicted here as nearly too frighteningly real for comfort. Others, however, may find these human-cybernetic hybrid characters chilling, dispassionate (except for their built-in drives toward revenge and murder) and foreboding. Reynolds's vision of a future dominated by artificial intelligence trembles with the ultimate cold of the dark between the stars.
Copyright 2001 Cahners Business Information, Inc.--This text refers to an out of print or unavailable edition of this title. See all Product Description
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Top Customer Reviews
However, Reynolds is not a good writer. His characters exist merely to move the story forward. I don't think any of the main three could seriously be called "heroes". It doesn't matter to me that they're all working against each other at certain times, but none of them ever seems real enough. Sylveste is a slightly egomaniacal scientist obsessed with uncovering the mystery of the disappearance of a race of aliens thousands of years ago. Ana Khouri is a mercenary hired by a mysterious stranger to kill Sylveste. Volyova is the commander (sort of) of a giant starship (mentioned above) that is also searching for Sylveste, because she needs his help. Beyond that, they are interchangeable. Only their motivations differ - they speak in the exact same voice, and their actions are hardly distinctive. You wouldn't recognize these characters if you happened to meet them anywhere else; they're just plot devices, and that is incredibly irritating.
The book takes about 200 pages too much in getting its plot worked out. It's very long, and I'm not sure how much of that length is really essential to the whole. Reynolds spends a lot of time with flashbacks - not important ones, just brief ones to tell you what a character was doing ten minutes before he/she was doing something else. Utterly superfluous.Read more ›
Many reviewers pointed out flat characters and a messy storyline. Maybe I've read more than my share of bad SF, but I found it was the case on neither account. The characters of Sylveste, Pascale, Khouri and Volyova can never truly be assigned a stereotype, and they sometimes acted in irrational ways that I found perfectly consistent with their backgrounds. The story does take time to evolve, but when it does, it poses a clever and interesting enigma that is satisfactorly unravelled at the end.
Storytelling-wise, this is not an earth-shattering novel; but it's a fine yarn. It reminded me of Clark's 'Rendezvous with Rama', in that much of the suspense and interest of the story lies in a mysterious alien artifact. This artifact generates a genuine sense of wonder and satisfaction at the originality of the concept.
Throughout the novel, Reynolds has sewn incredible concepts of far-future technology. These are too numerous to recount, but the descriptions of the strange life aboard the ship Nostalgia for Infinity was very satisfying in a 'Golden Age of SF' sense. Also of great interest are the (rare) aliens that populate Reynolds' universe: their evolution, motives and forms are quite refreshing and truly alien.
It might be a mistake to pick up this book hoping for a strong character-driven story. The characters are stronger than most SF novels, but they DO act in ways that further the plot instead of making absolute sense. But if you're interested in a genuinely original take on the future of mankind, as well as a thought-provoking reflection on life in the Universe, you could do much worse than pick up this book.
And it almost is - but not quite. The plot itself is fine, as far as it goes - an obsessed scientist who rules (badly) a feeble backwater colony is first deposed by his subjects and then abducted by a starship crew who need his technological expertise to cure their Captain of a strange nanotechnological disease; in return, he demands that they transport him to a strange moon that seems to hold the secret to the mysterious demise of an ancient alien civilization.
This summary is hardly more than a thumbnail sketch. The motion of the plot is, at times, as dense as the neutron star that figures prominently in the novel; and the scope is as widescreen as one could wish, careering anarchically between worlds and centuries. But the fun, the spontaneity, is absent. It feels like Reynolds is going through the motions, like he's reduced the modern baroque space opera to its component bits and is merely dutifully and rather joylessly reassembling them.
At first it's hard to pin down exactly where REVELATION SPACE falters, because so much of it works quite well. While Reynolds, a practicing astronomer, lacks the focused, laserlike literary brilliance of a Gene Wolfe or a Michael Swanwick, neither is his prose colorless and oatmeal-bland (as happens all too often to scientists-turned-writers).Read more ›
Most recent customer reviews
Having first read the superb `House of Suns', I couldn't wait to read more Alistair Reynolds and decided to go back to the beginning. Read morePublished 8 months ago by Willy Eckerslike
The start of a very long science fiction trilogy , with hard core science fiction fans in mind.Published 18 months ago by Spencer21
The depth of the science part of this fiction just keeps getting deeper and deeper, to dizzying heights. Great read.Published 19 months ago by Jonathan McKinnell
This was one of the first sci-fi books I ever read a number of years ago. I thoruougly enjoyed it and most (admittedly, not all) of the other books he wrote afterward. Read morePublished on July 17 2012 by Blazed Linen
A complex set of sub-plots add up to a generally enjoyable "read". As others have pointed out, character development is a bit spotty, but that doesn't relly detract in any... Read morePublished on Jan. 3 2010 by Malcolm
Alastair Reynolds work is not for the illiterate or impatient Star Wars/Star Trek serial reading types. His work stands head and hands above the mundane SF pulp that's out there. Read morePublished on Jan. 13 2009 by eater of books
I had never read Alastair Reynolds before. This book is a true wonder of science fiction, but it also stands very well on its own simply as a novel. Read morePublished on Jan. 2 2006 by Aldo Ferrante
This is appallingly written. Some gems:
"Fire burned in their minds too, but this was the unquenchable fire of being."
"'Assassination tools! Read more
I take issue with those who say that Reynolds can't write or is unimaginative. It's amazing writing, and one of the most creative books I've read in some time. Read morePublished on May 1 2004