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Rosencrantz And Guildenstern Are Dead
 
 

Rosencrantz And Guildenstern Are Dead [Paperback]

Tom Stoppard
4.6 out of 5 stars  See all reviews (69 customer reviews)
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Product Description

Product Description

"Rosencrantz and Guildenstern Are Dead" is a play which, as it were, takes place in the wings of Hamlet, and finds both humour and poignancy in the situation of the ill-fated attendant lords. The National Theatre production in April 1967 made Tom Stoppard's reputation virtually overnight. Its wit, stagecraft and verbal verve remain as exhilarating as they were then and the play has become a contemporary classic. "One of the most original and engaging of post-war plays". ("Daily Telegraph"). --This text refers to an alternate Paperback edition.

About the Author

Tom Stoppard was born in 1937 in Czechoslovakia. His early years were spent in Singapore, India and, from 1946, England, after his mother married an officer in the British Army. Leaving school at seventeen, Stoppard worked as a reporter in Bristol, before moving to London to work as a theatre critic and feature writer. During this period he began to write plays for radio and for the stage and published his only novel, Lord Malquist and Mr Moon. His first major success, Rosencrantz and Guildenstern are Dead, was produced in London in 1967 at the Old Vic after critical acclaim at the Edinburgh Festival. Subsequent plays include Enter a Free Man, The Real Inspector Hound, Jumpers, Travesties, Night and Day, Every Good Boy Deserves Favour (with Andre Previn), After Magritte, Dirty Linen, The Real Thing, Hapgood, Arcadia, Indian Ink, The Invention of Love, the trilogy The Coast of Utopia and Rock 'n' Roll. His radio plays include If You're Glad, I'll Be Frank, Albert's Bridge, Where Are They Now?, Artist Descending a Staircase, The Dog It Was That Died and In the Native State. Work for television includes Professional Foul and Squaring the Circle. His film credits include Empire of the Sun, Rosencrantz and Guildenstern are Dead, which he also directed, Shakespeare in Love (with Marc Norman) and Enigma.$$$In August 2002 the Royal National Theatre in London premiered Stoppard's trilogy - Voyage, Shipwreck and Salvage - three sequential self-contained plays that comprise The Coast of Utopia. --This text refers to an alternate Paperback edition.

Inside This Book (Learn More)
First Sentence
TWO ELIZABETHANS passing the time in a place without any visible character. Read the first page
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Concordance
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Front Cover | Copyright | Excerpt | Back Cover
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Customer Reviews

69 Reviews
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 (50)
4 star:
 (14)
3 star:
 (2)
2 star:
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Average Customer Review
4.6 out of 5 stars (69 customer reviews)
 
 
 
 
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5.0 out of 5 stars Proud comical look at the Bard's fools, Jun 28 2003
By 
Ernest Boehm (Des Plaines, IL United States) - See all my reviews
(REAL NAME)   
This review is from: Rosencrantz And Guildenstern Are Dead (Paperback)
The play is about the two Shakespearean bit players trying to diciefer what there purpose is in the mist of the play Hamlet.
These two fools try to comicaly fight fate to save themselves while at the same time trying to find a purpose in the strange world of shakespeare. I love this perspective of Hamlet. It is truely a comical look at how even the insignifcant look for purpose when often there is none to be found. There is a lot of great diaolog and I had to laugh when Rosencranzt almost stumbles on to his own version of to be or not to be. But he can't quite get started.

They just can't figure out what is going on or what they are supposed to do. The play is full of wit and philosophical banter which plays on Shakespeare and the theater in general. Loved Hamlet and so this play really gets a rise out of me. It may be worth reading Hamlet again if you haven't in a while just to get in the mood of the play. It is basically the story of two guys wondering how they got in the middle of a story they don't understand.

I think shakespeare would have loved to have written this play.

If you are unfamilur with Hamlet read it, if you are read Hamlet again it is a joy, than read this.

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5.0 out of 5 stars In a tragedy even minor characters die, July 28 2010
By 
bernie "webviator" (Arlington, Texas) - See all my reviews
(TOP 500 REVIEWER)   
This review is from: Rosencrantz And Guildenstern Are Dead (Paperback)
Screen plays serve several purposes; when the follow the film closely you get to slowdown and have time to savor the nuances. They also work as an external memory so you can revisit your favorite parts of the story. I could not tell my shoe was untied unless it was pointed out. I use screen plays to point out what I may have overlooked in a moment of contemplation.

This particular book also has a few black & white stills.

The scene closes in on Rosencrantz & Guildenstern or is it Guildenstern & Rosencrantz discussing the odds of a flipped coin coming up heads. What seems to be a casual curiosity is the setting for the eventual outcome of the story. If the names sound familiar then you will recognize them from the play "Hamlet". Their story was never fully told until now.

Through out the film we get snippets of Hamlet and visions of what is to come. The real fun is in the fact that the dialog and the actors could have easily been seamlessly slipped into the original play.

Their play on words not only matches Shakespeare but a good dose of Lewis Carroll; "Toes on the other hand"," Don't you mean the other foot?"

Disperses through the story Rosencrantz (Gary Oldman) makes all the great discoveries from gravity to flight to steam engines and so forth. Every time he goes to show them to Guildenstern (Tim Roth) they are overlooked, or dismissed.

The only person that was a tad over the top, acting like he was acting wad Richard Dreyfuss as the leader of the acting troop. However this is one movie that you can get away with it.

Rosencrantz & Guildenstern Are Dead
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5.0 out of 5 stars We're actors! We're the opposite of people!, Mar 10 2007
By 
Selena Elizabeth (Parry Sound, ON CANADA) - See all my reviews
This review is from: Rosencrantz And Guildenstern Are Dead (Paperback)
Stoppard's parody of HAMLET is much more than a mere parody. Although there are plenty of laughs, this text (or the excellently done 1990 film adaptation) will make you question the nature of reality as you view this story on a variety of levels. An incredible study of the nature of storytelling, acting, living, destiny, the universe and everything. A worthwhile read for anyone who has read HAMLET, and if you haven't read HAMLET, then for goodness sake go pick up a copy of that.
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