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A favorite film of some of the world's greatest filmmakers, including Martin Scorsese and Steven Spielberg, John Ford's
The Searchers has earned its place in the legacy of great American films for a variety of reasons. Perhaps most notably, it's the definitive role for John Wayne as an icon of the classic Western--the hero (or antihero) who must stand alone according to the unwritten code of the West. The story takes place in Texas in 1868; Wayne plays Ethan Edwards, a Confederate veteran who visits his brother and sister-in-law at their ranch and is horrified when they are killed by marauding Comanches. Ethan's search for a surviving niece (played by young Natalie Wood) becomes an all-consuming obsession. With the help of a family friend (Jeffrey Hunter) who is himself part Cherokee, Ethan hits the trail on a five-year quest for revenge. At the peak of his masterful talent, director Ford crafts this classic tale as an embittered examination of racism and blind hatred, provoking Wayne to give one of the best performances of his career. As with many of Ford's classic Westerns,
The Searchers must contend with revisionism in its stereotypical treatment of "savage" Native Americans, and the film's visual beauty (the final shot is one of the great images in all of Western culture) is compromised by some uneven performances and stilted dialogue. Still, this is undeniably one of the greatest Westerns ever made.
--Jeff Shannon
Review
Described by the director as a "psychological epic," The Searchers (1956) is John Ford's most revered Western, for its visual richness and profoundly ambiguous critique of the genre's (and America's) racism. Ford pushed John Wayne's archetypal Westerner into the realm of antiheroism, as Ethan's five-year quest to rescue his niece from Comanche chief Scar mutates into killing her when he discovers her living placidly as Scar's bride. While Ethan's lethal racism signals his insanity, Wayne's charismatic presence and Ethan's desire to salvage the family unit of "civilized" settlers carries its own sheen of Western heroism. Still, the famous final image of Ethan's departure into the desert reveals that "civilization" has no place for such an uncompromising figure. Shot on location in Colorado and Monument Valley, Ford's vividly arid Technicolor vistas render Ethan a man of the magnificent and punishing landscape, unable to reconcile his inner savagery with domestic constraints. Greeted in America as just another quality Ford oater, the film was first reclaimed by French critics for the unresolved tensions and evocative style of Ford's narrative, elevating it to the status of cinematic art. With U.S. cinephiles following suit, The Searchers deeply influenced the 1970s "film school" generation (Martin Scorsese and Paul Schrader transformed it into Taxi Driver in 1976) and has since taken its place among the greatest Westerns ever made. ~ Lucia Bozzola, All Movie Guide