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Schindler's List [Soundtrack]

John Williams Audio CD
5.0 out of 5 stars  See all reviews (64 customer reviews)
Price: CDN$ 11.86 & FREE Shipping on orders over CDN$ 25. Details
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Frequently Bought Together

Schindler's List + V1:Cinema Serenade
Price For Both: CDN$ 25.85

  • V1:Cinema Serenade CDN$ 13.99

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Product Details


1. Theme From 'Schindler's List' - Itzhak Perlman
2. Jewish Town (Krakow Ghetto - Winter '41) - Itzhak Perlman
3. Immolation (With Our Lives, We Give Life) - John Williams
4. Remembrances - John Williams
5. Schindler's Workforce - John Williams
6. Oyf'n Pripetshok/Nacht Aktion - The Li-ron Herzeliya Children's Choir
7. I Could Have Done More - Itzhak Perlman
8. Auschwitz-Birkenau - Itzhak Perlman
9. Stolen Memories - John Williams
10. Making The List - Itzhak Perlman
11. Give Me Your Names - John Williams
12. Yeroushalaim Chel Zahav (Jerusalem Of Gold) - The Ramat Gan Chamber Choir/Hana Tzur, Cond.
13. Remembrances (With Itzhak Perlman) - Itzhak Perlman
14. Theme From Schindler's List (Reprise) - John Williams

Product Description

Amazon.ca

Because he's long been stereotyped by the rousing neo-romantic adventure scores for the Star Wars, Indiana Jones, and Jurassic Park franchises, it's easy to forget that composer John Williams is hardly idiomatically challenged. When Steven Spielberg gratifyingly used the clout of his enormous commercial success to produce and direct this brave Holocaust drama, his long-time musical collaborator used the opportunity to display both the depth and maturity of his musical gifts and training, producing a score with sad, evocative melodies frequently carried by the violin of the great Itzhak Perlman. Rich with ethnic nuance and showcasing the composer's masterful orchestral/choral subtlety, Williams's emotionally compelling score for Schindler's List also won the Academy Award for Best Dramatic Score. --Jerry McCulley

Product Description


Customer Reviews

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1 of 1 people found the following review helpful
5.0 out of 5 stars Simply magnificent. Best soundtrack so far. Jan. 15 2004
By A Customer
Format:Audio CD
I myself am a violinist. I remembered in eighth grade, my school orchestra chose Schindler's List as one of our pieces for a big performance. When I read and played the notes on my violin, I was shocked at how magnificent this piece was. It was so touching that I nearly cried in front of the entire orchestra!
When I went home and told my parents about this, my mother gave me our Schindler's List Soundtrack (I never knew we had one) and I listened to it. It was marvelous. It was so incredibly beautiful but so depressing, depressing to the point where the melancholy just melts your heart. When I heard the famous Itzhak Perlman's violin solos, I wish so badly that I am just as skilled and talented as he is (Unfortunately, I'm not. I've only been promoted to 1st violin just recently).
I loved all the songs in there, but when I heard Remembrances with Itzhak Perlman (track 13), I couldn't help it. I had to cry. And I actually thought that it was not just any sad feeling, but it really feels like as though I'm trying to remember something very personal that I had forgotten for a long time.
Do yourself a favor and at least listen to this track.
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5.0 out of 5 stars "Schindler" score's simplicity will make you weep Sept. 14 2003
Format:Audio CD
One of the most powerful movies made in the last 15 years, Steven Spielberg's Schindler's List gave John Williams a chance to eschew his normally operatic style in film scoring and to prove that simplicity and restraint can add more power to a film than a huge symphonic score. Instead of choosing heavy brooding Nazi-style marches or heroic Indiana Jones-like themes for the various characters, Williams chose instead to go for a subdued style, using solo piano, children's choirs, and poignant violin solos by the great Itzhak Perlman to underscore the horrors of the Holocaust and the eventual humanization of Oskar Schindler.
Williams' "Theme from Schindler's List" is a poignant composition that has its roots in the musical style favored by Eastern European Jews. That Williams can write scores using forms and instrumentation used by other cultures is not surprising. Williams, after all, won his first Academy Award for adapting the music from Broadway's "Fiddler on the Roof" for the movie version, and his score for Ron Howard's "Far and Away" employs Irish melodic forms quite effectively. The "Theme" is hauntingly beautiful, and it matters not whether it's performed by the entire Boston Symphony, a solo pianist, or Perlman on violin.
Another lovely yet melancholic piece is "Remembrances," which appears twice on this CD.
"Immolation (With Our Lives, We Give Life)" is a moving, keening choral piece, while "Oyf'n Pripetshok and Nacht Aktion" mingles a traditional Jewish song and original Williams material to underscore the Germans' "cleansing" of the Krakow Ghetto.
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5.0 out of 5 stars Remembrances... April 17 2003
Format:Audio CD
John Williams and world renowned violinist Itzhak Perlman made a powerful musical combination with their collaboration for Schindler's List. The score that they created is an example of how music can add so much, to a film already filled with unforgettable images, and then somehow makes the viewer even more speechless then you might think possible.
The music of Williams, would have no doubt, stood on its own. Perlman adds just the right touch to make the score even better. Through his solos, it's almost as though, he is acting as Oskar Schindler's conscience as he decides what to to do. For his part, Williams takes the horrors of the holocaust and somehow manages to give its victims, Schindler's heroic efforts, and their legacy, a dignity. As director Steven Spielberg mentions in his liner notes comments "The choice John Williams made was gentle simplicity."-That is true and the score will leave a lasting impression-by either watching the movie, or just listening to the soundtrack.
Like Schindler himself, Williams and Perlman take the tragic events of that period in world history, and somehow give us hope..with this emotional and powerful score. The CD has 14 track listings and a total running time of 64:34. The Schindler's List soundtrack comes highly recommended and is a must for anyone's collection
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5.0 out of 5 stars Close your eyes and let it happen. Feb. 14 2003
Format:Audio CD
As other reviewers mention, this score sort of "legitmized" John Williams as more than a composer of catchy romance-adventure music. Because Williams is always faithful to the story being told onscreen, it took a film like "Schindler's List" to allow Williams to lead us into the sublime.
The opening theme is fairly pleasant, kind of mysterious, with a nice violin lead by Itzhak Perlman. The next track, "Jewish Town" also lets us off pretty easy. The violin does have its pathos, but overall it's more stately than sad. We're still being eased into the dignified, ancient structures of Jewish music.
With "Immolation," it really begins. The tension and uncertainty in the strings gives way to the choir; the starving and tormented citizens of Krakow will not be silent. This piece also begins the smartest tactic of the whole score - Williams keeps using the melody from the opening, but in different keys based on the events of the film. It's a happy melody the first time; track to track, it becomes less so.
"Schindler's Workforce" is sort of the juggernaut of the score at over ten minutes. It's a reprieve from the drama of the prior two pieces, just as working in the factory is a reprieve from being murdered. For "I Could Have Done More," the orchestration is subdued, and we start to hear the sublime. When the key changes to E-minor at 3:46, the last barrier between the listener and the tragedy of the story is removed.
With "Auschwitz - Birkenau," the violin and strings express the rage and desperation of the death camp. Williams no longer seeks to comfort us, and reality takes hold. The choir returns for the gentle, haunting "Stolen Memories," and so the tension is briefly set aside. (Acoustic guitar is an unexpected pleasure here.
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Most recent customer reviews
5.0 out of 5 stars Devastating
I remember how silently the audience filed out of the movie theatre that night. As a thoughtful Christian it has haunted me ever since.
Published 5 months ago by Elgin
5.0 out of 5 stars Very good to listen to while staring out your window
when it is raining, forgive me, not raining, but pouring outside, it's cold, you are all alone at home, just thinking about your past and or present lover, your job troubles or... Read more
Published on June 16 2004 by Vincent
5.0 out of 5 stars a low-key gem
I give this soundtrack 4 1/2 stars. Occasionally a few of the tracks that worked excellently with the movie and weaved the right atmsophere, are somewhat bland when listened to... Read more
Published on May 2 2004 by I ain't no porn writer
5.0 out of 5 stars Amazing Score From an Equally Amazing Movie
John William's efforts to the "Shindler's List" score are wonderful. Though known for scoring movies like "Jaws" and "Star Wars", he proves he can... Read more
Published on Nov. 7 2003 by David Anderson
5.0 out of 5 stars Schindler's List
John Williams completed this wonderful score with compassion and with all of his heart. The music is so moving and embracing. Read more
Published on Nov. 3 2003 by Greg Williams
5.0 out of 5 stars MOVING, SOARING PERFORMANCES
John Williams, famous for such soundtracks as Jaws and Star Wars, puts together a soundtrack that is truly unique. Read more
Published on Sept. 3 2003
5.0 out of 5 stars Tears
I saw Schindler's List last summer during a day when I had nothing else to do... my mom thought I was horrible for liking such a (as she says) morbid movie. Read more
Published on May 31 2002 by "thequeenofnerds"
5.0 out of 5 stars A Subtle and Emotionally Apt Score
From the response that one can observe to the score from Schindler's List, it is like no one took John Williams' work seriously prior to its release. Read more
Published on Feb. 10 2002 by Zachary S. Houp
5.0 out of 5 stars Tragically Touching...
This soundtrack has to be one of the best I've ever heard. It's so sweetly sad...there's really nothing that equals it in true pathos. Read more
Published on Jan. 11 2002 by Laurel Kirkland
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