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The Rules of Attraction Paperback – 2006

4 out of 5 stars 99 customer reviews

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Product Details

  • Paperback
  • Publisher: Picador (2006)
  • Language: English
  • ISBN-10: 033044798X
  • ISBN-13: 978-0330447980
  • Product Dimensions: 13 x 2.1 x 19.7 cm
  • Shipping Weight: 227 g
  • Average Customer Review: 4.0 out of 5 stars 99 customer reviews
  • Amazon Bestsellers Rank: #869,102 in Books (See Top 100 in Books)
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Product Description

In "The Rules of Attraction", Bret Easton Ellis trains his incisive gaze on the kids at self-consciously bohemian Camden College, a small, affluent liberal-arts college in New England at the height of the Reagan 80s. He treats their sexual posturings and agonies with a mixture of acrid hilarity and compassion while exposing the moral vacuum at the centre of their lives. Racing from Thirsty Thursday Happy Hours to Dressed To Get Screwed parties to drinks at The Edge of the World, this is a poignant take on the death of romance. "Inspired. A wonderfully comic novel." - Gore Vidal. "Compelling...sympathetic to his "lost generation" the way only Fitzgerald was about his." - "Vanity Fair." "One of the primary inside sources in upper-middle-class America's continuing investigation of what has happened to its children." - "New York Times." "Ellis has always been regarded as the bad boy of contemporary American letters." - Douglas Kennedy. "A tour of the heart of darkness, a moral armageddon." - "The Times."

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Format: Paperback
Ellis' work continues to stand out in large part because he allows his characters to formulate the environment they populate in their own terms. In The Rules of Attraction, perhaps his most subtle work, Ellis accomplishes this masterfully through the absolutely disciplined, even ascetic distance he maintains from their world and values. The true testament to this is that baby boomers and college students alike both embrace Ellis as elucidating their own moral responses to the environment he creates.
Structurally, the book may come off as slightly sophomoric because of its position in Ellis' oeuvre, but the devices of radical subjectivity employed do all arguably add to the pluralistic ideological protagonism Ellis manages to achieve. The plot follows the romantistic relations of a few of the disaffected students of the elite liberal-arts Camden College in New Hampshire with some original linkage of linguistic and sexual confusion, and also substantially Less than Zero. All Ellis' work is ultimately salient if only in his capture of the dearth and excess of emotional energy his characters exquisitely possess.
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Format: Paperback
This was the first Bret Easton Ellis book that I had ever read. It initially caught my eye after hearing of the movie, and that made me interested in the book. It is well written with an interesting way to start and end a book. It starts and ends in mid sentence, which is quite hard to start off with since knowing what is going on is hard to do. The book then progresses in small sections where each character has their own section. This is good and bad. It is good because it makes it easier to read, though it gives it a soap opera feel. Since it changes character lead every couple of pages, following the story is rather difficult and confusing, because sometimes there is a need to flip back to the beginning of the section to see who is supposed to be talking. This is really the only bad part to the book. The rest of the book is quite entertaining and keeping interest in the book is not hard to do. I would recommend this book to anyone who enjoys a book that follows the lives of several college students through the last year of college.
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Format: Paperback
The rules of attraction is not a book up to par with ellis' usual quality. Although the writing remains consistently good the characters are so melodramatic about seemingly unimportant issues and rather nonchalent about issues, which one would think actually matter. The "kaleidoscopic" approach to the novel one would think is clever but ends up being simply annoying. The characters are not realistic, lauren who spends half her time lamenting over her lost love victor, also sleeps with half the campus, she changes too suddenly too fast, goes from being virginal to being the campus hoe, highly unbeilvable. Sean is just a douche with little to no personality, and in a narrative story that'll put you to sleep. Paul is an overly dramatic queen, and the ease with which he sleeps with seemingly straight men is re god damn diculous. This is nothing like college really is, yes college is filled with overly dramatic romances with a lack of any feeling and ellis' characters are involved with that, however the reader simply does not care. The characters are simply too boring to care. I love ellis' work and I love post modern fiction but save yourself some time and don't bother with this one.
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Format: Paperback
The Rules Of Attraction by Bret Easton Ellis, is his second novel, and definitely one of my favorites (the other being American Psycho). The story evolves around Sean Bateman, (Patrick Bateman's brother, the sick and demented character in American Psycho) Lauren, a girl who changes boyfriends as she changes majors, Paul, a bi-sexual who has the hots for Sean, and other guys around the college. It is set in New England during the Regan 80's. They spend their time getting drunk, doing drugs, and having sex. Yet, these characters are unlikable, they dont have a clue what they want to do in their future, or the present. They barely go to class, and that is all they do. What makes this book so good? The writing that Bret Easton Ellis does in this novel. This novel brings back the 80's; full of drugs, sex, and music, and it pokes fun at it. The novel is very entertaining, and yet very unique in many ways. The novel tells us about these slackers who rather have sex and get drunk, and yet they dont have a single clue of what they want to do with their lives. One of the thing that Ellis does not make us feel sorry for them, which is very different from other writers out there; James Patterson, Stephen King, John Grisham, Tom Clancy, and the list goes on. A very unique novel by one of the finest modern writers of our time.
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Format: Paperback
The Rules of Attraction, set at a fictional New England college very similar to the author's alma mater Bennington, chronicles a few months in the lives of two young men and a young woman as they search for some meaning or purpose in their lives. Sean is a narcissist whose hobbies include having sex with freshman girls, going to parties, and dealing cocaine. Paul is a shy bisexual whose naivete is matched only by his desire to land an attractive mate. Lauren is fixated on purity and sexuality and in love with a boy that has no memory of her. These three characters form a love triangle, centered around Sean, that is rocked by drugs, drinking, and partying.
Ellis's style in this novel is very mainstream considering his other work; The Rules of Attraction is a product of many of his literary influences with a sprinkling of his own creation. It is told by several narrators, not only the three main characters but also several secondary characters and there are even a few passages where the narrator is unidentified. This smells heavily of Faulkner, but Ellis makes it unique by including interesting and often symbolic details and having inconsistent narrations (i.e. one character will describe an event differently from another character).
There is no real plot in The Rules of Attraction; it is a series of narrated episodes that have a cumulative effect. We see relationships grow and ebb, death, and young people groping for meaning or even anything tangible in their lives. Most of the characters are filled with a sense of hopelessness. It's not that they don't care; they don't know how to care. The characters live in a moral vacuum where everything in ambiguous.
By the end of the novel, you may feel sick to your stomach with this emptiness. But that's the point. Ellis wants us to realize that people cannot live happy lives by emulating the students of Camden College. Sean, Paul and Lauren are the result when you lose touch with reality.
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