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Rocco & His Brothers


Price: CDN$ 59.33
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Product Details

  • Actors: Alain Delon, Renato Salvatori, Annie Girardot, Claudia Cardinale, Katina Paxinou
  • Directors: Luchino Visconti
  • Writers: Luchino Visconti, Enrico Medioli, Giovanni Testori, Massimo Franciosa, Pasquale Festa Campanile
  • Format: Black & White, DVD-Video, Subtitled, Widescreen, NTSC
  • Language: Italian
  • Subtitles: English
  • Region: Region 1 (US and Canada This DVD will probably NOT be viewable in other countries. Read more about DVD formats.)
  • Aspect Ratio: 1.66:1
  • Number of discs: 1
  • MPAA Rating: UNRATED
  • Studio: Paradox
  • Release Date: Oct. 1 2002
  • Run Time: 177 minutes
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (13 customer reviews)
  • ASIN: B00005OCLE
  • Amazon Bestsellers Rank: #50,424 in DVD (See Top 100 in DVD)

Customer Reviews

3.9 out of 5 stars
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Most helpful customer reviews

Format: DVD
"Rocco and His Brothers" is certainly a grand movie. The acting is simply superb, especially that of Annie Girardot - her character is passionate, erotic and strong, exactly the kind of woman who can rouse such fatal feelings and change fates even though she's a prostitute.
I especially admire Visconti for being able to create such an accurate and vivid portrait of Italians. I could never understand their passions, their love-hate relationships, their family ties, honesty and betrayal being so close together. Which comes first - family or justness? In short, I don't think I'll ever be able to understand the way they lead their lives and their strange outlook on life. To an ordinary viewer, like me, most of the characters, ESPECIALLY Rocco, seem to be insane...
You'd probably like to know why I didn't give this truly unforgettable movie 5 stars. The answer is simple: it was difficult to watch. Painful almost. I found myself wishing I could kill one of the main characters more than half a time. There was no relief of tension. The movie was quite long. And - I simply cannot understand the way Italians live and treat each other. It's beyond me.
I'm glad I saw this movie; it had a great impact on me. However, it was so very 'heavy' I won't watch it again for a long time... but I will. Sometime.
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By Alex Udvary on March 2 2003
Format: VHS Tape
For years now my favorite Luchino Visconti film has been "Ludwig". His grand sweeping epic. I've always felt that was his most ambitious film. True, Visconti has made other film that are great in their scope like "The Leopard", or "The Damned". But, none has touched me on such a personal level as "Ludwig", and then I saw this film. While, I admit, I don't think it's as grand as "Ludwig", "Rocco and his Brothers", is a powerful, emotional, saga.
Luchino Visconti is a director whom I've always had wonderful things to say about. He is one of my favorite directors of all time. And I always feel there is something to admire about all of his films, even those I may not be crazy about, I still found something good to say about them.
"Rocco and his Brothers" is a story about a family of five brothers and their mother who move from the country into the city. The brothers are played by Alain Delon (Rocco), Renato Salvatori (Simone), Spiros Focas (Vincenzo), Max Cartier (Ciro), & Rocco Vidolazzi (Luca). The movie creates little episodic chapters for each brother. Telling you briefly something about them, in about 30-40 minutes.
Now, the only fault I have with the film is, I feel it doesn't devote enough time to all the brothers. For instance characters like Ciro or Luca are not given much depth. Very little is known about them. The role of Vincezo is so-so, over-all, it is better than the other two brothers. What really makes the movie so wonderful are the three focal characters; Rocco (Delon), Simone (Salvatori) & Nadia (Annie Girardot) a woman of the streets who begins a love affair with Simone, and then starts a rival between two of the brothers, I honestly don't want to give too much away. But they have the best parts. It is because of them the movie has as much heart as it does.
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By JOHN D THOMPSON on July 22 2002
Format: VHS Tape
Luchino Visconti's Marxist take on the changing Italian society circa 1960 was one of the most controversial and influential movies of the early 60's. Like LA DOLCE VITA it caused a sensation in the US and made an instant, international star of Alain Delon. Visconti mixes Old Testament themes starting with the expulsion from Eden & Cain and Abel, throws in lots of Dostoyevsky & even some of Bunuel's VIRIDIANA. It's quite a stew but I never heard anyone say they were bored. As the mother Katina Paxinou who was Jean Simmons' vile governess in THE INHERITANCE chews up enough scenery for 10 movies. Annie Giradot playing a prostitute gives such a vibrant performance that you wonder why she appeared here in only 2 or 3 movies over the next 30 years. Alain Delon's Rocco is a beautiful Prince Myshkin but he's very bland. As Simone his immediate older brother Renato Salvatore exudes so much animal magnatism he may have you jumping out of your skin. When he seduces Rocco's middleaged employer (to rob her) half the audience wishes they were she. Giuseppe Rotunno's beautiful black & white cinematography often acts as a commentary on the action especially in the scenes of more than graphic violence. Nino Rota wrote the fine score.
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By A Customer on May 26 2002
Format: DVD
There was a time when scene after scene of screaming Italians meant 'art film' and endless depictions of tedious pathology was 'interesting.' Not now. There are standout performances that are timeless, but you should bring a lot of tolerance to this if you plan to enjoy it. Also, there are no extras on the DVD - nothing to help the viewer appreciate why this film was important when it was made, etc.
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By A Customer on April 23 2002
Format: DVD
Archetypal epic involving a Sicilian peasant family forced by poverty to move to the big city -- in this case, Milan. There, the mother and her four young sons join the oldest son, who's got a steady job and a steady girl. From this description thus far, you might feel inclined to pass on the movie because you've seen all this before . . . and you'd be right. Mario Puzo and -- later -- Francis Ford Coppola borrowed heavily from *Rocco and His Brothers* when they created their respective *Godfather* epics. Indeed, Rocco, his mother, his brothers, the prostitute, all begin as "types". There's a lot of "Mamma mia!" and hands raised in prayer; there's a lot of sweaty machismo; there's a lot of "amore". I think director Luchino Visconti had wanted to say something about proletarian post-War Italy with his stereotypical Porondi family. But he must have fell in love with them, because they burst free from their tedious Neo-Realist origins and become whole characters capable of change and inner growth. We are certainly grateful for that: all too often, the "realism" in Italian Neo-Realism becomes merely politics . . . and politics dates pretty quickly. Instead, Visconti lavishes his settings and characters with Dickensian detail to the point that by movie's end, they no longer seem like stereotypes, archetypes, or any other types. For a director noted for Neo-Realism, Visconti had a flair for bombastic grand tragedy and earthy good humor, which he's able to pull off so brilliantly in this movie because of the inexorable logic of the plot and the fastidious piling-upon-piling of detail and deep understanding of his creations.Read more ›
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