From Publishers Weekly
Koolhaas, Dutch architect, author (Delirious New York) and cult figure, wants architecture to be "a chaotic adventure," and this massive tome certainly is. Created with Toronto-based designer Mau, it's a huge collage splicing freewheeling essays, diary excerpts, photographs, architectural plans, sketches, cartoons and surreal montages of images. There's also a running glossary of Zen-like definitions, plus fables and parables intended to shake modern architects out of conventional thinking and to dispel urban despair. In one essay, Koolhaas admires Japan's metabolist movement, which fuses organic, scientific, mechanistic and romantic vocabularies. That approach seems compatible with his own innovative, eclectic vision as head of the Dutch firm Office of Metropolitan Architecture (O.M.A.), whose houses, villas, office towers, libraries, colleges, cultural complexes and other projects are showcased here. While some readers may be mystified by a nonlinear hodgepodge, architects, planners and designers will find this frequently outrageous assemblage a provocative repository of ideas. Author tour.
Copyright 1996 Reed Business Information, Inc.
Book Description
S,M,L,XL presents a selection of the remarkable visionary design work produced by the Dutch firm Office for Metropolitan Architecture (O.M.A.) and its acclaimed founder, Rem Koolhaas, in its first twenty years, along with a variety of insightful, often poetic writings. The inventive collaboration between Koolhaas and designer Bruce Mau is a graphic overture that weaves together architectural projects, photos and sketches, diary excerpts, personal travelogues, fairy tales, and fables, as well as critical essays on contemporary architecture and society.
The book's title is also its framework: projects and essays are arranged according to scale. While Small and Medium address issues ranging from the domestic to the public, Large focuses on what Koolhaas calls "the architecture of Bigness." Extra-Large features projects at the urban scale, along with the important essay "What Ever Happened to Urbanism?" and other studies of the contemporary city. Running throughout the book is a "dictionary" of an adventurous new Koolhaasian language -- definitions, commentaries, and quotes from hundreds of literary, cultural, artistic, and architectural sources.