- Paperback: 224 pages
- Publisher: Gaspereau Press; 2nd Printing edition (Oct 1 2009)
- Language: English
- ISBN-10: 1554470781
- ISBN-13: 978-1554470785
- Product Dimensions: 21.3 x 14 x 1.8 cm
- Shipping Weight: 318 g
- Average Customer Review: 2.2 out of 5 stars See all reviews (38 customer reviews)
- Amazon Bestsellers Rank: #90,846 in Books (See Top 100 in Books)
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Product Details |
Product Description
Review
"...a slender but deeply contemplative novel..." (NOW Magazine 20101015)
"a solid debut and a beautiful tribute to a father-daughter relationship." (Globe and Mail 20101113)
"Skibsrud knows what she's doing: The slow fuse of the novel's first half turns out to be a very effective setup for the explosive second." (National Post 20101109)
"The writing here is trip-wire taut as the exploration of guilt, family and duty unfolds." (Giller Jury 20110106)
"[Skibsrud's] book is an affirmation of why we still try -- why we still use words to reclaim history, to imagine another's pain, to hold onto what is human in the face of violence and chaos. The Sentimentalists may be profoundly sad, but Skibsrud also reminds us that sadness is not the same as hopelessness." (Winnipeg Review 20110302)
"The Sentimentalists beautifully examines the profound affect memories can have not only on an individual, but on all those close to him...The poet's touch is evident throughout...Skibsrud approaches the English language more like an art form, and less like a science. Her carefully composed passages use a sort of philosophical prose to understanding her topics of memory...The Sentimentalists, with its poetic elegance, eloquently describes the never-ending struggle to remember, to simplify and to understand." (Critics at Large 20110601)
"Napoleon Haskell's life has always been a mystery to his daughter -- he was a drifter, an alcoholic and an ex-marine who has never spoken about what happened one night in Vietnam. As he slips into senility, his daughter tries to pull together the crumbling fragments of his memory into a narrative that will explain their dysfunctional family." (More Magazine 20110701)
"A hypnotic meditation on memory, it reaffirms the potential for storytelling to offer clarity and redemption." (Hirsh Sawhney New York Times 20110701)
"This is less a novel with a single plot than the stories of three characters and their layered, intersecting identities...I recommend it for the book it is rather than the story it's become." (Geist 20110813)
"This novel takes a quirky and lyrical look at the long-lasting effects of the Vietnam war on a family and their friends across both the American and Canadian borders." (Winnipeg Free Press ) --This text refers to an alternate Paperback edition.
"a solid debut and a beautiful tribute to a father-daughter relationship." (Globe and Mail 20101113)
"Skibsrud knows what she's doing: The slow fuse of the novel's first half turns out to be a very effective setup for the explosive second." (National Post 20101109)
"The writing here is trip-wire taut as the exploration of guilt, family and duty unfolds." (Giller Jury 20110106)
"[Skibsrud's] book is an affirmation of why we still try -- why we still use words to reclaim history, to imagine another's pain, to hold onto what is human in the face of violence and chaos. The Sentimentalists may be profoundly sad, but Skibsrud also reminds us that sadness is not the same as hopelessness." (Winnipeg Review 20110302)
"The Sentimentalists beautifully examines the profound affect memories can have not only on an individual, but on all those close to him...The poet's touch is evident throughout...Skibsrud approaches the English language more like an art form, and less like a science. Her carefully composed passages use a sort of philosophical prose to understanding her topics of memory...The Sentimentalists, with its poetic elegance, eloquently describes the never-ending struggle to remember, to simplify and to understand." (Critics at Large 20110601)
"Napoleon Haskell's life has always been a mystery to his daughter -- he was a drifter, an alcoholic and an ex-marine who has never spoken about what happened one night in Vietnam. As he slips into senility, his daughter tries to pull together the crumbling fragments of his memory into a narrative that will explain their dysfunctional family." (More Magazine 20110701)
"A hypnotic meditation on memory, it reaffirms the potential for storytelling to offer clarity and redemption." (Hirsh Sawhney New York Times 20110701)
"This is less a novel with a single plot than the stories of three characters and their layered, intersecting identities...I recommend it for the book it is rather than the story it's become." (Geist 20110813)
"This novel takes a quirky and lyrical look at the long-lasting effects of the Vietnam war on a family and their friends across both the American and Canadian borders." (Winnipeg Free Press ) --This text refers to an alternate Paperback edition.
Product Description
Johanna Skibsrud’s debut novel connects the flooding of an Ontario town, the Vietnam War, a trailer in North Dakota and an unfinished boat in Maine. Parsing family history, worn childhood memories, and the palimpsest of old misunderstandings, Skibsrud’s narrator maps her father’s past.
Napoleon Haskell lives with Henry in the town of Casablanca, Ontario, on the shores of a man-made lake beneath which lie the remains of the former town. Henry is the father of Napoleon’s friend Owen, who died fighting in Vietnam. When her life comes apart, Napoleon’s daughter retreats to Casablanca and is soon immersed in the complicated family stories that lurk below the surface of everyday life. With its quiet mullings and lines from Bogart, The Sentimentalists captures a daughter’s wrestling with a heady family mythology.
“The real beginning of this story,” says Skibsrud, “was a summer that I spent working on Flagstaff lake, a lake that covers four now submerged townships in northern Maine, and served as the inspiration for the lake and the buried town in my book. That fall, with the beginnings of a story in my head, my father began to speak for the first time about his experiences in the Vietnam War. I am still not sure exactly why he told me his story when he did, but I think it had to do – it was 2003 then – with the wars in Iraq and Afghanistan, which had been for some time stirring in him a deep anger toward a government willing to repeat the mistakes of the past at the expense of innocent people; soldiers as well as civilians.
My mother thinks that my father told me his stories because he knew that I would do something with them – what I did write, though, was not my father’s story, but my own. And it is not a true story. At its root, though, there are two true things. One is my father’s testimony following Operation Liberty II in 1967, in which he spoke out against the murder of a civilian woman by the Captain of his squad. The other is the feeling I got floating over the buried towns of Flagstaff Lake: a feeling of the way that everything exists in layers, that nothing disappears; it just gets hidden sometimes.”
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Most helpful customer reviews
18 of 18 people found the following review helpful:
2.0 out of 5 stars
Why all the fuss?,
By
This review is from: The Sentimentalists (Paperback)
The publicity this book has received, and the fact that it is award winning, reminds me of the accolades received by many academy award winning movies. It is evident that literary scholars find this book a wonderful read. As an individual who reads books for entertainment, I found this book to be slow and without flow. Half way into the book I found myself reading the back cover to ensure that I had purchased the book whose description I had read - the synopsis on the back sounds very intriguing, but the book seemed aimless. Again, this may be because I am just a `lay person' and as such am unable to fully appreciate the author's literary genius. Similar to leaving some Oscar award winning movies, after completing this book I am left asking myself what all the fuss is about.
33 of 36 people found the following review helpful:
3.0 out of 5 stars
too-great expectations?,
By
This review is from: The Sentimentalists (Paperback)
I was anxious to read this book, mostly because of the Giller prize but also because the author is originally from the Maritimes. As well, I liked the backstory with Gaspereau Press (how they negotiated with other publishers to make more copies of the book available without sacrificing their principles too much). I was a bit disappointed with the book itself though, but maybe it's only because I was expecting too much. The writing style was like some poetry I've read: precise (excessively?), analytical, and a bit choppy, with contorted sentences. Lots of clauses, commas and dashes, but instead of assisting the story it felt like the author was perhaps trying too hard (maybe that was the point, and I just missed it?). On the other hand, the author exhibits real awareness and insight regarding the psychology of the characters and their relations with each other.
With respect to the novel's overall plot, I've read reviews where the reviewer praised the slow build to a big finish, but that wasn't my impression. The father's experiences in Vietnam are descibed in such vague terms (deliberately, of course) that it isn't really clear what took place or how these events subsequently influenced the rest of his life. That's not necessarily bad, as it does say something interesting about the nature of memory and about how we construct a narrative after something happens that may be linked to "what really happened" only indirectly. And about how hard a person's life is to figure out, let alone to describe in a novel. I just don't know how successfully this strategy was used in The Sentimentalists. Overall, not a bad book at all, but I think the fact that it was awarded the Giller might say more about the people who made up the jury this year than it does about the book itself.
7 of 7 people found the following review helpful:
2.0 out of 5 stars
Boring and irritating,
By
This review is from: The Sentimentalists (Paperback)
The Sentamentalists: I only managed to get about 1/4 through this book before giving up. If an author can't capture my attention in the first part, then the book has a problem. I found the book boring and mundane, and the style of writing irritated me so much that my attention to the story was lost. The paragraphs are long, with misplaced phrases and abundant commas. I found this so distacting that I started looking for these commas and phrases instead of paying attention to the story which was not captivating in the least.
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