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Romper Stomper (Widescreen/Full Screen) [Import]


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Product Details

  • Actors: Russell Crowe, Daniel Pollock, Jacqueline McKenzie, Alex Scott, Leigh Russell
  • Directors: Geoffrey Wright
  • Writers: Geoffrey Wright
  • Producers: Daniel Scharf, Ian Pringle, Phil Jones
  • Format: AC-3, Closed-captioned, Color, Dolby, DVD-Video, Widescreen, NTSC, Import
  • Language: English, German, Japanese, Vietnamese
  • Region: Region 1 (US and Canada This DVD will probably NOT be viewable in other countries. Read more about DVD formats.)
  • Aspect Ratio: 1.33:1
  • Number of discs: 1
  • MPAA Rating: R
  • Studio: 20th Century Fox
  • Release Date: Sept. 3 2002
  • Run Time: 93 minutes
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (89 customer reviews)
  • ASIN: B000068TQ4

Product Description

Product Description

The controversial film drew rave reviews for its visceral look at how the seeds of racial hatred, fueled by fear and paranoia, can explode into raw violence. Winner of three Australian Film Institute Awards, including Best Actor for Crowe, Romper Stomper is "exhilarating and utterly brilliant" (Preview Magazine).

Amazon.ca

The burning intensity of Russell Crowe (L.A. Confidential) first lit up screens as a hate-filled, Mein Kampf-spouting skinhead in this brutal Australian drama. Crowe glowers from under his deep-set eyes as Hando, the creepy but charismatic leader of a racist gang who declares war on the Asian immigrants pouring into Melbourne. His rage erupts in violent attacks on the local Vietnamese community, but when his victims fight back his gang breaks up, and Hando flees the city with his best buddy Davey (Daniel Pollock) and redheaded hellion Gabe (Jacqueline McKenzie), a rich girl runaway who turns the dynamic duo into a splintered love triangle. Writer-director Geoffrey Wright's matter-of-fact treatment of this subculture eschews social commentary for visceral immediacy. His portrait of white supremacist punks living like squatters on the fringes of Australian society is powered by coiled anger and simmering frustration, which finds its outlet in brutal fights and murderous rampages (the intense violence earned the film an NC-17 rating). The lack of moral position may bother some people, especially in light of Wright's sympathetic treatment of particular members of Hando's racist army, and the cold, hate-driven violence is sometimes hard to watch, but his vivid characters and richly drawn world create a compelling drama for adventurous filmgoers. --Sean Axmaker --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

4.1 out of 5 stars

Most helpful customer reviews

2 of 2 people found the following review helpful By Ravenlore on July 21 2000
Format: VHS Tape
An extremly intense film, Romper Stomper pulls no punches. Shot in a kind of artsy blue haze, the movie revolves around a group of Neo-Nazi skinheads who are attempting to fight off a flood of Vietnamese immigration into Melbourne, Australia. The group is lead by 'Hando' - A strong and charismatic leader played by Russell Crowe. Crowe is amazing as he manages to convey a sence vulnerability beneath his uncompromising anger. A scene in which Crowe qoutes parts of Adolf Hitler's 'Mein Kampf' is mesmerizing. Things begin to disolve, however, when a love triangle begins between Hando, his girlfriend Gabe (Jaqueline McKenzie) and Hando's best friend Davey who is portrayed very low-key by Daniel Pollock. The situation is compounded when an attack on some Vietnamese immigrants back fires and the Skins are forced to defend themselves against a raging mob of immigrants resulting in the loss of their home.
Writer/Director Geoffry Wright came under attack by Leftist critics for not hitting everyone over the head, like American History X, with an anti-racist civics lesson - His position comes across as neutral. Indeed, one can almost sympathize with the group as they are convinced Australia's future depends on its racial and cultural purity.
Without a doubt, this movie is worth owning.
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Format: DVD
Filmed in gut-wrenching 16mm with a hand held, this is a courageously unsparing film of a neo-Nazi skinhead gang in Melbourne (Australia) obsessed with the danger they perceive in the growing population of Vietnamese immigrants.
Although it has been criticized for "glorifying" skinheads and not taking a moral position against them, neither criticism is really well-founded.
It is clear that the director and the actors made a great effort to get inside the characters, to make them human beings -- however repulsive -- and not simply caricatures. Still, the skinhead lifestyle depicted is mean, mindless, unromantic and, ultimately, pointless. Which becomes clear at the end when the leader (brilliantly played by Crowe) commits one final act of brutal bullying. What was their message really?
Also, for all their posturing, they are mindless bullies, ganging up on isolated victims, and they are completely undone when faced with victims who join forces and fight back with the same intensity. By the end, all but one of the gang members is in jail or dead, which seems to me to be a pretty powerful moral statement.
It is surely not perfect but it features genuinely terrifying performances of men totally twisted and misshapen by hatred, frustration and fear, yet capable of genuine affection and tenderness towards their best friends.
I recommend renting this out if you have some appetite for gore and unflinching visuals.
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By Tom Servo on May 10 2004
Format: DVD
If there is one thing that ticks me off, it's rascism and fascism. Early Skinheads were definately like this. However over the years, less and less rascist skinheads have been surfacing. Anyway, this movie is a very accurate portrayal of the skinheads, but it also has more than one plot going at once. The epic struggle of the skinheads v.s. the japanese, a skinhead restling with "what am I doing?" question, a girl who has been sexually used by her father, and how that same girl has split two former friend skinheads. It portrays they old lifestyle of drinking, premiscuous sex, drugs, fascism, and the brutal hate crimes they commit. In today's world, where movies are entertainment before anything else, there are fewer and fewer directors who dare to tackle unpleasant subjects. However, the real test of filmmaker's courage comes when unpleasant issues are
approached from even less pleasant perspectives. Such efforts, especially in the climate of "political correctness", can often create public misunderstanding and controversies. Romper Stomper on the other hand is definately an accurate portrayal and does go after the unpleasant topics. The plot begins in Melbourne, town towards which flow the endless river of Asian, mostly Vietnamese, immigrants who gradually take over entire neighbourhoods. For many impoverished and unemployed white youths Asians are convenient explanation for their own misery, so some accepted the most extreme form of xenophobic racism and
became skinheads. The small group led by charismatic Hando(played by Russell Crowe) is just one of many that fight a war for racial purity by mercilessly beating any Asian unfortunate to be in their proximity. After a while, Vietnamese decide that they had enough so they organise and start fighting back.
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Format: DVD
First and foremost, let me note to the reader that I would fit in with what many other reviewers have called "the subculture" (that is, essentially, neo-Nazi) depicted in the film, so if you want to pre-judge the objectivity of this review, do so now.
Well, to begin, I give the movie four stars because, although it may appear at first glance to be shoddily put together or rough around the edges, both in story and in cinematography, I believe that all these things lend themselves to the portrait being painted by this film, whether consciously or unconsciously. The jerkiness of the camera, the over-crispness of the sound and the very contrasting colours and levels of light in the movie help to psychologically reinforce the atmosphere being created for the film. The silence contrasted by the crisp yet quiet dialogue, the very colourless frames and the bland environments of a rundown Melbourne industrial give the feeling of cold, hard and dark. In my opinion, the rough-edge photography and sound, as well as the grungy sounding musical score may upon initial inspection give the impression of being second rate (even by the standards of the day) or unpolished, when in reality, to "fix up" any such aspect of the movie would be ruining it. The film depicts neo-Nazi Skinheads living in a slum old car shop, eating fast food and drinking away their lack of jobs and purposes in life; if anything, fancy camera angles and well done-over sound with a sophisticated musical score would detract from this vital image.
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