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Revolution in the Air: The Songs of Bob Dylan, 1957-1973 [Hardcover]

Clinton Heylin
4.0 out of 5 stars  See all reviews (1 customer review)
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Book Description

April 1 2009 1556528434 978-1556528439

The first of two volumes, this companion to every song that Bob Dylan ever wrote is by far the most comprehensive book on the words of America’s greatest songwriter. Here you’ll find not just opinionated commentary or literary interpretation, but facts, first and foremost. Clinton Heylin is the world’s leading Dylan biographer and expert, and he has arranged the songs--including a number that have never been performed--in a continually surprising chronology of when they were actually written rather than when they appeared on albums. Using newly discovered manuscripts, anecdotal evidence, and a seemingly limitless knowledge of every Bob Dylan live performance, he has uncovered a wealth of information about the songs, leaving no stone unturned in his research.

            Here we learn that the middle verse of “Blowin’ in the Wind” was written much later than the first and third verses; that “The Lonesome Death of Hattie Carroll” was based on a complete distortion of the facts of the case; that “Mixed Up Confusion,” despite being Dylan’s first single, was composed later than many of his early masterpieces; that “Fourth Time Around” was a direct response to John Lennon’s “Norwegian Wood”; and much more.

            Reading this volume will fundamentally change how you hear Dylan’s songs and will make you want to revisit the man’s lesser-known masterpieces. This is an essential purchase for every true Bob Dylan fan--and perhaps your most essential purchase, for, as a guide to the man’s work, it will never be surpassed.


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Review

"Documents the nuts and bolts."  —Rolling Stone


"One of the most important volumes in the already groaning Bookshelf of Bob"  —Houston Press



True to form, Heylin digs deep—way deep—into the songs, mixing cold hard facts with illuminating anecdotes."  —Mark Smith, managing editor, Acoustic Guitar


"A magnum opus that anyone curious about, fascinated by, and devoted to His Master's Voice will want to read and ponder."  —Jonathan Cott, author, Dylan, and editor, Bob Dylan: The Essential Interviews



"An exhaustive look at one of the 20th century's best and prolific songwriters…uncovers tons of info about these timeless tracks."  —Cleveland Scene



"An excellent supplement to a good Dylan biography . . . including Heylin's highly empirical Behind the Shades."  —Arkansas Democrat-Gazette



"Comprehensive . . . obviously written very lovingly."  —PopMatters.com



"Revolution in the Air, like its precursor, Ian McDonald’s Revolution in the Head about the Beatles' recordings, is an invaluable guide to have by your side as you traverse this monstrous body of work."  —NUVO

About the Author

Clinton Heylin is the author of Bob Dylan: Behind the Shades, So Long as Men Can Breathe: The Untold Story of Shakespeare’s Sonnets, Can You Feel the Silence: Van Morrison, From the Velvets to the Voidoids: The Birth of American Punk, Despite the System: Orson Welles vs. Hollywood, Babylon’s Burning: From Punk to Grunge, The Act You’ve Known for All These Years: A Year in the Life of Sgt. Pepper and Friends, All Yesterday’s Parties: The Velvet Underground in Print, Bob Dylan: The Recording Sessions, and others.


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2 of 2 people found the following review helpful
4.0 out of 5 stars puts things in context Nov 23 2009
Format:Hardcover
One often wonders if the lyrics are first or the melody. One almost never knows what caused the author to write the song in the first place.there are a lot of Dylan songs that perhaps you copuld care less about the mood he was in, or the girl he was with, or whatever.But there are many many songs where the additonal info can bring a new dimension to the song. Heylin's book covers that ground in detail and for that reason it is a great addition to the stacks of Dylan albums I own. Good job
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Amazon.com: 3.1 out of 5 stars  16 reviews
46 of 54 people found the following review helpful
2.0 out of 5 stars Sadly disappointing April 6 2009
By Manfred Helfert - Published on Amazon.com
Format:Hardcover
Just received this today (from amazon.de) - and I'm sadly disappointed by the pretentious and rather sloppy research.

Nothing really new here - no really new insights, but mostly a repetition of material found elsewhere already and treated in a more reliable and considerably more scholarly way in books like Michael Gray's The Bob Dylan Encyclopedia or Oliver Trager's Keys to the Rain.

Add to this Heylin's rather condescending tone, everybody else's research (in his eyes) seems to be faulty and cannot be trusted - just savor this rather pompous statement:

"Needless to say, the Internet has also provided endless opportunities for the unpublishable, self-appointed "expert" to pontificate on the man and his art, but I have felt little inclination to fuel their self-importance, with a citation here." (p. 451)

As condescending (or outright arrogant) Heylin is in (several) statements like these throughout the book whenever other people's research/work is concerned, he obviously has no scruples whatsoever to exploit the websites of these "unpublishable" peons (in his eyes) rather extensively, presenting their findings in a way that suggests that these are his own without crediting his sources appropriately, thus rendering his book as academically rather useless, even bordering on plagiarism.

A particularly blatant example is to be found on p. 136. Heylin writes that "Judy Collins, in a 1996 email regarding the two songs, confirms that 'the Seven Curses are related to Anathea'" and extensively quotes from this email, creating the impression that he had been the recipient of it, whereas he "lifted" this email (without credit to his source and proper attribution) verbatim from [...] whose webmaster (and not Heylin) had received it from Judy Collins back in 1996.

It is this obvious lack of scholarly ethics (not crediting sources that one considers "below par" while at the same time using and exploiting them for one's own gain and "glory") which exposes Clinton Heylin as what he claims others to be: a basically "unpublishable" (his book is rather boring to boot), mostly self-appointed "expert".

Do yourselves a favor and do not fuel Heylin's self-importance by buying this hyped and pretentious product (except for a comparison to those by Michael Gray, Oliver Trager, or Derek Barker's Bob Dylan: The Songs He Didn't Write and Todd Harvey's The Formative Dylan -- all of those present an unbiased scholarly approach devoid of the obvious hybris found throughout Heylin's book, a clear distinction between these authors' own research with properly attributed and credited citations from sources and websites consulted and not merely "exploited" without proper credit as in Heylin's case).

To sum it up: Pretentious and hyped in advance but found to be scholarly totally unreliable (sources not credited properly in academic fashion). Sadly disappointing....
12 of 14 people found the following review helpful
4.0 out of 5 stars Brings it back home to what matters: the songs May 1 2009
By Southern Boy - Published on Amazon.com
Format:Hardcover
I agree with part of the two previous reviewers' comments: Heylin is unnecessarily self-hyping, especially for a biographer. He inserted himself (and what appears to be a perpetual grumpy-older-guy persona) into his biography of Van Morrison ("Can You Feel The Silence?"), ruining what otherwise would have been an enjoyable read for me.

Similarly, he has so many axes to grind with other Dylan writers in his preamble to "Revolution In The Air," you feel he wants a fight with them more than to speak the truth about his subject -- which is Dylan, not those other writers.

Still... this book is so rich. First, it concentrates on the songs. Not "the legend." And it mostly leaves critical comments about specific songs behind, instead just detailing circumstances and background behind their writing. That levelheadedness is valuable in the hothouse bubble of Dylan criticism.

And this book just reminds you where the hothouse really was -- in Dylan's inspired brain. Especially in the 60s which is most of what this first volume covers. (A second volume is planned.) It focuses your attention on Dylan's amazing crawl from copying Woody Guthrie to... replacing him, if you will. An amazing journey.

And the journey is all about those songs. I found it a fascinating read and very hard to put down. I recommend the book highly, even with the caveats about Heylin's personality mentioned above.
17 of 21 people found the following review helpful
1.0 out of 5 stars Could have used a fact checker (and an ego checker) April 27 2009
By Adam Selzer - Published on Amazon.com
Format:Hardcover
Clinton Heylin is notorious for editorializing in works that are supposed to be scholarly, as well as for spending a lot of time bad-mouthing everyone ELSE who writes about Dylan. Here, he's in rare form, lodging one complaint after another about Dylan critics (who are, in many cases, actually better writers AND better historians than he is). While there is some new information here that will make the book useful for Dylan fans, there is so much inaccuracy among the known facts that the new information has to be considered questionable (in particular, when he mentions whether a song was performed on the Neverending Tour, when it was first performed, or how often it was performed, the information given is often demonstratably false, despite the fact that the information is VERY easy to obtain). As usual, though, it's not the inaccuracy that makes this book hard to read, it's Heylin's usual sniveling, self-satisfied tone. The act of writing a book about someone else is, by nature, something of an unselfish act, but Heylin manages to look like an egomaniac in the process.
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