Vous voulez voir cette page en français ? Cliquez ici.

Have one to sell? Sell yours here
In Search Of Lost Time 06 Finding Time Again
 
 

In Search Of Lost Time 06 Finding Time Again [Hardcover]

Marcel Proust , Ian Patterson
4.9 out of 5 stars  See all reviews (8 customer reviews)

Available from these sellers.


Formats

Amazon Price New from Used from
Hardcover CDN $25.17  
Hardcover, Oct 29 2002 --  
Paperback CDN $13.87  
Audio, CD, Abridged, Audiobook CDN $21.10  


Product Details


Product Description

From Library Journal

In The Fugitive, the seventh volume of Proust's classic Remembrance of Things Past, the focus is grief. The plot is superficially simple: Albertine, the narrator's mistress, has left him; he considers his love for her, her reasons for departure, what response(s) he should make, and his life. He makes several attempts to manipulate her return; when it becomes impossible, he mourns and remembers the past. This series is a pseudoautobiographical study of the author's own self-centered, physically restricted, self-reflective life in pre-World War I France. In Time Regained, the final volume, Proust gathers together all the themes of the previous seven. The narrator pays several visits to Paris, during and after the war, observing the military and nonmilitary behaviors of old and new acquaintances. Later, he is shocked to recognize that they and he have become old. Finally, his thoughts turn to former events, old loves, and reliving his experiences through writing. The author is known for his complicated thought patterns and recurring, interwoven themes. Unfortunately, both the abridgment and the format compound these textual difficulties. There is likely to be little demand for this abridged French classic in translation, unless it is made into a movie. Neville Jason has a beautiful voice and an obvious love for the text. Recommended for large academic and public libraries. I. Pour-El, Iowa State Univ. Lib., Ames
Copyright 2001 Reed Business Information, Inc. --This text refers to the Audio Cassette edition.

Review

“As close to being a definitive English version of the great novel as we are likely to get. This new edition will serve to introduce new generations of readers to what Somerset Maugham rightly described as the greatest novel of our century.” -- Allan Massie, Scotsman

“The best reading version yet.” -- The Times --This text refers to the Paperback edition.

Inside This Book (Learn More)
Browse and search another edition of this book.
Explore More
Concordance
Browse Sample Pages
Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
Search inside this book:

Tag this product

 (What's this?)
Think of a tag as a keyword or label you consider is strongly related to this product.
Tags will help all customers organize and find favorite items.
Your tags: Add your first tag
 

What Other Items Do Customers Buy After Viewing This Item?


 

Customer Reviews

8 Reviews
5 star:
 (7)
4 star:
 (1)
3 star:    (0)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.9 out of 5 stars (8 customer reviews)
 
 
 
 
Share your thoughts with other customers:
Most helpful customer reviews

5.0 out of 5 stars *****, May 27 2004
By A Customer
A brilliant closing volume to the novel. It brings back the lyricism of the first two volumes. I thought in the volumes in between some of that earlier lyricism was sacrificed to the bitchiness of Proust's tone toward the aristocracy he was doubtless jealous of, and his askew view of love that stemmed from his obvious anxieties about having been homosexual. But the early lyrcism and charm of the first two volumes is largely revived in this final volume. And anyone interested in writing, as anyone who makes it to this final volume doubtless is, Proust's passages on the art of writing make rewarding reading.
The obvious flaws are that some characters who'd earlier "died" show up alive in this volume. Couples who had numerous children in earlier volumes show up in this volume having only one child; Marcel (the narrator) recognizes people and then subsequently, in the same scene, doesn't recognize them. I have NOOO idea why some editor didn't knock out these discrepancies and tighten the text. It really seems silly to me to be SOOO faithful to Proust's final manuscript as to include glaring errors. Proust was rewriting when he died. If he'd lived he would have corrected these errors and I think his intention should have been honored. But I'm still giving it five stars, since overall the experience of reading this last volume is of reading something truly brilliant.
Help other customers find the most helpful reviews 
Was this review helpful to you? Yes No


5.0 out of 5 stars "Life can be realised within the confines of a book"-Proust, July 23 2003
By 
Jerry Clyde Phillips (Sutton, Vermont) - See all my reviews
(REAL NAME)   
The melancholy atmosphere that pervaded the close of The Fugitive is carried over into this final part of Proust's huge work. Whereas, in the preceding part, Marcel laments the loss of Albertine and his changed relationship with his long time friend, Saint Loup, the author's concerns are now much greater. France is in the midst of World War I, Paris experiencing night time air raids; and the distinction between the Guermantes' Way and Swann's Way has become even more blurred as both Gilberte, the daughter of a courtesan, and Mme. Verdurin, the insufferable salon hostess, have become members of the mystic Guermantes family. Furthermore, Saint Loup is killed in action and Marcel's hometown is occupied by the Germans. But in spite of the gravity of the events surrounding him, Marcel becomes even more self-absorbed. He still holds onto his drean of becoming a writer, but this desire begins to wane as he becomes convinced that he has neither the temperament, the knowledge nor the fortitude to follow a literary career. Then the pivotal event of the whole novel takes place: he is invited to a matinee at the new home of the Prince de Guermantes.

While waiting in an anteroom for admission to the Guermantes' reception, the author is beset by a series of sensory experiences that bring back several happy memories from his past. These recollections, both powerful and joyous, convince him that he has the ability to undertake a literary career, to be able to communicate those ecstatic moments from the past to readers of the present day. His melancholy lifted, he enters the reception to discover that his recent epiphany is only bolstered by what he finds. All around him are the decaying remnants of a fast fading aristocracy. Many of the characters that have been introduced to the reader throughout the course of the novel are met again, but now in the final years of their lives: the proud Charlus, now an obsequious old man; the Duc de Guermantes, described as a "magnificent ruin"; Gilberte, now confused with her aging mother; even Marcel becomes aware that he, too, is quickly getting old. But now seeing things with an artist's eye, Marcel becomes aware that each of these characters, as well as all those people remembered from his life, are "like giants plunged into the years, [touching] the distant epochs through which they have lived, between which so many days have come to range themeselves - in Time." Marcel's goal is clear. He will spend the rest of his life carefully bringing these giants back to life. In other words, he is ready to embark on the huge task of writing the book that the reader has just finished reading.

This part of the novel was published five years after the author's death and suffers from a lack of editing. There are many ellipses, contradictions, and time and place juxtapostion mistakes, errors that Proust would surely have tidied up if he had lived to see his work published in full. But these are paltry criticisms wthen compared to the brilliance of the total work. Unfortunately, Proust is little read these days, and many of those who attempt to read the novel are motivated by the challenge of a literary marathon more than from an awareness of the intrinsic value of the work (as I was). But regardless of the motivation, the effort (and it is an effort) is totally rewarding as the reader sees in Proust's world reflections of his own. It took me a part of seven years to read the complete novel, a period of time in which Proust's search for lost time and my own reminiscences often became linked together as the author's characters shared my own thoughts regarding things past, the specious present, and the eventual fate that awaits us all.

Kilmartin's A Guide to Proust, which is included in this volume is well worth the price of the book by itself. The guide consists of four distinct inexes to Proust's novel: characters, historical persons, places and themes. The scholarship that went into compliling these indexes is outstanding and makes it possible for the reader to spend several years (if he so wishes) in working his way through the novel without losing track of the hundreds of characters and personages included therein. One reviewer remarked, "buy this volume first"; I would only modify this advice by suggesting that the prospective reader get this volume when he purchases Swann's Way.

Help other customers find the most helpful reviews 
Was this review helpful to you? Yes No


5.0 out of 5 stars A novel for all Time, Sep 4 2002
By 
Wordsworth (Greenwich, CT) - See all my reviews
In this final life's work of Proust on the theme of the passage of Time it's clear that the author is riper, near to death and concerned about the lasting impact of his writing. "Eternal duration is promised no more to men's works than to men." Yet there is so much beauty and substance and lyricism in his 4,300 pages clearly his volumes are, both individually and collectively, a masterwork for the ages. The novel seems more like an autobiography in which the names of persons and places have been changed to protect the innocent (and the gulity). Because of his theme, Marcel constantly returns to the events of his life to gain some semblance of understanding of them. In this volume he is concerned with the effect of the world war upon Paris. The familiar characters of Gilberte and Bloch happily emerge again to center stage and, as always, Charlus and Morel. Because of his failing health and self-exile from society, he must have known that he had little Time to tie up all the loose ends and that another volume would not be in the offing after this one. Indeed, he never lived to see this volume in print. By virtue of his failing health the pressing nature of his last years lend a poignancy to the themes of this volume so that it stands out among the other works when Time was full of budding possibilities and had not ultimately become a dreaded adversary. In this volume Proust picks up the leitmotifs that thread their way through this remarkable tapestry in his walks down various ways and he brings them all to a meaningful end. The story lines are surprisingly simple and easy to follow and there is so much enduring value in his masterfully articulated "impressions." I decided to commit Time a few months ago to read all of Proust's work --it was Time well spent. I can't encourage you enough to make a similar investment. The work is truly a Timeless masterpiece from one of the real geniuses of his day and through it Proust has justly earned his immortality, his worthy prominence among the best literary minds of all Time.
Help other customers find the most helpful reviews 
Was this review helpful to you? Yes No

Share your thoughts with other customers: Create your own review
Want to see more reviews on this item?
 Go to Amazon.com to see all 14 reviews  4.6 out of 5 stars 
 
 
Most recent customer reviews






Only search this product's reviews



Listmania!

Create a Listmania! list

Look for similar items by category


Look for similar items by subject


Feedback