River of No Return [Import]

Marilyn Monroe described this movie as a grade-Z cowboy movie where the acting finished third to the scenery and Cinemascope. Okay, the Canadian Rockies and the rapids were utilized to its best for 1950's film-making, and MM's second film in Cinemascope must have made quite an impression in the theatres for the new aspect ratio.

It's 1875 in the wild Northwest. Matt Calder is reunited with his young son Mark in a saloon town and rather than go the usual route of prospecting, start a new life on a farm bordering the River of No Return. Their life is instantly disrupted by two events. One, gambler Harry Weston, who's one a gold claim under dubious circumstances, is eager to file the claim in Council City to prevent the loser from beating him to it. To that end, he steals Calder's horse and rifle, a capital offense in the codes of the West. Second, a group of Native Americans on the warpath descend on the farm. Both Calders and Kay, Weston's moll who stays behind to look after the injured Calder and his son, flee in time in the raft Weston and Kay arrived in.

From then on, it's a struggle to survive the rapids without any weapons, food, and constantly being drenched by that river whenever it's "wild and free." As Calder tells Kay, "The Indians call this the River of No Return. From here on, you'll find out why." He is so dead set on getting his hands on Weston, he'll risk anything, all the time looking after his two charges.

Conflicts arrive in many forms, the primary two are Kay's torn loyalties between Harry and Matt. She doesn't want Matt to kill Harry once the two meet up, and performs acts that range from desperate to being a seductive vamp, yet she realizes in their travails that he is thoughtful and unselfish, as demonstrated in the scene where he looks after her following her collapse from exhaustion. The other involves the circumstances where Matt had to leave young Mark in the saloon town for five years, and while it's justified, there is a certain amount of stigma in it.

Marilyn gets to sing four songs here, the acoustic guitar tune "One Silver Dollar" and the piano bar tune "I'm Gonna File My Claim", "Down In The Meadow", and one of the best songs she's ever sung, the title ballad. Her costumes aren't bad either, from the garish red dress she wears for the first song, the long green dress for the second tune, and the white blouse and anachronistic Levi's jeans she wears throughout the film. And this is the longest her hair has been in films, albeit it being a blonde wig, of course.

Despite the costumes, it's not a Western in the traditional sense of the word, but River Of No Return pales to others in the genre it's purported to be because it's more drama than action. Granted, this is not one of Marilyn's best films, nor is it that of Robert Mitchum's, Rory Calhoun's, or director Otto Preminger for that matter. Monroe would have to wait until The Seven Year Itch for her next biggest hit. However, both Mitchum and Monroe come off well despite the latter's dismissal of it.

20th Century Fox presents "RIVER OF NO RETURN" (1954) (91 min/Color) (Fully Restored/Dolby Digitally Remastered) -- Director Otto Preminger's only western, River of No Return is set in Canada during the 19th century Gold Rush --- Farmer Matt Calder (Robert Mitchum) is released from prison after serving a sentence for shooting a man in the back to protect a friend --- He arrives in a small town to retrieve his young son, Mark (Tommy Rettig), who has befriended a sultry saloon singer, Kay (Marilyn Monroe) --- Matt is also friendly with Kay, and thanks her profusely for looking after Mark, but distrusts her paramour, Harry Weston (Rory Calhoun) - a gambler of shady morals --- Matt and Mark return to their rural homestead, but soon glimpse Kay and Harry on a sinking raft, apparently en route to make good on a gold claim; Matt rescues the two of them, but doesn't count on Harry doing an about face, beating him up, and stealing his horse and gun --- Kay stays behind to look after Matt. Meanwhile, the Indians go on the warpath, and the defenseless trio decides to seek refuge by fleeing the farm and sailing down the river on a raft.

Filmed in gorgeous Technicolor and CinemaScope with a larger budget, due to the star power involved in the project --- Much of it would be filmed in Banff and Jasper National Parks and Lake Louise in Alberta, turning out to be an exceptional western/adventure.

Under the production staff of:
Otto Preminger [Director]
Frank Fenton [Screenwriter]
Louis Lantz [Story]
Stanley Rubin [Producer]
Cyril J. Mockridge [Original Music]
Leigh Harline (Original Music]
Joseph LaShelle [Cinematographer]
Louis R. Loeffler [Film Editor]

BIOS:
1. Otto Ludwig Preminger [Director]
Date of Birth: 5 December 1905 - Wiznitz, Bukovina, Austria-Hungary (now Wyschnyzja, Ukraine))
Date of Death: 23 April 1986 - New York City, New York

2. Robert Mitchum [aka: Robert Charles Durman Mitchum]
Date of Birth: 6 August 1917 - Bridgeport, Connecticut
Date of Death: 1 July 1997 - Santa Barbara, California

3. Marilyn Monroe [aka: Norma Jeane Mortenson]
Date of Birth: 1 June 1926 - Los Angeles, California
Date of Death: 5 August 1962 - Los Angeles, California

4. Rory Calhoun [aka: Francis Timothy Cuthbert]
Date of Birth: 8 August 1922 - Los Angeles, California
Date of Death: 28 April 1999 - Burbank, California

5. Tommy Rettig
Date of Birth: 10 December 1941 - Queens, New York
Date of Death: 15 February 1996 - Marina del Rey, California

the cast includes:
Robert Mitchum - Matt Calder
Marilyn Monroe - Kay Weston
Rory Calhoun - Harry Weston
Tommy Rettig - Mark Calder
Murvyn Vye - Dave Colby
Douglas Spencer - Sam Benson

Mr. Jim's Ratings:
Quality of Picture & Sound: 4 Stars
Performance: 4 Stars
Story & Screenplay: 4 Stars
Overall: 4 Stars [Original Music, Cinematography & Film Editing]

Total Time: 91 min on DVD ~ 20th Century Fox ~ (05/14/2002)

Marilyn doesn't play a dolly-girl in this film. She plays a very human female who has seen hardships and goes through many in the film, and takes it like a toughened woman. I've never seen her quite like this in any of her other films. I love all of her films, but this is a stand-out and unique. I wouldn't rate it as one of her best films, but she IS super in it. It's a Level 2 Marilyn film, not quite up there with How to Marry a Millionaire and The Seven Year Itch, but still pretty darn good!
Robert Mitchum is, as always, superb, and there is a good chemistry between the two. A definite must on DVD for any Marilyn fan. If only somewhat interested get the VHS, but Marilyn fans and Western fans will want the Widescreen DVD.