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2 of 2 people found the following review helpful:
5.0 out of 5 stars
It's Rachmaninoff, but it's Rachmaninoff, July 9 2003
By A Customer
This review is from: Sergei Rachmaninoff: The Complete Recordings (Audio CD)
As a musician, I have always been a bit apprehensive as to a music critic's judgment. He's a critic, isn't he? And this is music? What gives a person the right to critique a man's legato? I'd say he has to be a teacher, but a critic merely is a gatekeeper. Even I am guilty of prejudice by the hand of a critic. Yet, hypocrisy aside, I want to comment on this set. Without saying, Rachmaninoff is not merely a rhapsodist, but a complicated composer. Not a Lisztesque flomboyant performer, but an inevitably Russian singer. That is evident in these recordings. Of course, who better to perform the concertos and preludes than Rachmaninoff himself? Yet, be aware that even if his Chopin is georgous and sensual, and his Liszt daredevilish, and his Mozart immaculate as it should be, he is still a Russian at heart. His performances are infinitely enviable, but be aware that even the Funeral March sounds like Rachmaninoff.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars
The piano melts, April 21 2003
This review is from: Sergei Rachmaninoff: The Complete Recordings (Audio CD)
Forget the background noise, the mono sound, the tiny dynamic range. As a musician, I normally consider recorded sound an important factor in the overall experience. That Rachmaninov could convey what he does here, under the technological circumstances, is unbelievable. Anyone who has an inkling of the physical demands of any of the pieces on this generous set will be astonished, not so much by any virtuoso gestures as by the way in which the piano is simply made to melt away, leaving pure music in its wake. Every track bears witness to the effortlessness of Rachmaninov's technique; the concertos are particularly refreshing as a contrast to the post-Holywood treatment they receive today. But the moment I would single out from all 10 discs is the Handel Harmonious Blacksmith variations - this is pure pianistic witchcraft, at once subtle and generous. There have been many pianists as dazzling, some more distinctively charismatic, but none who make life seem so worth living, and music so essential.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars
A "Must Have" collection for the Rachmaninoff Lover, Sep 19 2000
This review is from: Sergei Rachmaninoff: The Complete Recordings (Audio CD)
I still remember how excited I was when this collection first became available. Finally, I could hear a huge number of Rachmaninoff's pieces performed by the master himself, and discover his true intentions for the pieces. Upon listening to the discs, I was both pleased and disappointed. On one hand, the performances are irreplaceable, because Rachmaninoff's own performances must be considered the fundamental reference point for interpretation of his compositions. Rachmaninoff tended to play fast and without exaggeration, almost "dry." His performances are quite different than what has come to be accepted as "standard." I like his style, but some may find it too brusque. My disappointment comes from the sound quality of the discs. While RCA did its best with the ancient source material, the hiss and pop and general "low-fidelity" of these recordings can be distracting, and can occasionally make it difficult to hear everything that is going on. Peak orchestral volume can create distortion drowning out the piano, for example. For acoustical reasons, it would be difficult to play this music casually - if you played these discs for friends without explanation, they would wonder what's wrong with your stereo. So I listen to these discs primarily for analytical purposes - when I want to compare and contrast Rachmaninoff's performances with others'. Yes I have occasionally listened for simple pleasure, but my ears prefer newer recordings that sound more "real," even if the performance itself is not as good.
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