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In the late 1940s and 50s, Mark Rothko (1903-70) was one of the leading American artists who created wall-scale abstract paintings that filled the viewer's field of vision and became a form of environment. Rothko spoke of wanting the spectator to feel inside the pictorial space, enveloped in his canvases' luminous colour and apparitional surfaces. Together with painters such as Barnett Newman and Clyfford Still, he wanted to express a sense of the sublime, an idea associated with religious awe, vastness and natural magnificence.
Filmed on both sides of the Atlantic, this documentary chronicling Rothko's life and charting the development of his work fills the screen with his softly defined, rectangular clouds of colour stacked symmetrically on top of one another: a visual language conceived to evoke elemental emotions with maximum poignancy. There are penetrating contributions from his daughter, Kate, and his son, Christopher, and comments from a wide range of friends, artists, art historians, collectors and curators. The focus is on Rothko's demands for the perfect setting for the showing of his work, an ideal he pursued throughout his creative life, typified by the story of his iconic Seagram murals, nine of which now hang in a dedicated room at London's newly-opened Tate Modern. One of the murals' commissioners, architect Philip Johnson, is among those who explain why Rothko refused to allow these works to hang in their intended venue, the exclusive Four Seasons restaurant in New York.
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To me he was kind, generous, and eager for students to understand his very abstract perceptions of painting. Few students did and he had to continuously overcome human hurdles in teaching and in the art world in general.
The film is very well done and I enjoyed seeing the many people speaking about Rothko the artist, parent, and the troubled man, but while it is excellent and I recommend it for all to see, it did not convey how his profound inner life had to reconcile with those around him, those who did not fully understand what he was trying to achieve. and what he must have suffered inwardly as a lone artistic pioneer. But that is the fate of creative souls. Only after his passing did people realize what a treasure they knew and could have appreciated more while he was alive.
To me Mr. Rothko was always fatherly. He listened to me and took an interest in my work, even though I was a naive girl from Brooklyn. He listened because I appreciated what he had to say. How many in the art world - gallery owners, and fellow painters -- were really interested then in his esoteric ideas of color, shape, and space and how these artistic elements convey the profound forces of nature in our physical world.
Thank you,
Roberta Carasso, Ph.D.
I really don't wanna say too much about it. I will let it speak for itself.
One thing I do wanna find out before purchasing this is, are there ANY extras to the DVD version of this. Or is it just a DVD version of what I saw on television?
The photography gives us some real eye-candy to enjoy for the hour as well as stimulating discussion from his daughter and others in the know.
Listmania!
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