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Samurai from Outer Space: Understanding Japanese Animation Paperback – Dec 30 1998


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Product Details

  • Paperback: 180 pages
  • Publisher: Open Court (Dec 30 1998)
  • Language: English
  • ISBN-10: 0812693329
  • ISBN-13: 978-0812693324
  • Product Dimensions: 22.9 x 15.7 x 1.3 cm
  • Shipping Weight: 318 g
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (18 customer reviews)
  • Amazon Bestsellers Rank: #821,000 in Books (See Top 100 in Books)
  • See Complete Table of Contents

Product Description

From Library Journal

Japanese animation, also known as anime, is rivaled only by karaoke in terms of Japanese impact on U.S. culture. Anime fan clubs flourish on college campuses and on the Internet, and anime proliferates in U.S. video stores. In this first book-length study of the form, Levi asserts that anime is designed by Japanese for Japanese. Using her doctoral studies in Japanese history to good effect, she explains anime as it relates to Buddhist and Shinto traditions, Ninja and Samurai myths, Confucianism, woodblock painting, traditional theater, and contemporary Japanese culture. At the same time, Levi tries to account for anime's popularity among American "Generation X" fans, or otaku. Her study is consequently as much about the United States as it is about Japan and, happily, yields insights into both cultures for scholars and zealous lay readers alike. A fine addition for cultural studies collections.?Neal Baker, Dickinson Coll. Lib., Carlisle, Pa.
Copyright 1996 Reed Business Information, Inc.

From Booklist

American interest in the high-tech Japanese animation called animethe products of which feature childlike, saucer-eyed characters and range the genres from science fiction to sex comedy--is burgeoning. Video stores devote special sections to anime, and there is a huge anime presence in Internet newsgroups and home pages. According to Levi, this growing popularity is due not only to imaginative stories and visual appeal but also to the insight into Japanese culture anime affords. The cartoons are modern Japan's folktales, Levi says, and reveal aspects of the nation's psyche that range from its view of mortality to its conception of woman's role in society. Aimed at enlightening the uninitiated, Levi's study is less an anime guide than an almost scholarly text that, besides examining the psychological reasons for the cartoons' appeal, compares anime to American cartoon animation, traces its connections to Japanese art and theater, and demonstrates that many anime plots are based in Japanese religion. A valuable addition to film, popular-culture, and Asian studies collections alike. Gordon Flagg

Inside This Book (Learn More)
First Sentence
Generation X calls it anime (pronounced AH-nee-may). Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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Customer Reviews

4.0 out of 5 stars

Most helpful customer reviews

Format: Paperback
I've never liked Japanese animation. I missed out on "Astro Boy" and "Speed Racer" when I was a kid. To me, "Kimba the White Lion" represented Japanese animation. Something about the oddness in the characters voices (they always threw in extra syllables at the end of their sentences, "We have to go save him, huh?") and the gender ambiguity of the lead character (these things are important to uptight pre-pubescent kids) really bothered me.
By the time Japanese animation took hold in the US cartoon market with shows such as "Voltron," or "Robotech," I was done with cartoons. By the time Japanese animation started showing up on the shelves at Blockbuster Video, I learned that one should refer to Japanese animation as "Anime." In the years between, I found that the same kind of geeky know-it-all kids who dominated the Advanced Dungeons and Dragons scene and who lingered too long at comic book stores discussing the outcome of a battle between the "Teen Titans" and "Alpha Flight," were the same folks who loved Anime.
Have you ever disliked a band because of its fans? This was the same kind of thing. I have yet to listen to anything by The Misfits merely because of all the losers in leather jackets who would come to concerts and stand in my way or push people around in the pit. Nine times out of ten they'd have on some sort of Misfits paraphernalia. No one's written a book explaining the music of the Misfits from an outsider's point of view.
Thankfully, Antonia Levy's book Samurai from Outer Space is the perfect guide for jerks like me who've dismissed an entire animation style out of dislike for its diehard fans. Subtitled "Understanding Japanese Animation," Levy takes the reader through the history of Anime and Manga (Japanese comic books).
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By Daitokuji31 on Oct. 28 2001
Format: Paperback
This book was originaly written back in the year 1996 before the anime boom had hit America. I know anime is still not a word known in every household, but it is more popular now than what it was five years ago. I found this book to be quite an interesting read although most of the information seems to be for those who are only interested in Japan because of anime, which is not a rare thing to say the least so things such as literature and religion get pushed to the side because of a superior interest in Animation. I'm not saying that this is a bad thing, but fo those who have a deeply rooted interest in Japan in other things besides anime might find the book to be lacking in new information, but overall the book is quite enjoyable and might help make sense of some of the "strange" stuff that some viewers might see in anime. such as what figures of folklore the Urusei Yatsura characters Benten and Oyuki were derived from. I found a couplke of errors in the book as well in anime refernces. The first is obviously a mistype on page 51 Dr. Levi calls the manager of Maison Ikkoku Ryoko. The character's name is Kyoko. Maybe she was thinking about Tenchi Muyo! at the time. the second on page 131, Dr. Levi says that Akane cut her long hair of intentionately. This is not so her hair was accidentally cut off by Ryoga. She had her sister Kasumi even it out for her, but besides these little errors the book is an enjoyable read, but only scratches th e surface of the deeper meanings within anime. A better book to read would be Anime: from Akiira to Princes Mononoke by Susan J. Napier.
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By ChrisV82 on April 4 2001
Format: Paperback
When I picked up this book, I was looking fora history of anime. You know, facts about how it started, viewer statistics, time slots and channels it aired on, when it was first imported outside of Japan, how the styles have changed, etc. I didn't find very much of that in this book, but what I did find was a fascinating look at how Japanese traditions have influenced manga and anime (specifically anime). It is very interesting indeed. It is the best anime book I've read, but I haven't read much because there isn't much available. It doesn't have a directory of anime movies made, thankfully - those things are best left for websites.
It definately needs an update, though. With the popularity of shows like Digimon, Pokemon, Card Captors (C.C. Sakura in Japan), etc., not to mention the massive success of Cartoon Network's line up, as well as Sci Fi's and Action Channel's occasional anime showings, anime in the States is more popular than ever. it'd be nice to see what her take is on that, and to stop referring to Generation X. I'm old enough to have grown up on 80's dubbed anime on TV, but people my age are not Generation Xers....and today's Pokefans are younger than us.
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Format: Paperback
Ms. Levi's discussion of Japanese animation has a two-fold purpose: she wants to explain why Americans find anime so fascinating while she dissects the symbolism behind anime itself. Ms. Levi obviously has great affection towards Japanese history and religious culture, and if she were to write a book on those subjects exclusively, she would probably have a winner. However, Samurai From Outer Space shows a careless disregard for the facts of many anime. Some mistakes are so blatant that it brings the author's own knowledge of anime itself into question, and it undermines the credibility of the other material in the book. According to the book's cover, the author has written books "on subjects ranging from the Mighty Morphin Power Rangers to the Japanese Communist Party." This diversity may be why her actual anime knowledge seems quite limited. Nevertheless, the author's attitude can be read as haughty, and disrespect for Christianity and Western culture in general is also very apparent. Finally, the book takes an outsider's view of Generation X--it's full of speculation on why this group enjoys anime so much, but there is never a sense that the author actually sat down with modern non-Asian anime fans and discussed the topic at length. This is not to say that the book is without merits--indeed, it is very informative about Japanese legends and ancient culture, and good chunks of the book are useful if that's what you want to learn. Bottom line: it's a decent book on Japanese tradition, but a lousy book on anime.
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