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Rubber Soul (British) Enhanced


Price: CDN$ 15.99
Only 1 left in stock.
Ships from and sold by Vanderbilt CA.
9 new from CDN$ 15.99 19 used from CDN$ 1.34 2 collectible from CDN$ 23.90

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Frequently Bought Together

Rubber Soul (British) + Sgt. Pepper's Lonely Hearts Club Band + Magical Mystery Tour
Price For All Three: CDN$ 37.98

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Product Details

  • Audio CD (Jan. 1 1990)
  • Number of Discs: 1
  • Format: Enhanced
  • Label: EMI Music Canada
  • ASIN: B000002UAO
  • Other Editions: Audio CD  |  Audio Cassette  |  LP Record
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (451 customer reviews)
  • Amazon Bestsellers Rank: #44,613 in Music (See Top 100 in Music)

1. Drive My Car
2. Norwegian Wood (This Bird Has Flown)
3. You Won't See Me
4. Nowhere Man
5. Think For Yourself
6. The Word
7. Michelle
8. What Goes On
9. Girl
10. I'm Looking Through You
11. In My Life
12. Wait
13. If I Needed Someone
14. Run For Your Life

Product Description

Product Description

Rank 'em how you like, Rubber Soul is an undeniable pivot point in the Fab Four's varied discography no matter where, or how, you first heard it. The album was softened up in its original 12-song American edition to jibe with the Dylan/Byrds folk-rock sound, as well as squeeze money from the Parlophone catalog. The 14-song U.K. edition--the version now available on compact disc--is a different, more dynamic, and ultimately more accomplished achievement. So many classics: "Drive My Car" and "Nowhere Man" (both omitted from the U.S. edition) merge the early combustible Beatifics to a burgeoning studio consciousness; "The Word" can be read as a pre-psych warning shot; the sitar-laden "Norwegian Wood" and the evocative "Girl" (the latter written on the last night of the sessions) stand as turning points in John Lennon's oeuvre. George finally emerges too, with the McGuinn-ish "If I Needed Someone." EMI. 2005.

Amazon.ca

Rank 'em how you like, Rubber Soul is an undeniable pivot point in the Fab Four's varied discography no matter where, or how, you first heard it. So many classics: "Drive My Car" and "Nowhere Man" merge the early combustible Beatifics to a burgeoning studio consciousness; "The Word" can be read as a pre-psych warning shot; the sitar-laden "Norwegian Wood" and the evocative "Girl" (the latter written on the last night of the sessions) stand as turning points in John Lennon's oeuvre. George finally emerges too, with the McGuinn-ish "If I Needed Someone". --Don Harrison

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Customer Reviews

4.6 out of 5 stars

Most helpful customer reviews

10 of 10 people found the following review helpful By Allan Tong on May 24 2005
Format: Audio CD
RUBBER SOUL remains a milestone in The Beatles' recording careers. It ushered in their most celebrated and sophisticated musical phase that is unrivalled to this day.
In the 20 months since The Beatles landed in America to the time the band recorded this album, rock 'n' roll had undergone a revolution, sparked by The Beatles themselves. The British invasion inspired Bob Dylan to go electric, while The Beatles converted the L.A. folk quartet, The Byrds, to replace their acoustic guitars with electric music. Add to this the whiff of American grass and you get the influences which shaped the late-1965 Beatles.
Above all, the Beatle's songwriting takes a big leap forward with RUBBER SOUL. For the first time John, Paul and George avoid the cliched boy-meets-girl songs and address introspective themes. Though RUBBER SOUL was widely viewed as Just Another Beatles Album in late-1965, some listners took notice of the words with as much care as they did Dylan albums. Some started to use the word "poetry" to describe Beatles music.
The album opens superbly with the funky Drive My Car which features a sharp vocal by Paul and a gorgeous bass influenced by Motown. John's Norwegian Wood is one of the record's highlights and introduces the sitar to Western ears. It obliquely tells of an affair John once had. You Won't See Me could've easily been a single. Paul's song, it is simply structured but strong. Nowhere Man was actually pulled as a single in the U.S. and is the first Beatles song not to talk about love or girls. John looks in the mirror and finds himself lost in a lyric that was one of his best (Dylan covered it many years later). George's Think For Yourself also steers away from the love song and features Paul playing the distinctive fuzz bass.
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3 of 3 people found the following review helpful By Trekkintheplains on June 21 2004
Format: Audio CD
I really don't care what people say, Rubber Soul is a great album! Sure, it's a transition from the crowd-pleasing pop-ish songs to their more mature, complicated songs but the transition has it's own great points that CANNOT be overlooked. Rubber Soul is great because of the experimentation. This was all new stuff, a breakthrough in the music world. Several songs on the album are among the most favorite of all time. They aren't so simplistic as the earlier stuff, you can hear a change in all of their voices and in their way of thinking.
Drive My Car: First track, not bad, George's guitar is a great start and the song has a sexy undertone.
Norwegian Wood (This Bird Has Flown): Great sitar, excellent use of it. I love the lyrics. I mean, really, there is something very lovable about the transition songs because they still had some fun in them and weren't so heavy yet. This song has a great flow that makes anyone want to listen to it many times in a row.
You Won't See Me: Along with "She's a Woman" this is probably one of my least favorite Beatles songs. One can really hear Paul's pop influence on this song. It's ok but it gets old really fast.
Nowhere Man: ABSOLUTE CLASSIC!!! Here is where you can hear the expression of John's inner feelings, Rubber Soul is really where the Beatles began to get into self-exploration and the result is FANTASTIC! Most every song on this album is peak perfection in it's own right.
Think for Yourself: Good, George is really starting to establish himself here, that's another landmark for Rubber Soul.
The Word: Definitely following with the mid-sixties vibe. All about spreading love and showing what a good thing love is. This is almost a protest song against all the uptight people in the world.
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3 of 3 people found the following review helpful By Stephen W. Low on July 16 2004
Format: Audio CD
This is an elegant collection of songs that was a starting point for music. Here excellent music composition was combined with thought provoking lyricism and affective production. The guitars, pianos and bass play complementary melodies to the tunes, resulting in one flawless package that simply doesn't date.
Along with Pet Sounds and Mr Tambourine Man (Byrds) here is a the new intellectualism of Bob Dylan combined with a production that emotionally frames it's lyrical content. Every track is a winner, although 'Run for your life' is somewhat lightweight. 'Norwegian Wood', 'In my Life', 'Nowhere man' and 'Girl' are probably the finest examples of songcraft here. Anyone interested in music must have this album.
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2 of 2 people found the following review helpful By From the Musician's Pen TOP 50 REVIEWER on Oct. 3 2009
Format: Audio CD
The repackaging is neat, with new pictures and a booklet, and a mini documentary on the CD... which makes it difficult/impossible to copy songs from the CD (which was easy to do with the older CD). The older CD cover photo looked more natural while the remastered version looks more green and has a larger image which gets a bit cropped. Old plastic covers are replaceable while the new covers can't really be replaced if they wear or tear.

Overall they did an excellent job remastering this CD and staying true to the original CD mixes. The bass guitar is louder and there is more noticeable bleed of reverb between the 2 speakers. I'm not sure if it's a modern reverb effect added or just that you can now HEAR the original reverb a lot more than ever before.

Some noticeable different things are:
Nowhere Man: the 1987 version has distorted vocals while the newer one definitely sounds cleaned up (you can hear George's harmony clearer) and the vocal reverb bleeds a lot to the other speaker.

Micelle: newer version has a lot more bleed from opposite speaker and significantly louder/cleaner drums and backing vocals.

What Goes On: the 1987 version left Ringo's vocal more bare in the one speaker, while the newer version has more bleed of the rhythm guitar beneath Ringo's vocal.

Girl: the old version has bass guitar in both speakers while the new one has bass in one speaker.

I'm Looking Through You: the old version has bass guitar bleeding into the vocal speaker, and the keyboard and lead guitar riff blend together to create ONE sound. On the new version you can clearly hear the keyboard as distinct from the lead guitar. Although it's cool to finally hear how it was done, to me it also takes away a little magic from the sound.

All the rest are true to the old CD mixes, just a bit louder and clearer/cleaner.

I've yet to compare it to the mono remastered CD.
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