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5.0 out of 5 stars
Great Parallel Novel to Canticle, Mar 28 2004
Saint Leibowitz and the Wild Horse Woman is a parallel novel to A Canticle for Leibowitz, taking place during the second section of Canticle. The writing style is different - definitely more complex - than its predecessor. Many of the issues dealt with in Saint Leibowitz will probably not sit well with many readers who enjoyed Canticle - homosexuality stands out as one of those. I think these two aspects of Saint Leibowitz are the main reasons for discontent amongst the people who gave this book one star. For starters, there's a lot happening in this book. The reader learns about the political, social, and economic atmosphere of the the lands traveled. There's a lot of history involved, and a lot of "current" events are discussed in detail. There are at least five main cultures in the book, and different characters go by different names within different areas of the land. This isn't so bad, considering only a handful of characters have different nicknames, but some characters are called by each of their names on the same page. The Wild Horse Woman plays a significant role in the book, however she doesn't show up a lot as a character. Instead, her presence is felt in many of the tribal religious/spiritual practices. All in all, this book has a lot more depth to it than what you can usually find on the bookshelf. As a parallel novel, it's incredible. Just keep in mind, it isn't Canticle. If you want to read a book exactly like A Canticle for Leibowitz, read A Canticle for Leibowitz.
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5.0 out of 5 stars
A church tapestry of politics and traditions, Dec 22 2003
One author sets murders in a medieval Roman Catholic monastery and it becomes an object of popular acclaim. Another author sets Papal politics in a post-nuclear holocaust society and it's dubbed "Sci-fi", and tossed in the remainders bin. Neither book deserved the fate it received. Miller's second look at post-nuclear North American society reveals a church divided within and still struggling with Caesar after three millennia. Popes tend to church politics with one hand and civil society with another. Somewhere in the middle are the lesser religious tending their adherents or hiding from the conflicts. One such "lesser religious" is a monk, Blacktooth St George. A resident at the monastery long dedicated to the memory of Isaac Leibowitz, nuclear scientist and martyr, Blacktooth harbours doubts about his calling. His roots are from the Plains people and their pagan heritage conflicts with the Roman Catholic Church's ideal of monotheism and self-sacrifice. Attempting to shed the burdensome vows, Blacktooth is conscripted to the service of a lawyer cardinal. Elia Brownpony, too, is a former Plainsman, but has risen quickly in the Church hierarchy due to diplomatic talents. Diplomacy usually involves conspiracy, and Brownpony must be adept at both for he is struggling to reunite the broken church. Theology isn't the basis of the schism, however. The expanding empire of Texark has challenged the Pope's power. Brownpony, wheeling and dealing, uses Blacktooth as a major instrument. Politics are a lesser challenge to Blacktooth than the condition of his own spirit. Beset by visions and his glands alike, this mid-thirties adult is known as Nimmy, an appellation applied to young boys. He encounters a genetic mutant, a heritage of the holocaust, whose only flaws are an uncanny insight and a rampant libido. She seduces Nimmy, who doesn't quite break his vows, and supposedly produces two children. Her image haunts him as he goes about his role of personal assistant. He's also haunted by the multi-figured image of a pope of African descent. All these conflicting visions keep Blacktooth on edge and in peril. His reconciliation of all these disparate forces are the theme of Miller's "midquel" of Canticle for Leibowitz [this story commences at the middle of Canticle, not the end]. Swirling roles of church and state and the Church and the individual formed the basis of "Canticle". Expanded and enhanced in this book, they are nicely integrated with convulsions that shook the Roman Catholic Church after the 1960s. Bisson has done Miller's original draft proud in completing a compelling story of the pressures on faith. Through a complex plot, the characters are kept realistic, if somewhat bizarre. Religious institutions, particularly under stress, are never simple, and the complexities are well handled and you never lose the threads, no matter how tightly they seem tangled. [stephen a. haines - Ottawa, Canada]
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4.0 out of 5 stars
Love in a crazy future, May 21 2003
If you loved the post-apocolyptic world of 'Canticle for Leibowitz', you have to read this. It is too bad Miller did not produce more. I loved 'Canticle' and had to read this sequel. This story takes place about 70 years after the middle section in 'Canticle' (Fiat Lux), and delves deeply into the politics and religion of the fictional future, much more so than its predecessor. Actually, the result reminded me more of 'Dune' than 'Canticle'--the nomadic tribal people rising up against the controlling empire and the religious people moving between the two, stirring up trouble. Where 'Canticle' had the broad view, basically taking us from nuclear devastation to nuclear devastation as history repeats itself, this book focuses very closely on a few compelling characters serving a papacy in exile for a few years during during an era when technology hovered somewhere around that of our 19th century. And Brother Blacktooth is one of the finest characters in literature that I have read in a long time--trying to find love (both God's and woman's) in a crazy and confused time. I have removed one star for length. I cannot help thinking that if Miller had lived to publish this, it would have been more concise. Still, this book demonstrates what a storyteller Miller was.
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