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The Revolution by Night [Import]

Blue Öyster Cult Audio CD
3.7 out of 5 stars  See all reviews (31 customer reviews)
Price: CDN$ 51.95
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2 of 2 people found the following review helpful
Format:Audio CD
This was the most vomited on of B.O.C.'s albums and unfairly so. 'The Michael Moorcock link ain't here!', they cried,as they did: 'Why was 'Fire ...' so much better?' and 'What's with side B (old money terms here, people)'?!).
In short, 'Revolution ...' was doomed before it had even been released. Coming just after the embers of the mercurial furor of 'Extraterrestrial Live', it had to deliver to a fan-base then-recently inebriated on B.O.C.'s back-catalog excesses. Only something one better than 'Fire of Unknown Origin' could have really taken the intoxicated honeymoon one notch higher.
It never happened and those who expected it were to be justly disappointed when this hit the racks in October '83. But, to focus on what actually is on this album, there is a great deal to be thankful for. Yes, the Aldo Nova connection is there but why is that so bad? There are many very strong tracks present. 'Take Me Away' is a complex-chord arrangement that ushers in a new age of Oysterdom. In the hard rock department there's much to celebrate in nostalgic biker piece 'Feel the Thunder', 'Shadow of California' and 'Veins'. For the romantics, we have the radio-lifted 'Shooting Shark' and 'Eyes On Fire'.
What put this album in crutches was the quality of its last third. Something may have gone wrong in songwriting or at the production level; whatever happened, the final three tracks collapsed and shamed their albumic predecessors, lowering the average and deflecting new fans (metal, unlike pop, has always been AOR so the album is more sacred than the 45).
It would be another thousand days before the group made a comeback. They put up a good fight here but it was truly an album of extremes. What rocked rocked and what bombed bombed. Unlike B.O.C.
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3.0 out of 5 stars A few great songs, but too uneven April 22 2003
Format:Audio CD
An uneven effort from BOC.
TAKE ME AWAY details the narrator's yearning to be taken away by aliens. Sounds silly when I write it down, but the song truly rocks. It starts the album off on a great note.
EYES OF FIRE is another driving song, but a bit generic.
SHOOTING SHARK is the high point. It isn't a driving, hard rocker, but a moody piece with great guitar and vocal work from Donald Roeser (Buck Dharma). A longish, expansive piece that I never tire of listening to.
VEINS. Nothing to say...I can barely remember the song and I listened to this album just recently. Nuf said.
SHADOW OF CALIFORNIA Middle-tempo rocker that is quite forgettable.
FEEL THE THUNDER deals with a ghostly motorcycle gang. Sounds a bit like BOC from the early days...which is nice.
LET GO The lyrics are a bit self-serving "B...O...C...you can be whatever you want to be" but the song was written as a kind of anthem. When I saw them in concert years ago, it made for a great singalong. It's hard to judge the song...silly but fun would be my conclusion, I guess
DRAGON LADY Also feels a little like one of their older songs. A mysterious woman with supernatural powers (either meant to be taken literally, or as just a metaphor for a difficult "normal" woman...hard to say and probably not important). It is a driving song and fun to sing along with during the chorus: "Dragon lady take you by the heart..."
LIGHT YEARS OF LOVE Yikes!!! Sounds like it was supposed to be a ballad, but frankly, it is an unmitigated mess. Avoid like the plague!!!
It's an enjoyable album with some true high points, especially for the BOC fan. I wouldn't recommend it to BOC "dabblers" however. This was the last album BOC produced that was even remotely commercially successful, and you can feel the tiredness creeping into their forumla.
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Format:Audio CD
The absence of the talented and prolific founding member Albert Bouchard might have led to fears that there would be something lacking here. Perish the thought. The band managed to produce one of their finest studio albums in the wake of his departure.
From the unexpectedly sincere yearning of 'Take Me Away' you find yourself drawn in. 'Eyes on Fire' a regretful but not syrupy lament to unrequited love is followed by the hypnotic conundrum of 'Shooting Shark' an intriguing and entrancing collaboration by Donald Roeser and Patti Smith. 'Veins' is maybe not an entirely successful Roeser co-effort with Richard Meltzer but it fits with the general mood. We'll gloss over 'Dragon Lady' - if you can't say anything nice then...Joe Bouchard just pips Roeser to the award for inconsistency managing to have a hand in one of the best tracks - 'Shadow of California' is pure, vintage BÖC - and then later what is definitely the worst track on the album - 'Light Years of Love' is pure, vintage... as I was saying about 'Dragon Lady'. 'Let Go' does take a little swallowing even for a hardened diehard like me who is ready to forgive these guys anything (with the possible exception of 'Imaginos') but it grows on you after repeated hearings. Eric Bloom's chilling and stirring 'Feel the Thunder' consolidates his position as the most consistently productive band member during this period. I was tempted to give this a five but was ruthless for the simple reason that I have to separate it from my top 5 BÖC studio albums somehow.
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Most recent customer reviews
4.0 out of 5 stars Classic album, not so classic repackaging
A fine album from BOC, featuring a few standout tunes. From the stinging guitars of "Take Me Away", to the smooth, synthesizer-washed moodiness of "Shooting Shark",... Read more
Published 10 months ago by Ricardipus
5.0 out of 5 stars The Most Overlooked Rock Album of All Time
When people think of Blue Oyster Cult, its usually 'Don't Fear the Reaper' or 'Godzilla'. If there was an album in their prolific career that all of their works should be compared... Read more
Published on June 26 2004 by Ji
3.0 out of 5 stars Quality Songwriting Buried By Horrible Production Values
What dates this album and makes it seem like one of BOC's weakest efforts is the production. Period. Read more
Published on March 4 2003
4.0 out of 5 stars Easily the best BOC album.
This is some of the best classic rock ever! If you like the hard rock, yet melodic style of the songs Burnin' For You and Don't Fear The Reaper (neither of these two songs are on... Read more
Published on Feb. 24 2003 by Greg
3.0 out of 5 stars Weakest BOC album
While this is a very good album by any standard, it's easily the least interesting Blue Oyster Cult work. The first three songs work well, and intermittently thereafter. Read more
Published on July 28 2002 by burritobrother
5.0 out of 5 stars With Eyes On Fire!!!
The best song on this album by FAR is "Eyes On Fire" with its mention of fire, it just flat out rules. Read more
Published on April 12 2002 by Fire Godd
4.0 out of 5 stars Ignore the last
This release is nowhere near as bad as some would lead you to believe. It's no Secret Treaties, but you can't live in 1974 forever. Read more
Published on Dec 20 2001
2.0 out of 5 stars When Things Went Really Bad
Although BOC had systematically watered itself down over the years since the last briliant effort, Secret Treaties, Revolution is a turning point into the worst era. Read more
Published on Aug. 20 2001 by JOHN SPOKUS
4.0 out of 5 stars Very 1983's Heavy Metal, but Still Undeniably B.O.C. :)
This record really kicks. The very first song, "Take Me Away", is my favorite. It's a great heavy metal tune that is very imaginative. Read more
Published on Aug. 2 2001 by Robert J. Schneider
5.0 out of 5 stars One of my favorite albums
I can't imagine anyone not liking this album. Great recording, lots of variety, and a few treasures. TAKE ME AWAY and SHOOTING SHARK stand out. Read more
Published on July 15 2001 by K. Christie
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