From Amazon
Though not the first novel she wrote, Sense and Sensibility was the first Jane Austen published. Though she initially called it Elinor and Marianne, Austen jettisoned both the title and the epistolary mode in which it was originally written, but kept the essential theme: the necessity of finding a workable middle ground between passion and reason. The story revolves around the Dashwood sisters, Elinor and Marianne. Whereas the former is a sensible, rational creature, her younger sister is wildly romantic--a characteristic that offers Austen plenty of scope for both satire and compassion. Commenting on Edward Ferrars, a potential suitor for Elinor's hand, Marianne admits that while she "loves him tenderly," she finds him disappointing as a possible lover for her sister:
Oh! Mama, how spiritless, how tame was Edward's manner in reading to us last night! I felt for my sister most severely. Yet she bore it with so much composure, she seemed scarcely to notice it. I could hardly keep my seat. To hear those beautiful lines which have frequently almost driven me wild, pronounced with such impenetrable calmness, such dreadful indifference!Soon however, Marianne meets a man who measures up to her ideal: Mr. Willoughby, a new neighbor. So swept away by passion is Marianne that her behavior begins to border on the scandalous. Then Willoughby abandons her; meanwhile, Elinor's growing affection for Edward suffers a check when he admits he is secretly engaged to a childhood sweetheart. How each of the sisters reacts to their romantic misfortunes, and the lessons they draw before coming finally to the requisite happy ending forms the heart of the novel. Though Marianne's disregard for social conventions and willingness to consider the world well-lost for love may appeal to modern readers, it is Elinor whom Austen herself most evidently admired; a truly happy marriage, she shows us, exists only where sense and sensibility meet and mix in proper measure. --Alix Wilber --This text refers to an alternate Paperback edition.
From Library Journal
Austen is the hot property of the entertainment world with new feature film versions of Persuasion and Sense and Sensibility on the silver screen and Pride and Prejudice hitting the TV airwaves on PBS. Such high visibility will inevitably draw renewed interest in the original source materials. These new Modern Library editions offer quality hardcovers at affordable prices.
Copyright 1996 Reed Business Information, Inc. --This text refers to the Hardcover edition.
Copyright 1996 Reed Business Information, Inc. --This text refers to the Hardcover edition.
Review
"The complexity and courage of Sense and Sensibility get their due in this wonderful edition..." -- Deidre Lynch, University at Buffalo, State University of New York.
Book Description
Jane Austen's first published novel, Sense and Sensibility, is a witty satire of the sentimental novel, a popular genre in Britain throughout the 1790s and the Regency. When it first appeared in 1811, the words in its title carried significant cultural weight beyond the confines of the novel, and into both popular and learned discourse. Through her dual heroines, Austen addresses, and satirizes, notions of sense and sensibility, and engages with the issues of inheritance, marriage, and love. The story concerns two sisters: the level-headed Elinor and the passionate and impulsive Marianne. When their father dies, his son by a previous marriage assumes possession of the family home. Marianne and Elinor, left to the care of their mercenary brother John and his wife Fanny, must remove to a cottage with their mother. Each sister meets a man in whom she is interested, and as with other Austen novels, requited love does not come easily. This newly annotated edition offers a thorough and perceptive introduction and a wide range of carefully selected contextual materials that further explore the term "sensibility."
Book Description
Jane Austen's first published novel introduced many of the themes which would dominate Austen's future work. Austen writes about everyday events of her own time with a subtlety and sensitivity unprecedented in the English novel. This edition follows the second edition of 1813, which corrects errors of the first edition.
--This text refers to the
Hardcover
edition.
From the Publisher
The Broadview Literary Texts series is an effort to represent the ever-changing canon of literature in English by bringing together texts long regarded as classics with valuable, though lesser-known literature.
From the Back Cover
Jane Austen's first published novel, Sense and Sensibility, is a witty satire of the sentimental novel, a popular genre in Britain throughout the 1790s and the Regency. When it first appeared in 1811, the words in its title carried significant cultural weight beyond the confines of the novel, and into both popular and learned discourse. Through her dual heroines, Austen addresses, and satirizes, notions of sense and sensibility, and engages with the issues of inheritance, marriage, and love. The story concerns two sisters: the level-headed Elinor and the passionate and impulsive Marianne. When their father dies, his son by a previous marriage assumes possession of the family home. Marianne and Elinor, left to the care of their mercenary brother John and his wife Fanny, must remove to a cottage with their mother. Each sister meets a man in whom she is interested, and as with other Austen novels, requited love does not come easily. This newly annotated edition offers a thorough and perceptive introduction and a wide range of carefully selected contextual materials that further explore the term "sensibility."
About the Author
Kathleen James-Cavan, of the Department of English at the University of Saskatchewan, has written widely on 19th-century British fiction.
Excerpt. © Reprinted by permission. All rights reserved.
Chapter One
The family of Dashwood had been long settled in Sussex (1). Their estate was large (2), and their residence was at Norland Park, in the centre of their property, where, for many generations, they had lived in so respectable a manner, as to engage (3) the general good opinion of their surrounding acquaintance. The late owner of this estate was a single man, who lived to a very advanced age, and who for many years of his life, had a constant companion and housekeeper (4) in his sister. But her death, which happened ten years before his own, produced a great alteration in his home; for to supply her loss, he invited and received into his house the family of his nephew Mr. Henry Dashwood, the legal inheritor of the Norland estate (5), and the person to whom he intended to bequeath it. In the society of his nephew and niece, and their children, the old Gentleman's days were comfortably spent. His attachment to them all increased. The constant attention of Mr. and Mrs. Henry Dashwood to his wishes, which proceeded not merely from interest, but from goodness of heart, gave him every degree of solid comfort which his age could receive; and the cheerfulness of the children added a relish to his existence.
By a former marriage, Mr. Henry Dashwood had one son: by his present lady, three daughters. The son, a steady respectable young man, was amply provided for by the fortune of his mother, which had been large, and half of which devolved on him on his coming of age (6). By his own marriage, likewise, which happened soon afterwards, he added to his wealth (7). To him therefore the succession to the Norland estate was not so really important as to his sisters; for their fortune, independent of what might arise to them from their father's inheriting that property, could be but small. Their mother had nothing, and their father only seven thousand pounds in his own disposal; for the remaining moiety of his first wife's fortune was also secured to her child, and he had only a life interest in it (8).
The old Gentleman died; his will was read, and like almost every other will, gave as much disappointment as pleasure (9). He was neither so unjust, nor so ungrateful, as to leave his estate from his nephew;—but he left it to him on such terms as destroyed half the value of the bequest. Mr. Dashwood had wished for it more for the sake of his wife and daughters than for himself or his son:—but to his son, and his son's son, a child of four years old, it was secured, in such a way, as to leave to himself no power of providing for those who were most dear to him, and who most needed a provision, by any charge on the estate (10), or by any sale of its valuable woods (11). The whole was tied up for the benefit of this child (12), who, in occasional visits with his father and mother at Norland (13), had so far gained on the affections of his uncle, by such attractions as are by no means unusual in children of two or three years old; an imperfect articulation, an earnest desire of having his own way, many cunning tricks, and a great deal of noise, as to outweigh all the value of all the attention which, for years, he had received from his niece and her daughters (14). He meant not to be unkind however, and, as a mark of his affection for the three girls, he left them a thousand pounds a-piece.
Mr. Dashwood's disappointment was, at first, severe; but his temper was cheerful and sanguine, and he might reasonably hope to live many years, and by living economically, lay by a considerable sum from the produce of an estate already large, and capable of almost immediate improvement (15). But the fortune, which had been so tardy in coming, was his only one twelvemonth. He survived his uncle no longer; and ten thousand pounds, including the late legacies, was all that remained for his widow and daughters (16).
His son was sent for, as soon as his danger was known (17), and to him Mr. Dashwood recommended, with all the strength and urgency which illness could command, the interest of his mother-in-law (18) and sisters.
Mr. John Dashwood had not the strong feelings of the rest of the family; but he was affected by a recommendation of such a nature at such a time, and he promised to do every thing in his power to make them comfortable. His father was rendered easy by such an assurance, and Mr. John Dashwood had then leisure to consider how much there might prudently be in his power to do for them.
He was not an ill-disposed young man, unless to be rather cold hearted, and rather selfish, is to be ill-disposed: but he was, in general, well respected; for he conducted himself with propriety in the discharge of his ordinary duties. Had he married a more amiable woman, he might have been made still more respectable (19) than he was:—he might even have been made amiable (20) himself; for he was very young when he married, and very fond of his wife. But Mrs. John Dashwood was a strong caricature of himself;—more narrow-minded (21) and selfish.
When he gave his promise to his father, he meditated within himself to increase the fortunes of his sisters by the present of a thousand pounds a-piece. He then really thought himself equal to it. The prospect of four thousand a-year, in addition to his present income, besides the remaining half of his own mother's fortune (22), warmed his heart and made him feel capable of generosity (23).—"Yes, he would give them three thousand pounds: it would be liberal and handsome! It would be enough to make them completely easy. Three thousand pounds! he could spare so considerable a sum with little inconvenience."—He thought of it all day long, and for many days successively, and he did not repent (26).
No sooner was his father's funeral over, than Mrs. John Dashwood, without sending any notice of her intention to her mother-in-law, arrived with her child and their attendants. No one could dispute her right to come; the house was her husband's from the moment of his father's decease; but the indelicacy of her conduct was so much the greater, and to a woman in Mrs. Dashwood's situation, with only common feelings, must have been highly unpleasing (27),—but in her mind there was a sense of honour so keen, a generosity so romantic, that any offence of the kind, by whomsoever given or received, was to her a source of immoveable disgust (28). Mrs. John Dashwood had never been a favourite with any of her husband's family; but she had had no opportunity, till the present, of shewing them with how little attention to the comfort of other people she could act when occasion required it.
So acutely did Mrs. Dashwood feel this ungracious behaviour, and so earnestly did she despise her daughter-in-law for it, that, on the arrival of the latter, she would have quitted the house for ever (29), had not the entreaty of her eldest girl induced her first to reflect on the propriety of going, and her own tender love for all her three children determined her afterwards to stay, and for their sakes avoid a breach with their brother.
Elinor, this eldest daughter whose advice was so effectual, possessed a strength of understanding, and coolness of judgment, which qualified her, though only nineteen (30), to be the counsellor of her mother, and enabled her frequently to counteract, to the advantage of them all, that eagerness of mind in Mrs. Dashwood which must generally have led to imprudence. She had an excellent heart;—her disposition was affectionate, and her feelings were strong; but she knew how to govern them (31): it was a knowledge which her mother had yet to learn, and which one of her sisters had resolved never to be taught.
Marianne's abilities were, in many respects, quite equal to Elinor's (32). She was sensible and clever; but eager in every thing; her sorrows, her joys, could have no moderation. She was generous, amiable, interesting (33): she was every thing but prudent. The resemblance between her and her mother was strikingly great.
Elinor saw, with concern, the excess of her sister's sensibility (34); but by Mrs. Dashwood it was valued and cherished. They encouraged each other now in the violence of their affliction. The agony of grief which overpowered them at first, was voluntarily renewed, was sought for, was created again and again (35). They gave themselves up wholly to their sorrow, seeking increase of wretchedness in every reflection that could afford it (36), and resolved against ever admitting (37) consolation in future. Elinor, too, was deeply afflicted; but still she could struggle, she could exert herself. She could consult with her brother, could receive her sister-in-law on her arrival, and treat her with proper attention; and could strive to rouse her mother to similar exertion, and encourage her to similar forbearance.
Margaret, the other sister, was a good-humoured well-disposed girl; but as she had already imbibed a good deal of Marianne's romance (38), without having much of her sense, she did not, at thirteen, bid fair to equal her sisters at a more advanced period of life.
Annotations
1. Sussex: A county south of London.
2. The gentry that dominates this and other Jane Austen novels were based in rural estates, whose agricultural profits formed the principal source of their income.
3. engage: gain.
4. “Housekeeper” was often used to refer to a high-ranking female servant. Here it means that his sister supervised the household, which would include directing and managing the servants, deciding on meals, ordering supplies for the house, and attending to the needs of residents and guests. These tasks were normally performed by women, so a man without a wife would usually have a sister or other unmarried female relative live with him for this purpose. Since unmarried women rarely had homes of their own, she would benefit by gaining a secure home in which she exercised a position of importance and influence.
5. When a landowner lacked sons, a paternal nephew, as Henry Dashwood’s... --This text refers to an alternate Paperback edition.
The family of Dashwood had been long settled in Sussex (1). Their estate was large (2), and their residence was at Norland Park, in the centre of their property, where, for many generations, they had lived in so respectable a manner, as to engage (3) the general good opinion of their surrounding acquaintance. The late owner of this estate was a single man, who lived to a very advanced age, and who for many years of his life, had a constant companion and housekeeper (4) in his sister. But her death, which happened ten years before his own, produced a great alteration in his home; for to supply her loss, he invited and received into his house the family of his nephew Mr. Henry Dashwood, the legal inheritor of the Norland estate (5), and the person to whom he intended to bequeath it. In the society of his nephew and niece, and their children, the old Gentleman's days were comfortably spent. His attachment to them all increased. The constant attention of Mr. and Mrs. Henry Dashwood to his wishes, which proceeded not merely from interest, but from goodness of heart, gave him every degree of solid comfort which his age could receive; and the cheerfulness of the children added a relish to his existence.
By a former marriage, Mr. Henry Dashwood had one son: by his present lady, three daughters. The son, a steady respectable young man, was amply provided for by the fortune of his mother, which had been large, and half of which devolved on him on his coming of age (6). By his own marriage, likewise, which happened soon afterwards, he added to his wealth (7). To him therefore the succession to the Norland estate was not so really important as to his sisters; for their fortune, independent of what might arise to them from their father's inheriting that property, could be but small. Their mother had nothing, and their father only seven thousand pounds in his own disposal; for the remaining moiety of his first wife's fortune was also secured to her child, and he had only a life interest in it (8).
The old Gentleman died; his will was read, and like almost every other will, gave as much disappointment as pleasure (9). He was neither so unjust, nor so ungrateful, as to leave his estate from his nephew;—but he left it to him on such terms as destroyed half the value of the bequest. Mr. Dashwood had wished for it more for the sake of his wife and daughters than for himself or his son:—but to his son, and his son's son, a child of four years old, it was secured, in such a way, as to leave to himself no power of providing for those who were most dear to him, and who most needed a provision, by any charge on the estate (10), or by any sale of its valuable woods (11). The whole was tied up for the benefit of this child (12), who, in occasional visits with his father and mother at Norland (13), had so far gained on the affections of his uncle, by such attractions as are by no means unusual in children of two or three years old; an imperfect articulation, an earnest desire of having his own way, many cunning tricks, and a great deal of noise, as to outweigh all the value of all the attention which, for years, he had received from his niece and her daughters (14). He meant not to be unkind however, and, as a mark of his affection for the three girls, he left them a thousand pounds a-piece.
Mr. Dashwood's disappointment was, at first, severe; but his temper was cheerful and sanguine, and he might reasonably hope to live many years, and by living economically, lay by a considerable sum from the produce of an estate already large, and capable of almost immediate improvement (15). But the fortune, which had been so tardy in coming, was his only one twelvemonth. He survived his uncle no longer; and ten thousand pounds, including the late legacies, was all that remained for his widow and daughters (16).
His son was sent for, as soon as his danger was known (17), and to him Mr. Dashwood recommended, with all the strength and urgency which illness could command, the interest of his mother-in-law (18) and sisters.
Mr. John Dashwood had not the strong feelings of the rest of the family; but he was affected by a recommendation of such a nature at such a time, and he promised to do every thing in his power to make them comfortable. His father was rendered easy by such an assurance, and Mr. John Dashwood had then leisure to consider how much there might prudently be in his power to do for them.
He was not an ill-disposed young man, unless to be rather cold hearted, and rather selfish, is to be ill-disposed: but he was, in general, well respected; for he conducted himself with propriety in the discharge of his ordinary duties. Had he married a more amiable woman, he might have been made still more respectable (19) than he was:—he might even have been made amiable (20) himself; for he was very young when he married, and very fond of his wife. But Mrs. John Dashwood was a strong caricature of himself;—more narrow-minded (21) and selfish.
When he gave his promise to his father, he meditated within himself to increase the fortunes of his sisters by the present of a thousand pounds a-piece. He then really thought himself equal to it. The prospect of four thousand a-year, in addition to his present income, besides the remaining half of his own mother's fortune (22), warmed his heart and made him feel capable of generosity (23).—"Yes, he would give them three thousand pounds: it would be liberal and handsome! It would be enough to make them completely easy. Three thousand pounds! he could spare so considerable a sum with little inconvenience."—He thought of it all day long, and for many days successively, and he did not repent (26).
No sooner was his father's funeral over, than Mrs. John Dashwood, without sending any notice of her intention to her mother-in-law, arrived with her child and their attendants. No one could dispute her right to come; the house was her husband's from the moment of his father's decease; but the indelicacy of her conduct was so much the greater, and to a woman in Mrs. Dashwood's situation, with only common feelings, must have been highly unpleasing (27),—but in her mind there was a sense of honour so keen, a generosity so romantic, that any offence of the kind, by whomsoever given or received, was to her a source of immoveable disgust (28). Mrs. John Dashwood had never been a favourite with any of her husband's family; but she had had no opportunity, till the present, of shewing them with how little attention to the comfort of other people she could act when occasion required it.
So acutely did Mrs. Dashwood feel this ungracious behaviour, and so earnestly did she despise her daughter-in-law for it, that, on the arrival of the latter, she would have quitted the house for ever (29), had not the entreaty of her eldest girl induced her first to reflect on the propriety of going, and her own tender love for all her three children determined her afterwards to stay, and for their sakes avoid a breach with their brother.
Elinor, this eldest daughter whose advice was so effectual, possessed a strength of understanding, and coolness of judgment, which qualified her, though only nineteen (30), to be the counsellor of her mother, and enabled her frequently to counteract, to the advantage of them all, that eagerness of mind in Mrs. Dashwood which must generally have led to imprudence. She had an excellent heart;—her disposition was affectionate, and her feelings were strong; but she knew how to govern them (31): it was a knowledge which her mother had yet to learn, and which one of her sisters had resolved never to be taught.
Marianne's abilities were, in many respects, quite equal to Elinor's (32). She was sensible and clever; but eager in every thing; her sorrows, her joys, could have no moderation. She was generous, amiable, interesting (33): she was every thing but prudent. The resemblance between her and her mother was strikingly great.
Elinor saw, with concern, the excess of her sister's sensibility (34); but by Mrs. Dashwood it was valued and cherished. They encouraged each other now in the violence of their affliction. The agony of grief which overpowered them at first, was voluntarily renewed, was sought for, was created again and again (35). They gave themselves up wholly to their sorrow, seeking increase of wretchedness in every reflection that could afford it (36), and resolved against ever admitting (37) consolation in future. Elinor, too, was deeply afflicted; but still she could struggle, she could exert herself. She could consult with her brother, could receive her sister-in-law on her arrival, and treat her with proper attention; and could strive to rouse her mother to similar exertion, and encourage her to similar forbearance.
Margaret, the other sister, was a good-humoured well-disposed girl; but as she had already imbibed a good deal of Marianne's romance (38), without having much of her sense, she did not, at thirteen, bid fair to equal her sisters at a more advanced period of life.
Annotations
1. Sussex: A county south of London.
2. The gentry that dominates this and other Jane Austen novels were based in rural estates, whose agricultural profits formed the principal source of their income.
3. engage: gain.
4. “Housekeeper” was often used to refer to a high-ranking female servant. Here it means that his sister supervised the household, which would include directing and managing the servants, deciding on meals, ordering supplies for the house, and attending to the needs of residents and guests. These tasks were normally performed by women, so a man without a wife would usually have a sister or other unmarried female relative live with him for this purpose. Since unmarried women rarely had homes of their own, she would benefit by gaining a secure home in which she exercised a position of importance and influence.
5. When a landowner lacked sons, a paternal nephew, as Henry Dashwood’s... --This text refers to an alternate Paperback edition.
From AudioFile
Elinor Dashwood keeps both feelings and tongue in check; whereas, her dear younger sister, Marianne, is impulsive, spontaneous and emotional. The talented Julie Christie does a fine job with this abridgment of Austen's classic. Her portrayals of men are respectable although her female characterizations contain more variations and distinctions. Elinor's quiet determination contrasts nicely with Marianne's more passionate speech. Christie also captures the effusive Mrs. Jennings; the nervous, bubbly, yet insincere, Miss Steel; and the cold, haughty Mrs. John Dashwood. In spite of Christie's voice fading at sentence endings from time to time, her consistent performance successfully renders the characters' sensibilities and the sensible era in which they lived. J.H.B. (c)AudioFile, Portland, Maine
