Sense and Sensibility (Special Edition)
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*Emma Thompson*, *Alan Rickman*, *Kate Winslet* and *Hugh Grant* star in this captivating romantic comedy that swept the Ten Best Lists and was named the Best Picture of the Year by the Golden Globes and #174;. Based on Jane Austen's classic novel, _Sense and Sensibility_ tells of the Ashwood sisters, sensible Elinor (Thompson) and passionate Marianne (Winslet), whose chances at marriage seem doomed by their family's sudden loss of fortune. Rickman, Grant and Greg Wise co-star as the well-intentioned suitors who are trapped by the strict rules of society and the conflicting laws of desire. Audio in English, Portuguese and Spanish.Approximate total running time is 2 hours, 16 minutes.Rated PG.
Emma Thompson scores a double bull's-eye with this marvelous adaptation of Jane Austen's novel. Not only does Thompson turn in a strong (and gently humorous) performance as one of the Dashwood sisters--the one with "sense"--she also wrote the witty, wise screenplay. Austen's tale of 19th-century manners and morals provides a large cast with a feast of possibilities, notably Kate Winslet, in her pre-Titanic flowering, as Thompson's deeply romantic sister. Winslet attracts the wooing of shy Alan Rickman (a nice change of pace from his bad-guy roles) and dashing Greg Wise, while Thompson must endure an incredibly roundabout courtship with Hugh Grant, here in fine and funny form. All of this is doled out with the usual eye-filling English countryside and handsome costumes, yet the film always seems to be about the careful interior lives of its characters. The director, an inspired choice, is Taiwan-born Ang Lee, who brings the same exquisite taste and discreet touch he displayed in his previous Asian films (such as Eat Drink Man Woman). Thompson's script won an Oscar, and 1995 was a fine year for Jane Austen all around: Persuasion was made into an excellent picture, and Emma became the spritzy high school comedy Clueless. --Robert Horton --This text refers to an out of print or unavailable edition of this title.
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Top Customer Reviews
I think Alan Rickman just about stole the show. He's wonderful in everything. This is the only movie that I've seen him play a good guy, and he's absolutely wonderful. You can't help but to fall in love with him. Where are the Colonel Brandons of this world!
I was highly impressed with Kate Winslet and Emma Thompson. They were so convincing as the Dashwood sisters that I'll never be able to separate them from the roles.
On top of the fine acting, magnificent scenery, and lovely costumes, you have thoughtful cinematography. Pay close attention to the framing of the scenes. I particularly like the scene where the atlas is delivered to the cottage but not by Edward. While Elinor and her mother are talking about Edward you notice that the camera zooms away. The door frame becomes a picture frame for the scene. You feel like you're in the house, almost eavesdropping. Then Elinor closes the atlas as if to say the conversation is over. There are subtle moves like that throughout the entire movie.
The casting is perfect. I thought it very silly that Emma Thompson was going to be the 19 year old Eleanor, and since she produced the movie I thought that was just silly vanity. But she is actually perfect as the too-sensible-for-her-own-good Eleanor. Kate Winslet is great as flaky Marianne. Even little Margaret (Austen's only fully-realized child character) is great as the spunky pre-teen. I remember when the movie came out one reviewer said that Hugh Grant's character "looks like he's forgotten to take the coat hanger out of his clothing" and that is so true... but he's so good as the clueless cad.
The film is beautifully shot, with great sets and scenery. It's a little hard for a modern person to understand why the Dashwoods were so upset to have to move to such a charming cottage! Historical perspective is maintained in the movie, though.
It is also very well written, with my very favourite line in any movie appearing (though I've read the book twice looking for it). Truly words to live by, Mrs. Dashwood tells blabbermouth Margaret that if she can't think of anything appropriate to say, "please keep your conversation to the roads and the weather!" Advice that has never failed me yet :-)
This film is great whether or not you've read the book. It's good all on it's own. My only complaint is that I cannot picture Eleanor as only 19. While I've always pictured her well above her years, I have a difficult time accepting her age in the film. This is overlooked by Emma Thompson's brilliant portrayal of her.
When those daughters are from Jane Austen novel, you can guess that there are going to be romantic problems aplenty for both of them -- along with the usual entailment issues, love triangles, sexy bad boys and societal scandals. Ang Lee deftly adapted Ausen's "Sense and Sensibility" into the sort of movie it should be -- a lushly beautiful, quietly passionate period drama.
When Mr. Dashwood dies, his entire estate is entailed to his weak son John and snotty daughter-in-law Fanny. His widow (Gemma Jones) and her three daughters are left with little money and no home.
Over the next few weeks, the eldest daughter Elinor (Emma Thompson) begins to fall for Fanny's studious, quiet brother Edward (Hugh Grant)... but being the down-to-earth one, she knows she hasn't got a chance. Her impoverished family soon relocates to Devonshire, where a tiny cottage is being rented to them by one of Mrs. Dashwood's relatives -- and Marianne (Kate Winslet) soon attracts the attention of two men. One is the quiet, much older Colonel Brandon (Alan Rickman), and the other is the dashing and romantic Willoughby (Greg Wise).
But things begin to spiral out of control when Willoughby seems about to propose to Marianne... only to abruptly break off his relationship with her. And during a trip to London, both Elinor and Marianne discover devastating facts about the men they are in love with -- both of them are engaged to other women. And after disaster strikes the Dashwood family, both the sisters will discover what real love is about...Read more ›
Most recent customer reviews
Jane Austen's stories age so well, and this production is among the best.Published 20 days ago by Milady
Vous aviez plusieurs traductions mais pas le français. Ce serait bien de l'indiquer dans vos renseignements.Published 3 months ago by FRANCE VAILLANT
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