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5.0 out of 5 stars
Quite possibly the world's coolest funhouse!, July 22 2003
This review is from: Salvador Dali's Dream of Venus: The Surrealist Funhouse from the 1939 World's Fair (Hardcover)
Though Dali would eventually disavow his "Dream of Venus" pavilion from the 1939 World's Fair (over those pulling the pursestrings interfering with his vision), its place in history was forever secured as one of the earliest "art installation exhibits", or alternatively the most amazing carnival funhouse ever devised. Full of bizarre imagery pulled from Freudian psychology and the depths of Dali's own mind, visitors were treated to topless models cavorting in aquaria and other tableaux of surreal landscapes such as a 36-foot bed topped with lobsters baking on hot coals, a taxicab containing a rainstorm and Christopher Columbus, and an undersea mummified cow. Apparently a psychotic dream-rant by B-movie actress Ruth Ford played on endlessly in the darkness as well. Schaffner gives a brief textual description of a walk-through of the pavilion, followed by a history of the exhibition's development. Schaal's recently discovered photographs are the primary illustrations; they document both the exhibit space as well as behind-the-scenes shots of the models in costume fittings and the construction of the pavilion. The book, while fascinating, does leave one wanting more; certainly other photographs and film clips documenting the pavilion exist, possibly also of its rehab in 1940 as "20,000 Legs Under the Sea" (!), which would have been interesting in addition to the Schaal photos. Schaffner also very briefly quotes contemporary descriptions of the pavilion, lengthier passages would have been nice. It seems she is focusing on newly-discovered material, but since so little of the old material is easily available, its inclusion would have been well-justified. All in all, though, a beautifully produced volume on a rare melding of high art and carnival culture, the likes of which will undoubtedly never be seen again. Highly recommended.
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7 of 7 people found the following review helpful
5.0 out of 5 stars
Quite possibly the world's coolest funhouse!, July 22 2003
By repelli "repelli" - Published on Amazon.com
This review is from: Salvador Dali's Dream of Venus: The Surrealist Funhouse from the 1939 World's Fair (Hardcover)
Though Dali would eventually disavow his "Dream of Venus" pavilion from the 1939 World's Fair (over those pulling the pursestrings interfering with his vision), its place in history was forever secured as one of the earliest "art installation exhibits", or alternatively the most amazing carnival funhouse ever devised. Full of bizarre imagery pulled from Freudian psychology and the depths of Dali's own mind, visitors were treated to topless models cavorting in aquaria and other tableaux of surreal landscapes such as a 36-foot bed topped with lobsters baking on hot coals, a taxicab containing a rainstorm and Christopher Columbus, and an undersea mummified cow. Apparently a psychotic dream-rant by B-movie actress Ruth Ford played on endlessly in the darkness as well. Schaffner gives a brief textual description of a walk-through of the pavilion, followed by a history of the exhibition's development. Schaal's recently discovered photographs are the primary illustrations; they document both the exhibit space as well as behind-the-scenes shots of the models in costume fittings and the construction of the pavilion. The book, while fascinating, does leave one wanting more; certainly other photographs and film clips documenting the pavilion exist, possibly also of its rehab in 1940 as "20,000 Legs Under the Sea" (!), which would have been interesting in addition to the Schaal photos. Schaffner also very briefly quotes contemporary descriptions of the pavilion, lengthier passages would have been nice. It seems she is focusing on newly-discovered material, but since so little of the old material is easily available, its inclusion would have been well-justified. All in all, though, a beautifully produced volume on a rare melding of high art and carnival culture, the likes of which will undoubtedly never be seen again. Highly recommended.
4 of 4 people found the following review helpful
5.0 out of 5 stars
Beautiful, Surreal Dream, May 3 2005
By A. Jacobus - Published on Amazon.com
This review is from: Salvador Dali's Dream of Venus: The Surrealist Funhouse from the 1939 World's Fair (Hardcover)
I stumbled upon this book at a bookstore, and had to buy it. I have never seen anything like it, but what else would you expect from Dali. I would like to point out to the reviewer before me, that there is a reason that the photos look "pastellish". It was 1939, and color film was very new, and unstable. Even now color film is unstable. These negatives had been stored away for 70 years. Thats why the color photos seemed "washed out" as you put it. Even the last line of the book addresses that,we will never really see how Dali had envisioned his creation, because of the nature of color film. I find the colors to be very interesting, because of the fact they are not true to life, which for me makes the images that much more dreamlike. I find the book to be a beautiful edition, and would recommend to anyone interested in Dali, Surrealism, girlie shows, funhouses, and installation art. It's great to find things that you never knew existed. Amazon is great, but nothing can beat the good old used bookstore.
2 of 2 people found the following review helpful
3.0 out of 5 stars
Limitations of the Medium, Oct 10 2004
By John P Bernat - Published on Amazon.com
This review is from: Salvador Dali's Dream of Venus: The Surrealist Funhouse from the 1939 World's Fair (Hardcover)
It's a wonderful trip through the fantasy world of 1939. It's faded, though. The reproductions available limit the viewability of the photos here. Everything is pastellish; you cannot believe that this was how Dali really made this exhibition. He was fond of splashy, bright color; the photography in this book looks very washed out. That said, though, the reader is amazed to learn what 1939 viewers would tolerate by way of "explicit" sexuality. You have nude women in provocative positions to be viewed by the general public. How did this make it through pre-war censorship? Most likely because it was ART. You won't seem images like this anywhere else. It is wonderful stuff, and a must for Dali fans.
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