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Richard Serra
 
 

Richard Serra [Hardcover]

Hal Foster
5.0 out of 5 stars  See all reviews (2 customer reviews)

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Hardcover CDN $63.46  
Hardcover, Sep 25 2000 --  
Paperback CDN $20.60  

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Product Description

From Library Journal

A sculptor friend glancing through my review copy said "This is not for the layman." Perhaps this first volume of a new paperback series to be called "October Files" (after the art criticism journal October, from whence come many of its essays) could best be described as serious writing about serious art. Lay readers are certainly not excluded from reading serious art criticism, but this book is not intended as an introduction to or overview of the work of Richard Serra, the prominent metal sculptor. Instead, six essays, accompanied by photographs drawn from October and various exhibition catalogs, discuss various aspects of the artist's filmmaking, lead casting, sculpture siting, and philosophy. By turning an intensive gaze on particular segments of the artist's total oeuvre, the reader can proceed to a larger understanding of his work. For academic libraries.DDavid McClelland, Philadelphia
Copyright 2000 Reed Business Information, Inc. --This text refers to the Paperback edition.

Book Description

Richard Serra is considered by many to be the most important sculptor of the postwar period. The essays in this volume cover the complete span of Serra's work to date—from his first experiments with materials and processes through his early films and site works to his current series of "torqued ellipses." There is a special emphasis on those moments when Serra extended aesthetic convention and/or challenged political authority, as in the famous struggle with the General Services Administration over the site-specific piece Tilted Arc.

October Files
October Files is a new series of inexpensive paperback books. Each book will address a body of work by an artist of the postwar period who has altered our understanding of art in significant ways and prompted a critical literature that is sophisticated and sustained. Each book will trace not only the development of an important oeuvre but also the construction of the critical discourse inspired by it. The series editors are Hal Foster, Benjamin H. D. Buchloh, Annette Michelson, Yve-Alain Bois, and Rosalind Krauss.

Inside This Book (Learn More)
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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5.0 out of 5 stars (2 customer reviews)
 
 
 
 
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5.0 out of 5 stars little treasure, Sep 29 2003
By A Customer
This review is from: Richard Serra (Hardcover)
A wonderful little book to get you looking at Serra's work in a critical fashion. I haven't read all the essays just yet, but so far they've been quite good. A priori art history knowledge required, but none about Serra's work. Serra is certainly one of the greatest artists working today, so to have a little companion like this makes his work all the more interesting.
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5.0 out of 5 stars an excellent compilation, Sep 9 2003
By A Customer
This review is from: Richard Serra (Paperback)
The Library Journal review above makes this book sound terrifyingly difficult. In fact, if you're the kind of person interested in buying a critical work on Serra, you're probably "up" enough to read this with ease. It's a loose collection of interviews, criticism and essays, including what I think is the best piece I've read on Serra yet, by Krauss. Not too much prior knowledge of contemporary art history is assumed, and the book is thankfully light on defining genres and sub-sub-genres in which to put Serra's work.
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Amazon.com: 5.0 out of 5 stars (1 customer review)

1 of 2 people found the following review helpful
5.0 out of 5 stars little treasure, Sep 29 2003
By A Customer - Published on Amazon.com
This review is from: Richard Serra (Hardcover)
A wonderful little book to get you looking at Serra's work in a critical fashion. I haven't read all the essays just yet, but so far they've been quite good. A priori art history knowledge required, but none about Serra's work. Serra is certainly one of the greatest artists working today, so to have a little companion like this makes his work all the more interesting.
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