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The Science of Sleep, a playful romantic fantasy set inside the topsy-turvy brain of Stephane Miroux (Gael Garcia Bernal) an eccentric young man whose dreams constantly invade his waking life. Stephane pines for next-door neighbor, Stephanie (Charlotte Gainsbourg), but she becomes confused by his childishness and shaky connection to reality. Unable to find the secret to Stephanie's heart while awake, Stephane searches for the answer in his dreams.
Customer Reviews
Most helpful customer reviews
3 of 4 people found the following review helpful
Format:DVD
Every person has vivid dreams -- so vivid that when they wake, it's hard to tell what's real and what was just in your dream.
And Michel Gondry, the genius behind "Eternal Sunshine of the Spotless Mind," is just the director to tackle a movie about those dreams. Peppered with some of the weirdest scenes imaginable, Gondry guides this bizarre, sublime little movie to heights that most directors couldn't even dream of. (Pun intended)
Stéphane Miroux (Gael García Bernal) is a creative young dreamer from Mexico, who is lured back to Paris to live with his widowed mother. Unfortunately, the job she gets him is dull and creativity-free -- making calendars. The only upside is Stephanie (Charlotte Gainsbourg), a young woman who has moved into the same building.
Though he is initially attracted to her roommate, he soon finds that it is Stephanie he likes. Their involvement starts off well, but soon Stéphane has bungled things. He becomes increasingly wrapped up in his bizarre dreams, which are encroaching on his view of "reality." Will reality or dreams triumph, and will Stéphane be won over by love?
With a movie like "Eternal Sunshine of the Spotless Mind" under his belt, it must be hard for Gondry to try to surpass himself. And while "Science of Sleep" is another exploration of the mind, it's a radically different kind of movie -- visual, quirky, and with a bittersweet edge. It has some disjointed moments, and it's not nearly as accessable, but the overall effect is like one long dream.
In a way, this movie is about escaping reality, into the labyrinth of your mind -- it might make you feel better for awhile, but ultimately it won't solve your problems, or improve your life. And to find love, you have to face the pain of reality. By the finale, some measure of peace is attained -- but still its meaning is utterly ambiguous. The viewer can decide what happens.
For the visuals, Gondry falls back on his music-video past. His music videos for the White Stripes, Bjork and Chemical Brothers were all wonderfully strange, and this movie is full of kittycat suits, enormous hands, and other magical items that seem plucked from a child's whimsical daydream. Even the mundane surroundings are colourful and striking.
Bernal plays a difficult character -- let's face it, Stéphane is rather strange, with a child's wonder and selfishness. But through glimpses into Stéphane's mind, Gondry creates sympathy for his awkwardness and creativity, and his yearning for love. The scenes where Stéphane and Stephanie (similar names for similar people) make things together has a curiously innocent intimacy.
Whimsical and almost hallucinogenic, "The Science of Sleep" is one of the most unique and compelling movies of the last year. It's not as accessable as his prior films, but it has its own bizarre charm.
And Michel Gondry, the genius behind "Eternal Sunshine of the Spotless Mind," is just the director to tackle a movie about those dreams. Peppered with some of the weirdest scenes imaginable, Gondry guides this bizarre, sublime little movie to heights that most directors couldn't even dream of. (Pun intended)
Stéphane Miroux (Gael García Bernal) is a creative young dreamer from Mexico, who is lured back to Paris to live with his widowed mother. Unfortunately, the job she gets him is dull and creativity-free -- making calendars. The only upside is Stephanie (Charlotte Gainsbourg), a young woman who has moved into the same building.
Though he is initially attracted to her roommate, he soon finds that it is Stephanie he likes. Their involvement starts off well, but soon Stéphane has bungled things. He becomes increasingly wrapped up in his bizarre dreams, which are encroaching on his view of "reality." Will reality or dreams triumph, and will Stéphane be won over by love?
With a movie like "Eternal Sunshine of the Spotless Mind" under his belt, it must be hard for Gondry to try to surpass himself. And while "Science of Sleep" is another exploration of the mind, it's a radically different kind of movie -- visual, quirky, and with a bittersweet edge. It has some disjointed moments, and it's not nearly as accessable, but the overall effect is like one long dream.
In a way, this movie is about escaping reality, into the labyrinth of your mind -- it might make you feel better for awhile, but ultimately it won't solve your problems, or improve your life. And to find love, you have to face the pain of reality. By the finale, some measure of peace is attained -- but still its meaning is utterly ambiguous. The viewer can decide what happens.
For the visuals, Gondry falls back on his music-video past. His music videos for the White Stripes, Bjork and Chemical Brothers were all wonderfully strange, and this movie is full of kittycat suits, enormous hands, and other magical items that seem plucked from a child's whimsical daydream. Even the mundane surroundings are colourful and striking.
Bernal plays a difficult character -- let's face it, Stéphane is rather strange, with a child's wonder and selfishness. But through glimpses into Stéphane's mind, Gondry creates sympathy for his awkwardness and creativity, and his yearning for love. The scenes where Stéphane and Stephanie (similar names for similar people) make things together has a curiously innocent intimacy.
Whimsical and almost hallucinogenic, "The Science of Sleep" is one of the most unique and compelling movies of the last year. It's not as accessable as his prior films, but it has its own bizarre charm.
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
3.9 out of 5 stars
93 reviews
58 of 62 people found the following review helpful
5.0 out of 5 stars
In dreams
Oct 20 2006
By E. A Solinas
- Published on Amazon.com
Every person has vivid dreams -- so vivid that when they wake, it's hard to tell what's real and what was just in your dream.
And Michel Gondry, the genius behind "Eternal Sunshine of the Spotless Mind," is just the director to tackle a movie about those dreams. Peppered with some of the weirdest scenes imaginable, Gondry guides this bizarre, sublime little movie to heights that most directors couldn't even dream of. (Pun intended)
Stéphane Miroux (Gael García Bernal) is a creative young dreamer from Mexico, who is lured back to Paris to live with his widowed mother. Unfortunately, the job she gets him is dull and creativity-free -- making calendars. The only upside is Stephanie (Charlotte Gainsbourg), a young woman who has moved into the same building.
Though he is initially attracted to her roommate, he soon finds that it is Stephanie he likes. Their involvement starts off well, but soon Stéphane has bungled things. He becomes increasingly wrapped up in his bizarre dreams, which are encroaching on his view of "reality." Will reality or dreams triumph, and will Stéphane be won over by love?
With a movie like "Eternal Sunshine of the Spotless Mind" under his belt, it must be hard for Gondry to try to surpass himself. And while "Science of Sleep" is another exploration of the mind, it's a radically different kind of movie -- visual, quirky, and with a bittersweet edge. It has some disjointed moments, and it's not nearly as accessable, but the overall effect is like one long dream.
In a way, this movie is about escaping reality, into the labyrinth of your mind -- it might make you feel better for awhile, but ultimately it won't solve your problems, or improve your life. And to find love, you have to face the pain of reality. By the finale, some measure of peace is attained -- but still its meaning is utterly ambiguous. The viewer can decide what happens.
For the visuals, Gondry falls back on his music-video past. His music videos for the White Stripes, Bjork and Chemical Brothers were all wonderfully strange, and this movie is full of kittycat suits, enormous hands, and other magical items that seem plucked from a child's whimsical daydream. Even the mundane surroundings are colourful and striking.
Bernal plays a difficult character -- let's face it, Stéphane is rather strange, with a child's wonder and selfishness. But through glimpses into Stéphane's mind, Gondry creates sympathy for his awkwardness and creativity, and his yearning for love. The scenes where Stéphane and Stephanie (similar names for similar people) make things together has a curiously innocent intimacy.
Whimsical and almost hallucinogenic, "The Science of Sleep" is one of the most unique and compelling movies of the last year. It's not as accessable as his prior films, but it has its own bizarre charm.
And Michel Gondry, the genius behind "Eternal Sunshine of the Spotless Mind," is just the director to tackle a movie about those dreams. Peppered with some of the weirdest scenes imaginable, Gondry guides this bizarre, sublime little movie to heights that most directors couldn't even dream of. (Pun intended)
Stéphane Miroux (Gael García Bernal) is a creative young dreamer from Mexico, who is lured back to Paris to live with his widowed mother. Unfortunately, the job she gets him is dull and creativity-free -- making calendars. The only upside is Stephanie (Charlotte Gainsbourg), a young woman who has moved into the same building.
Though he is initially attracted to her roommate, he soon finds that it is Stephanie he likes. Their involvement starts off well, but soon Stéphane has bungled things. He becomes increasingly wrapped up in his bizarre dreams, which are encroaching on his view of "reality." Will reality or dreams triumph, and will Stéphane be won over by love?
With a movie like "Eternal Sunshine of the Spotless Mind" under his belt, it must be hard for Gondry to try to surpass himself. And while "Science of Sleep" is another exploration of the mind, it's a radically different kind of movie -- visual, quirky, and with a bittersweet edge. It has some disjointed moments, and it's not nearly as accessable, but the overall effect is like one long dream.
In a way, this movie is about escaping reality, into the labyrinth of your mind -- it might make you feel better for awhile, but ultimately it won't solve your problems, or improve your life. And to find love, you have to face the pain of reality. By the finale, some measure of peace is attained -- but still its meaning is utterly ambiguous. The viewer can decide what happens.
For the visuals, Gondry falls back on his music-video past. His music videos for the White Stripes, Bjork and Chemical Brothers were all wonderfully strange, and this movie is full of kittycat suits, enormous hands, and other magical items that seem plucked from a child's whimsical daydream. Even the mundane surroundings are colourful and striking.
Bernal plays a difficult character -- let's face it, Stéphane is rather strange, with a child's wonder and selfishness. But through glimpses into Stéphane's mind, Gondry creates sympathy for his awkwardness and creativity, and his yearning for love. The scenes where Stéphane and Stephanie (similar names for similar people) make things together has a curiously innocent intimacy.
Whimsical and almost hallucinogenic, "The Science of Sleep" is one of the most unique and compelling movies of the last year. It's not as accessable as his prior films, but it has its own bizarre charm.
51 of 60 people found the following review helpful
4.0 out of 5 stars
Life is like a dream. Literally.
Oct 13 2006
By Maine Writer
- Published on Amazon.com
The Science of Sleep isn't an easy movie. Not at first, at least. I begins a bit self-consciously and then creeps up on you, drawing you into the strange, unsettling worlds of the subconscious and then playing tricks with the viewer about the sometimes subtle differences between dreams and reality. I found myself in strangely familiar terrain, thinking back to my first love and the sadness, joy, wonder, insecurity, and, finally, pain over what was never meant to be. The moments of private craziness and creativity. The magic of that emotional bond on young hearts. Flipping back and forth between the mainly realistic and the sensationalistically bizarre, The Science of Sleep is a meditation on the human mind and heart.
I loved Eternal Sunshine of the Spotless Mind. It's probably my favorite movie. The Science of Sleep causes the same emotions to well up inside me; it's a similar, but unique meditation on the familiar theme of who we are, why we love, and the strange magic of human relationships.
I loved Eternal Sunshine of the Spotless Mind. It's probably my favorite movie. The Science of Sleep causes the same emotions to well up inside me; it's a similar, but unique meditation on the familiar theme of who we are, why we love, and the strange magic of human relationships.
27 of 33 people found the following review helpful
4.0 out of 5 stars
"The brain is the most complex thing in the universe! And it's behind the nose."
Mar 14 2007
By Bart King
- Published on Amazon.com
Format:DVD
I quite liked "La Science des Rêves." Its whimsy, acting, and design are all worthy of admiration. Particularly enjoyable is director Michel Gondry's various delightful and low-tech sets and special effects. At its best moments, the movie resembles the work of a prodigiously talented film student; it has that mix of unbridled creativity, innocence, and yes, even an endearing pretentiousness.
And yet as soon as the film was over, I felt disappointed. It seemed to me that perhaps TOO much thought went into the movie's design, leaving the story somwehat malnourished. As the film is mostly in the form of a dream, this may seem like a nonsensical criticism, so let me amend my criticism; Stephane (played by the gifted Gael García Bernal) comes across as eccentric, perhaps even mentally ill. Fine, fine. But in the end, he also convinces us that he is infantile, and perhaps even irredeemably creepy and less interesting than we thought.
Roll credits and cue disappointment. Let me reiterate though, this is a refreshingly irrational film, and quite fascinating on its own terms.
And yet as soon as the film was over, I felt disappointed. It seemed to me that perhaps TOO much thought went into the movie's design, leaving the story somwehat malnourished. As the film is mostly in the form of a dream, this may seem like a nonsensical criticism, so let me amend my criticism; Stephane (played by the gifted Gael García Bernal) comes across as eccentric, perhaps even mentally ill. Fine, fine. But in the end, he also convinces us that he is infantile, and perhaps even irredeemably creepy and less interesting than we thought.
Roll credits and cue disappointment. Let me reiterate though, this is a refreshingly irrational film, and quite fascinating on its own terms.
›
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3.9 out of 5 stars
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