Rossini;Gioacchino Moise ... has been added to your Cart

Have one to sell? Sell on Amazon

Image Unavailable

Image not available for
  • Rossini;Gioacchino Moise Et Ph [Import]
  • Sorry, this item is not available in

Rossini;Gioacchino Moise Et Ph [Import]

Price: CDN$ 47.99 & FREE Shipping. Details
Usually ships within 3 to 5 weeks.
Ships from and sold by Gift-wrap available.
24 new from CDN$ 34.49 5 used from CDN$ 27.99

Product Details

Customer Reviews

There are no customer reviews yet on
5 star
4 star
3 star
2 star
1 star

Most Helpful Customer Reviews on (beta) 13 reviews
12 of 12 people found the following review helpful
Read the Other Reviews Oct. 2 2006
By Giordano Bruno - Published on
Format: DVD Verified Purchase
Most of what I intended to write has been expressed at length in other reviews. Let me just stress that "it's all about the music" and the performance thereof, which is superb: every note in tune, every phrase well articulated. The ensemble is as balanced as imaginable, though at times the miking of the singers is less than perfect. One reviewer denigrates the performance of Giuseppe Filianotti as Amenophis. I totally disagree. Filianotti is the least static, the most expressive, and in his use of dynamics the most musical of the whole cast. Besides, his role is the most interesting; he's the only character whose "choices" reveal development. Don't expect anything coherent, theologically or historically, from the libretto. It's the music that speaks of despair and triumph.
17 of 19 people found the following review helpful
'Mosé in Egitto' in Its Revised French Version Dec 17 2005
By J Scott Morrison - Published on
Format: DVD
Rossini had had a success in Paris with his Frenchified version of 'Maometto Secondo' known as 'La Si'ège de Corinthe,' and a couple of years later he did the same sort of revision of his 'Mosè' in Egitto,' already known in Paris in its French version. He expanded the obligatory choral passages and added the required ballet, which takes up most of Act III. The new opera, whose subtitle is 'La passage de la Mer Rouge' ('The Parting of the Red Sea') became a palpable hit in Paris and certainly in France at least superseded its Italian forerunner. In the world's opera houses, though, it is the Italian version that has tended to be presented. In a slightly ironic twist, then, what we have here is the French version in a production in the foremost Italian opera house, La Scala. And a first-class production it is, with good singers, Riccardo Muti leading the forces, an attractive set and costumes, a marvelously stylish ballet and, though a bit old-fashioned, an effective parting of the Red Sea in the final scene.

Nonetheless, this is not necessarily Rossinian music from the topmost drawer, however effective it may be in the theatre. I suspect that most people buying this DVD will watch it once and then rarely again. (I could, of course, be entirely wrong about this. And, that being said, I think the music in 'Moï'se' is actually a bit stronger than in 'Mos'è') Certainly, the performance is world-class.

The sonorous Russian basso, Ildar Abdrazakov, is commanding in his portrayal of Moses. The rising young Uruguayan basso, Erwin Schrott, is equally so as the Pharaoh. Barbara Frittoli makes a delectable Ana' and sings her lyrical best. Her lover, the Pharaoh's son Am'énophis, is sung a bit less effectively by the young Italian tenor, Giuseppe Filanoti, whose voice is flexible but yet more stentorian than that of most Rossini tenors. Tomislav Muzek is a bit of a cipher as 'li'zer, with a white and not terribly attractive tenor. Sonia Ganassi, however, with her rich mezzo, makes a very effective and moving Sina'ïde, the Pharaoh's wife. The ballet, concocted by choreographer Micha van Hoecke, is, with its stylized faux-Egyptian hand and foot movements, quite entertaining and the three principal dancers are terrific. Luciana Savignani, as Isis, has amazing arms and hands and actually much of her movement is confined to their contortions. Roberto Bolle as Mo'ïse, and Desmond Richardson as Pharaoh are excellent. The not-quite-narrative ballet seems to foretell Moses's defeat of the Pharaoh.

Sound is only average. There are, in fact, some odd fluctuations of volume at a couple of spots. Luca Ronconi's stage direction is uncluttered and utilitarian, and it is enhanced by the calm and expert television direction by Riccardo Managlia. Set design by is by Gianni Mantovanini and the parting of the Red Sea, while old-fashioned, is neatly done.

Sound: DD 5.1, DTS 5.1, LPCM Stereo; Subtitles: German, English, French, Italian, Spanish; Running time: 181 minutes, no extras. Filmed live at La Scala December 21, 2003.

Scott Morrison
16 of 19 people found the following review helpful
By Charles D. novak - Published on
Format: DVD
I was unfamiliar with most of this music except for the ensemble just before the parting of the Red Sea. Hands down, Barbara Frittoli steals the vocal honors with Ildar Abdrazakov as Moise and Sonia Ganassi as the Pharaoh's wife snapping at her heels. The other seven singers are totally up to the task and demands of this score. This work has oratorio writen all over it. There simply isn't any action on the stage except for the ballet and parting of the Red Sea. The first performance of this work was in Naples in 1818. Rossini wrote his mother: "the oratorio is more or less finished and it's going very well, but in a very highly elevated style. I don't know if these macaroni-eaters will get it!" Well, this "macaroni-eater" would like to know what in the world the ballet is all about. What does the bearded guy in the black cocktail dress dancing with one of the soliders have to do with anything? The ballet does contain some good music otherwise I'd say they could get rid of it. The parting of the Red Sea is very effective. Not as spectacular as the scene in the DeMille movie, but one is limited with the stage craft at hand. Ricardo Muti does wonders with the enlarged orchestra. The set looks like a sand storm swept through the Pharaoh's Palace. There are stretches of music and recitative which will have you checking your watch for the time butI can recommend buying this seldom done work just for the novelty of it all. The sound and visual qualities are first rate.
7 of 8 people found the following review helpful
Surprisingly dull! Dec 14 2007
By P. Sutherland - Published on
Format: DVD
I picked this up at the library and was delighted to see Erwin Schrott in the cast. He is a fabulous baritone and a fantastic actor. I've seen him as Figaro, absolutely the best, and as Dulcamara, ditto. (He is from Uruguay not Germany.) His talent was wasted on the part of Pharaon here, which was basically a stand and sing part. I hope no one will judge his talent based on this role.

Actually, all the parts were the stand and sing sort. Only Amenophis, sung by Giuseppe Filanoti, who was a superb tenor in the role, could display a range of emotions, including love, joy and anger. His love interest, Anai, sung beautifully by Barbara Frittoli, was sad and conflicted through the entire opera. In fact, all the Jewish parts, from Moses to the chorus were sad and dreary. They were slaves after all. Okay, Moses was at least rebellious. And Tomislav Muzek as Eliezer was the only singer who actually sounded like he was singing French.

Sonia Ganassi sang the role of Sinaide very well and Ildar Abdrazakov was commanding as Moise.

Overall, this opera just dragged on and on and on. I thought the ballet at the beginning of Act III would never end. It was so awful, with geometric hand motions--looked like swimming--I fast forwarded to get through it and even that took longer than expected! I really love Rossini, but this opera, even with the parting the Red Sea, was just dull, dull, dull. I'm glad I didn't buy it.
11 of 14 people found the following review helpful
Cecil B Rossini Dec 4 2005
By Richard - Published on
Format: DVD Verified Purchase
Rossini and his cohorts takes the Bible with a grain of salt, just like Hollywood. The Ten Commandments here precede by far the crossing of the Red Sea. But as Grand Opera it is wonderful. And Muti conducts the entire piece in French including the Ballet making is quite special. Other than Frittoli I am unfamiliar with the singers but they are all up to their task. The unit set centers on an organ and although that doesn't seem promising director Ronconi uses it to good effect. Taste has switched to the earlier Mose in Egitto. But isn't there room for both these operas? I certainly wouldn't want to forgo the new music for Paris. If you like Rossini - indulge yourself in a Biblical spectacle.