More detailed and comprehensive, and less politically partisan, than previous biographies, this readable account by a professor of Slavic studies at the State Univ. of New York deals objectively but compassionately with the life and work of a major Russian composer whose career began like a skyrocket but ended sadly. He died in 1953, only hours before the death of his principal persecutor Joseph Stalin. An opinionated, difficult man of genius, the nonpolitical Prokofiev was inevitably caught up in the revolutionary changes that took place in his native land. He emigrated to the U.S. in 1918, to Germany in 1922, married an elegant Spanish soprano, moved on to France and became a sophisticated Parisian. When he returned with his wife and sons to the Soviet Union in 1936, he was almost immediately trapped in a situation from which he could not extricate himself. And although he wrote many works glorifying the regime, he was resented for his international past and connections, his foreign manner and arrogance. As soon as he separated from his wife, she was imprisoned "on suspicion of spying." In 1948 he married a Russian woman with whom he had been living for seven years. Almost until the day he died Prokofiev continued to be productive but was frustrated because his operas failed to win critical and popular acceptance. Photos not seen by PW.
Copyright 1987 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
This is the best biography in English to date on Prokofiev. Robinson, a professor of Slavic studies with a particular interest in Prokofiev's operas, draws upon previously untranslated Russian documents and letters to provide an unusually rich and detailed view of this enigmatic composer. His is a "warts and all" treatment: though obviously sympathetic to his subject, Robinson candidly exposes Prokofiev's flaws, from his musical capriciousness and opportunism to his unpardonable social tactlessness. Prokofiev traveled widely during much of his career, and his observations on the contemporary music scene make entertaining reading. Throughout, the writing is intended for the lay readercrisp, fast-paced, and unencumbered by technical jargon. Highly recommended. Larry Lipkis, Music Dept., Moravian Coll., Bethlehem, Pa.
Copyright 1986 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.