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Roots: The Saga of an American Family
 
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Roots: The Saga of an American Family [Hardcover]

Alex Haley
4.8 out of 5 stars  See all reviews (124 customer reviews)

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Library Binding CDN $25.25  
Hardcover, Sep 5 2000 --  
Paperback CDN $16.25  
Mass Market Paperback --  
Audio, CD, Abridged, Audiobook, CD CDN $15.45  

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From Publishers Weekly

Starred Review. It's hard to believe that it has been 30 years since Alex Haley's groundbreaking historical novel (based on his own family's history) was first published and became a worldwide phenomenon. Millions have read the story of the young African boy named Kunte Kinte, who in the late 1700s was kidnapped from his homeland and brought to the United States as a slave. Haley follows Kunte Kinte's family line over the next seven generations, creating a moving historical novel spanning 200 years. Avery Brooks proves to be the perfect choice to bring Haley's devastatingly powerful piece of American literature to audio. Brooks's rich, deep baritone brings a deliberate, dignified, at times almost reverential interpretation to his reading, but never so reserved as to forget that at its heart this is a story about people and family. His multiple characterizations manage, with a smooth and accomplished ease, to capture the true essence of each individual in the book. Michael Eric Dyson offers an informative introduction to Haley's book, but it is Brooks's performance that brings the author's words and history to life.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Audio CD edition.

Review

There are many books about slavery but Haley's account of his family, descended from a West African tribesman captured by slave traders in 1765, to his own generation of African Americans that boasts an architect, a music teacher and a successful author, is unique. It is high class historical reconstruction, thoroughly researched and compellingly readable, above all it is the story of a real family written with a sense of compassion and purpose. Haley is intent on showing both the evils of slavery and the strength that a family can gain from a proper pride in its ancestry. Kunte Kinte, born to a Mandika family in the 18th century, grows up in the luscious surroundings of the Gambia in a strict Muslim village. The rigid code of conduct that was upheld in his religious family forms part of the 'roots' that gave the book its title and Kunte the strength to survive the ordeal of his capture and deportation. There are many wonderful characters among Kunte's descendants: Chicken George, the cock-fighting gambler who wins and loses a fortune training his master's chickens, Little Kizzy who learns to write and forges a pass to help her lover escape, and many others. This is a fair-minded story by a man who grew to love America and dedicates his book to it. First published in 1976 and reissued many times, it is a saga that has much to teach every generation whatever their colour or creed. (Kirkus UK)

A feat of research and imagination, this long-awaited, much publicized effort is as exceptional as promised. Haley took the essence of a family story told on summer nights and traced his roots back to Kunta Kinte, an African captured while gathering wood and brought to American in 1767. Haley sensitively reconstructs everyday life in Juffure where driver-ant heads were used as surgical clamps and a hairpiece might cost three goats; it is this concentration on particulars and the slow development of Kunta's pride that dramatize how devastating his capture was - for months he expected to be eaten. The voyage was grim; once here he adjusted reluctantly, resisting the alien slave culture, detesting white domination. Vowing to remain faithful to his heritage, he told his daughter Kizzy about his past; it is this story of his capture (plus some Mandinka words and tribal customs) that traveled orally to the seventh-generation Haley. Kunta's story, the affecting part, occupies more than half the book, but among readers (and on TV this fall) he will have flamboyant competition from his grandson Chicken George, a slick gamecock trainer who earned his freedom before Lincoln emancipated the rest of the family. Characters have been added and necessarily the conversations are fabricated; for convenience the early generations always have ties to the Massa's house, enabling them to overhear major events that provide a historical framework. Haley verified the genealogy and bare facts using government records; the search in Africa was more unconventional, taking him to his family's groit who recited the complete Kinte history, specifying Kunta who disappeared while gathering wood "in the year the King's soldiers came." The groit's story corroborated the family story, and the listening villagers shared the significance of the discovery: they had Haley embrace their babies - the laying on of hands. Roots has the richness of a 19th-century family novel and the added draw of personal revelation - a remarkable achievement. (Kirkus Reviews) --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

124 Reviews
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Average Customer Review
4.8 out of 5 stars (124 customer reviews)
 
 
 
 
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5 of 5 people found the following review helpful
5.0 out of 5 stars Heritage Regained, Jun 26 2004
By 
Deborah Earle (USA) - See all my reviews
(REAL NAME)   
This review is from: Roots (Paperback)
Alex Haley's monumental tribute to his forebears provides not only the perfect antidote for Blacks in a society that perpetually miseducates us about our ancestral homeland, but also an unblinking and unflinching view of slavery.
This was the book that made Americans of all races and creeds care about this country's shameful past in a way that many never had before. The book points out the role of Arab slave traders in the problem, but it should be noted that under their auspices such problems stayed on African soil until the arrival of the toubob.
Haley does a brilliant job of getting inside the heads, hearts and souls of his forbear, Kunta Kinte and his family, however fictional certain aspects of the story may be. He warmly and lovingly re-creates both the positive and negative aspects of life in the village of Juffure, The Gambia, detailing their family lives, educational system, religious life, and their complex system of government. We learn about griots, who are highly reminiscent of the wandering minstrels of Medieval Europe, who through their songs and stories, pass the history of their people from one generation to another.I could feel the hot,arid climate of that region from just reading!
If people never read any other part of this epic saga, I would at least encourage them to read Chapter 24 in which Haley gives a brief but college-level education about the great kingdoms of West Africa, including Mali, the Kingdom where the world's first University was built in Timbuktu.More so than Europeans, Americans have a harder time accepting Africans as people of acheivement with a noteworthy history, even though they know that the earliest civilizations of man began on that continent, and that Africans have had thousand of years to figure out many things for which our culture does not give them credit.
It was to the University of Timbuktu that Kunta Kinte had purportedly planned to travel when sometime in the summer of 1767, he was chopping wood to make a drum and was attacked by four men who killed his pet dog, knocked him unconscious, and after a demeaning process of being chained, shaved, and branded by his abductors, had him loaded aboard the Lord Ligonier, and shipped to America on a filthy and horrifying journey, where he touches terra firma again at the docks of Annapolis, Maryland on September 29, 1767.
Every emotion Kunta must have felt as he lost control of his life, identity, name, and physical personage is registered. We feel his bewilderment, at dealing with his first view of an alien culture, Native Americans, innumerable degradations, first encounter with snow during one of four attempts to escape, and his pain when his foot is severed. His humbling discovery of his need for love is especially saddening.
Kunta's overwhelming resentment at the docility of the other slaves is replaced with understanding of their survival tactics. He befriends a gardener and fiddler after being sold to a kinder master, and he meets Belle, several years his senior, whom he eventually marries, and has a daughter named Kizzy.
Massa Waller's daughter, Missy Anne teaches Kizzy to read, and Kunta Kinte's life ends in the heartbreak of permanent separation from his daughter when the teenager writes an illegal pass for her sweetheart, Noah, and is sold from the Virginia plantation to a more sadistic master in North Carolina, who rapes her repeatedly and by whom she has her son, George.
In the midst of their dehuminization, we learn how the slaves manage to sustain a culture, learn and discuss current events, to love each other and have honorable relationships, even though the auction block may part them forever, and to periodically assert themselves and settle scores with their oppressors.While reading this story, I was reminded of how professors have warned that whatever Europeans did to others for so long boomeranged in two world wars.
The story follows the triumphs and tragedies of Chicken George and his descendants and finally ends with Alex Haley's emotional quest to trace his heritage and ascertain the truth about stories he was told in his boyhood.
Ultimately, Haley compensates for his ancestors' losses merely by his presence at the dock at Annapolis on the 200th anniversary of his ancestor's disembarkment there.
Whereas Kunta Kinte's abduction was lamented in 1767, two centuries later, in an underrated moment that is probably one of the most sacred in literary history, Haley visits Juffure and reconnects with those of his ancestral village who address him by his forebear's name.
Happily, the circle is complete and the world made to care about events that claimed more lives than Hitler's Final Solution.
Kunta Kinte's memory is honored with an annual festival in Annapolis, and every September 29th, a promising African American is given a scholarship in his name.
Hence, the Gambian who had once hoped to study at the University of Timbuktu has his waylaid ambitions fulfilled through others. There could not be a more fitting tribute to his memory.
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2 of 2 people found the following review helpful
5.0 out of 5 stars A true historical masterpiece marked by a genius, Jun 28 2007
By 
Jenny J.J.I. "A New Yorker" (That Lives in Carolinas) - See all my reviews
(TOP 100 REVIEWER)   
Ever since I was little I saw the book laying on my parents small make-shaft book shelf and time to time I would look at the exterior and the size of the book with awe. One day a friend of mine brought this book back to my attention and I'd purchase it at my local book store. Alex Haley's 'Roots' is fantastic. It captures generations of love, tears, pain, strife, sacrifice, as well as happiness engulf close to 700-something pages.

I found myself getting so involved and moved by the characters' stories that I often had to put the book down and there were parts in there that just broke my heart and I swore I didn't want to read it anymore but instead it took me in further. Throughout the entire book I observed a repeating pattern of events that allow me to think about how for generations a family could hold on to their faith, beliefs, and traditions no matter what. Also, throughout this long life-span journey of Kunta Kinte and his proceeding family tree, and their experiences with the opposing lives of free-men and slaves, the author presents a precise central idea or opinion that is past down from generation to generation.

This central idea is so clearly emphasized by the title of the book. Alex Haley's opinion on the importance of a family or individuals roots or origins is much similar to the necessity of roots for the survival of plants; that provide anchoring and support. Not only did Haley believe that roots played a key roll in his life and the life of his entire family tree, but that in some cases it is the only noble aspect of life that one could be proud of, as it determines his identity.

I am totally supportive of the author's opinion, as us human beings sometimes are stripped away from our natural and civil rights and are left with nothing to hold on to but the spiritual and historical pragmatic aspects of life: roots, origins, faith, and religion. I love the style it was written with and the determination it instills not only to me but to anyone who reads it. Since this book is a classic, it has withstood the test of time. If you have a lot of time on your hands, I would recommend this book highly.
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1 of 1 people found the following review helpful
5.0 out of 5 stars WHAT AN AMAZING BOOK FOR EVERYONE!!!, Jan 4 2004
By 
Mohamed Shams "tv addict" (Dubai, United Arab Emirates) - See all my reviews
(REAL NAME)   
This review is from: Roots (Paperback)
This book IS one of the landmarks in writing in the 20th century. It was the first REAL book that i started reading from start to end and WHAT a journey it was!! From the first page Alex Haley grips you into the epic story of Kunta Kinte leading up to the author's actual life. Despite the book's large size it will not matter as soon as you start reading it.
I found this book not only to be a work of fiction, but also a history lesson of the slavery era and black history in general. The dialogue and characters Haley talks about are top rate and he writes it in a way that makes you feel that you were actually there watching it all happen!! There are even some parts of the book where I found myself nearly shedding tears!!! due to the drama that unfold in the book, especially the part where he describes the slave ship.
I highly recommend this book for two reasons. First, because it is a fascinating look at the Slavery Era and what followed it with its 'raw' and dreadful reality. Second, because this book will educate those who read it, including myself, about the brave struggle of the Blacks in the U.S towards achieving their freedom.
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