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Product Details
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Before Pompey flees the city, he asks Rome's greatest detective, Gordianus the Finder, to solve the murder. But Pompey has reason to distrust Gordianus, who may have an allegiance with Caesar. To force his loyalty, Pompey seizes the detective's son-in-law, and makes him join his household army. By doing so, he ensures that Gordianus's involvement in the coming conflict will be a very personal one. Confused and troubled, Gordianus walks through Rome toward the house of his former friend and mentor, the poet Cicero. "All around me, I felt the uneasiness of the city, like a sleeper in the throes of a nightmare." Awakening from the nightmare, surviving the chaos, and solving this whodunit will be the Finder's toughest battle yet. --Dick Adler --This text refers to the Hardcover edition.
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Most helpful customer reviews
1.0 out of 5 stars
A Suspense Novel Without The Suspense,
By
This review is from: Rubicon: A Novel of Ancient Rome (Mass Market Paperback)
This book was a colossal disappointment. In Rubicon, Saylor does not use any of the lush characterization or attention to historical detail that he used in his previous novels in the Gordianus the Finder series. Even worse, was the fact that this is a mystery novel without a real mystery. The reader is able to figure out whodunit very early on in the book. However, the detective Gordianus the Finder does not reveal the solution until after going through a series of contrived incidents that violate the readers's suspension of disbelief. The only reason why the solution was not revealed early on is that this would have made Rubicon no more than a novelette. In other words, Rubicon is a novelette with about 200+ pages of padding. I give this novel a 1 out of 5 rating.
4.0 out of 5 stars
Good Historical Fiction,
This review is from: Rubicon: A Novel of Ancient Rome (Mass Market Paperback)
"Rubicon" is a brisk, absorbing read, one of the better popular historical novels set in ancient Rome during the lifetime of Julius Caesar. Saylor knows how to tell a story well, and he keeps his murder-mystery plots moving efficiently along. He creates interesting characters and credible conflicts and difficulties for them. This particular novel in Saylor's excellent Rome series is not the strongest, but it was certainly enjoyable. The main problem for this one is that Saylor leaves the mystery behind far too long in one stretch of the book, almost forgetting the murder with which his story began. In fact, Saylor's retelling of the story of Pompey's strategic retreat from Rome after Julius Caesar crosses the Rubicon has greater drama than solving the murder of Pompey's nephew. Saylor can't quite make these parts of the story adhere in a completely satisfying way. But I am certainly not complaining. Saylor has given us another fine story of Rome during the fascinating Civil War. His presentation of daily life in Rome is always aptly detailed and engrossing. He also has given this story a bit of philosophical depth by focusing closely at times on the psychology of the series' "detective", Gordianus the Finder. Moreover, the chapters on the battle at Brundisium, in which Pompey barely succeeded in escaping Caesar's fearsome army by fleeing across the Adriatic, are a compelling addition to the massive historical literature on the Roman Civil War. Overall, well done, Mr. Saylor. "Rubicon" does not rise to literature, but it certainly is good historical fiction.
3.0 out of 5 stars
A step down,
By A Customer
This review is from: Rubicon: A Novel of Ancient Rome (Mass Market Paperback)
Overall, Saylor's Roma Sub Rosa series is as good as any historical fiction series going. However, having read all of the books in the series to date, this one is the weakest of the lot. Saylor does not give this one the richness of detail and historical context of the other novels. It feels rushed and not well thought out. Also, and most annoyingly, there is a substantial discontinuity between this book and the prior one in the series, "A Murder on the Appian Way". Saylor completely changes the background of the character Davus. Saylor's reasons for doing so are quite apparent but not convincing. This is a cardinal sin in a series where the general storyline and main characters are continuous and the books frequently contain cross-references. It is extremely jarring for longtime readers of the series to be asked to forget portions of a prior book. Also, Saylor plays with fire (no pun intended) in the resolution of this book. Some readers may find the daring revelation at the climax to be inspired, but to me it is contrived and repetitive (weren't we on similar ground in "The Venus Throw"?). The Gordianus books are a fine series of historical fiction and Saylor is a talented guy, but he can do better than this.
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