Saturday Nights And Sunday Mornings
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|2. Hanging Tree|
|3. Los Angeles|
|7. Washington Square|
|8. On Almost Any Sunday Morning|
|9. When I Dream Of Michelangelo|
|10. Anyone But You|
|11. You Can't Count On Me|
|12. Le Ballet D'or|
|13. On A Tuesday In Amsterdam Long Ago|
|14. Come Around|
2008 album from Adam Duritz and the boys, an album that embraces the menacing vibes of Saturday Night and the more contemplative moments of a Sunday morning. Saturday Nights, the album's angry, electric, dissolute opening salvo was produced by Gil Norton (The Pixies, Foo Fighters), a longtime friend and associate of the band who previously produced their second album Recovering The Satellites. Sunday Mornings, the more acoustic and Folk-influenced side of the album was produced by Brian Deck whose past credits include Modest Mouse and Iron & Wine. Features the single 'You Can't Count On Me'.
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Top Customer Reviews
So, for me, Saturday Nights and Sunday Mornings is a return to form for Counting Crows. This is the best stuff they've done in over ten years. There is rock on this album, and there also is roots - but the cheesy pop is absent, and I'm glad.
Most Helpful Customer Reviews on Amazon.com (beta)
Well, on Saturday Nights & Sunday Mornings, Counting Crows proves that they're not out of ideas, and haven't lost their drive. This is a fantastic CD that basically melds the folk sounds of August and Everything After with the harder edge and pathos of Recovering the Satellites.
If you're reading this review, you probably know by now the basic concept of the album: It's divided into a Saturday Nights portion and a Sunday Mornings portion. Saturday nights is when you sin, loudly and angrily. This "side" contains mostly electric guitar anger and bitterness, as the protagonist (i.e., Adam Duritz) slides deeper and deeper into depression and loss of self. The Sunday Mornings "side" contains songs of recovery, of trying to put your life back together. (The emphasis is on *trying*. Only in the final song, "Come Around", is there any kind of faint glimmer of hope on this CD.)
Here's how the songs pan out:
1) 1492 -- This is a song about losing yourself in the party scene. It's about the meaninglessness of casual (if not anonymous) sex with Italian models and careening through the underbelly of night life like a drunken Arthur Rimbaud. And it's about all the "people who impersonate our friends" you meet along the way. You can download this as part of a "digital 45" from their site, so I won't bother describing it for you. 7/10.
2) Hanging Tree -- This is one of the best songs on the CD. It's basically about not being able to connect with anyone: "You open windows, and you wait for someone warm to come inside, and then you freeze to death alone." This is really a guitar-driven tour de force. 9/10
3) Los Angeles -- On this one, Counting Crows basically channel the Rolling Stones. Here, Adam gets a little self-indulgent, with lyrics like,
If you see that movie star and me
If you should see my picture in a magazine
Or if you fall asleep while you're watching TV
Well, honey, I'm just trying to make some sense
Out of me.
It sounds like a song designed to say, "Hey, I'm just trying to enjoy myself here. Cut me some slack." Like I said, a little self indulgent. 6/10
4) Sundays -- This one was a surprise. After 3 hard-driving songs, this one is more laid back. It's got nice music, but I don't really understand it, other than he's expressing a lack of faith. 6/10
5) Insignificant -- Here, it's all about a search for meaning. The protagonist (this time not explicitly Adam) stands on the ledge of a building, looking out over the crowd, believing he can fly -- *needing* to believe he can fly, to find some significance in his life. It's really a different way of expressing "Mr. Jones": He wants to be seen, to be noticed, and to mean something in the world. He also wants to be special, without feeling "different" because he's in some celebrity bubble. Great music, decent concept. 8/10
6) Cowboys -- Here, the protagonist is so desperate to be feel something, to mean something in the world, that he becomes a serial killer. The climax of the song is, "Oh, I will MAKE you look at me!". If it wasn't over 5 minutes long, this would be the perfect single. It's hard driving, wonderful, twisted lyrics (the protagonist is a paranoid schizophrenic), and every part of the music builds to the devastating, crumbling climax. 9/10
7) Washington Square -- This is a song about picking yourself up and getting yourself together to go out and live your life again. Quiet, introspective music, and Adam is at his pensive best here. 9/10.
8) On Almost Any Sunday Morning -- Here, the protagonist has taken the wrong woman home, just because he doesn't want to be alone. But he wakes up, and he's alone anyway. He also talks about taking lithium here (to control his depression, apparently). By the end of the song, he vows to find someone real to be with, and not to settle for the one-night stands:
"You dig yourself a dream
That we won't be coming home alone
Not this time..."
This is really a brilliant song. It's the one that reminds me most of the sound of August and Everything After (and even more specifically "Round Here"). 10/10
9) When I Dream of Michaelangelo -- If you've ever wondered what the line "I dream of Michaelangelo when I'm lying in my bed", from "Angels of the Silences" means, this is the song for you. This song has been puttering around in Adam Duritz's head since at least Recovering the Satellites. It's a beautiful ballad about being so close to someone, yet never being able to touch who they really are. "Well I know, she is not my friend, 'cause there she goes, walking on my skin again and again". 8/10
10) Anyone But You -- The best way to describe this song is, the protagonist is in a relationship, and he can't handle it. His eye is on the door. He's not together enough for a relationship.
"I'm almost ready.
Yeah, it's almost true.
For almost anyone but you."
It's got a real 70's feel to it. Not my favorite song, but not unpleasant. 6/10.
11) You Can't Count On Me -- Adam has said he's got 4 albums describing why women should stay as far away from him as possible. This song basically sums it up. He's not Mr. Reliable. Again, not my favorite, but serviceable. 7/10
12) Le Ballet D'Or -- Think of this one as philosophically akin to Eagles' "Wasted Time". The protagonist is tired of being mired in self-loathing and self-pity, and wants to get out and live: "So come on now, let's go dance to the siren's song...". It marks a turning point in the CD, because it's the point where the protagonist realizes, finally, that although he's screwed up his life with the wrong turns he took, that he still has a life to live. A very beautiful, lilting song. 9/10.
13) On A Tuesday In Amsterdam Long Ago -- The protagonist remembers an old love, and laments her. It's the closest they've come to "Raining in Baltimore" for quite some time. I'm not a fan of "Raining in Baltimore", though. The song is too long and repetitious. (For fun, count how many times he says, "Come back to me..."). 2/10
14) Come Around -- This is, by far, the most hopeful song on the CD, and my favorite. By this time, the protagonist's fog has cleared. Things aren't great, but he sees the hope in life. His girlfriend just dumped him, but that's okay. The song ends:
"And one of the million lies she said
Is 'All of the things you loved are dead.',
But I've seen what she thinks is love
And it leaves me laughing
So we'll (meaning the band, I guess) still come around."
Overall, this is their best work since Recovering the Satellites, by a wide margin. If you lost faith after Hard Candy, give this a try. it won't disappoint you!
I've always held their first two albums as my favorites (both have different strengths). Saturday Nights... is quite strong, though it's not necessarily anything new or exciting. I think 1492, Insignificant, and Cowboys would make it onto any Crows mix I make from now on. "When I Dream of Michaelangelo" is a great call back to "Angels of the Silences" on album 2. "Sundays" moves from chipper to a more emotional chorus. And the band doesn't lose a chance to rock out when necessary.
This album will replace "Recovering the Satellites" for those of you who ranked it as second best in your CC collection!
Here's where I'm coming from: I'm a dedicated fan. Seen the Crows in concert 8 times (5 since 2000), and every time I think it's the best concert I've ever seen (not limited to crows). I think the evolution in their music is amazing - how can they keep making great songs even better. Their last tour included a version of Rain King that topped the "New Amsterdam" version, which bested both "Across a wire" versions which far outstripped the album version which is a fantastic song. I think every song they've recorded is at least good (with the aforementioned exception), and all their studio albums are great to listen all the way through. I think their best 5 recorded songs are: Round here (Across a wire cd 2), Perfect blue buildings (New Amsterdam), Anna Begins (Across a wire cd 1) Hanging around (New Amsterdam), Up all night (Hard Candy). Of course if you're a fan of these songs too, you've already bought this album, so I guess I'm just venting.
Ok, so back to Saturday nights and Sunday mornings. I guess I just had high expectations. Today, I expected to see a bunch of ratings trashing this album when I came on here to do that. But no. I can't understand. I've tried to like this album. I've tried very hard. But I think I would be embarrassed to play it in my car. It's got some annoying sections, some bad lyrics, and some worse vocals. It's got almost no emotion. It's got no good rock. It's got no great lines that aren't reused. It's got a bit of innovation, but the album has no flow. I think it was a double album that got shrunk because it was even worse. Jeez, what did they throw out?
A few months ago, I heard a new track that I wasn't on any major album (live or studio), called "Baby I'm a big star now". Great song. I had hoped that song was a preview of the brilliant new album on the way. urgh
I'm sad. waiting over 5 years for this?
Cowboy - will be one of the best concert songs in their repertoire and certainly on this album
le Ballet d'Or - the only really good song on the album - interesting, new, but it builds and never gets anywhere
On almost any sunday morning - nice harmonica
On a tuesday in Amsterdam long ago
That's it man.
not a fan of the big single, "you can't count on me". Just does nothing for me. And even some of the lyrics are a bit annoying.
yeah, I mean, you've got to buy the album, just don't expect great things. Or better yet, wait till you find one on the street that's been thrown out of someone's car in a fit of frustrated "why did they do this to me" agony.