- Hardcover: 152 pages
- Publisher: The Menil Collection; 1 edition (April 28 2007)
- Language: English
- ISBN-10: 0300123787
- ISBN-13: 978-0300123784
- Product Dimensions: 28.8 x 25.1 x 2.1 cm
- Shipping Weight: 1 Kg
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Amazon Bestsellers Rank:
#625,437 in Books (See Top 100 in Books)
- #12 in Books > Arts & Photography > Artists, A-Z > ( P-R ) > Rauschenberg, Robert
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Product Details |
Product Description
Book Description
Robert Rauschenberg (b. 1925) began to investigate the boundaries between painting and sculpture in the 1950s, working with a variety of found objects in his Combine paintings and freestanding Combines. Later, in his Cardboard series (1971--72), he confined himself to the use of cardboard boxes, eliminating virtually all imagery, reducing the palette to a near monochrome, and commenting in subtle ways on the materialism and disposability of modern life. This book is the first to focus exclusively on Rauschenberg’s rarely seen Cardboards, along with related works from his Made in Tampa Clay, Cardbirds, Egyptian, and Venetian series.
Approximately eighty-eight Cardboards and related sculptural pieces, many from the artist’s personal collection, are reproduced in the book. Full provenance and exhibition history are provided for each work, along with a complete bibliography. In addition, distinguished scholar Yve-Alain Bois offers an insightful essay that discusses the Cardboards and situates these lesser-known but critical pieces within the context of Rauschenberg’s long and creative career.
Approximately eighty-eight Cardboards and related sculptural pieces, many from the artist’s personal collection, are reproduced in the book. Full provenance and exhibition history are provided for each work, along with a complete bibliography. In addition, distinguished scholar Yve-Alain Bois offers an insightful essay that discusses the Cardboards and situates these lesser-known but critical pieces within the context of Rauschenberg’s long and creative career.
About the Author
Yve-Alain Bois is professor, School of Historical Studies, Institute for Advanced Study, Princeton, New Jersey. Josef Helfenstein is director and Clare Elliott is assistant curator, both at The Menil Collection, Houston.
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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
5.0 out of 5 stars (1 customer review)
5 of 5 people found the following review helpful
5.0 out of 5 stars
Rauschenberg's best, Oct 29 2007
By A. Davis "asdav" - Published on Amazon.com
Amazon Verified Purchase(What's this?)
This review is from: Robert Rauschenberg: Cardboards and Related Pieces (Hardcover)
These works have a special place in Rauschenberg's oeuvre, taking his marriage of art and life to the extreme. They are profoundly literal, and to my mind, the most audacious things he's ever done. Here it is. If you want art in the modern world, if you want to see beauty in the world around you, take a cardboard box and put it on the wall. That's it. Funny how his imagination then drove him to elaborate on this theme, from simple compositions to complex phrasings in cardboard boxes, to the extremes of trompe l'oeil, flourescent back-lighting, and other technically refined means, all to explore the basic premise: beauty is all around us, even in our cast-offs. And what we think of as disposable says a lot about our priorities. The superb essays in this book do their job of illuminating the art without smothering it in analysis. The works speak for themselves. I wish I could have seen the exhibition at Menil, though I did get to see many of these pieces at Sonnabend Gallery in NYC in the early 90s. This is a great book for the lover of modern art, but also anyone who's ever spent quality time staring in rapt adoration at an oily mud puddle or a pile of raked leaves. Essential!!!
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