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3.0 out of 5 stars
Inspirational, but Flawed, July 26 2001
Wendy Buonaventura obviously loves raks baladi ("country" or folkloric belly dance) with a passion. As sometimes happens with authors passionate about a subject, she unfortunately treats her opinions as facts upon occasion. As a dancer, I love the glorious Orientalist pictures, early 20th-century photos and fascinatingly slanted accounts from Western travellers, and I love her feelings for the dance. It's a beautiful book to peruse, and you can get some marvelous ideas for theatrical costuming from it. But like the Orientalists she reviews, Buonaventura presents an exotic and monolithic Middle East, where Egypt represents this entire diverse region and where nothing changes over time. She also perpetuates the popular myth that this is a *women's* dance, whereas in truth both sexes dance at private functions, and in both Egypt and Turkey, men historically performed as well. (Western tourists just weren't interested!) Read this for its lovely artwork and, if you're a dancer, for a feel-good spiritual connection with earlier dancers--but if you're interested in the subject of dance history, do some further research. And if you are involved in the Society for Creative Anachronism, PLEASE don't use this book for costume documentation. Egyptian clothing pre-1600 was very, very different.
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2.0 out of 5 stars
Beautiful book, but needs to be read with scepticism..., Jan 5 2006
This review is from: Serpent of the Nile: Women and Dance in the Arab World (Paperback)
The best points of this book are undoubtedly the lavish illustrations. The book is full of paintings, photographs, etc depicting dancers from the Middle Eastern region. A beautiful book to flip through.
I credit the author for writing a book like this, one of the few on the subject, but this book has many serious flaws that can't be overlooked.
Many of the statements she makes in this book are not backed up with a source or reference, and some of those statements have been disputed by other readers as inaccurate. A check on other dance-related websites for reviews and discussions on the topic can reveal this.
As well, there are areas in this book where the author injects her personal opinion about the cabaret style of bellydance, the style most familiar to western audiences. The opinions she presented were one-sided and quite negative. I view this as rather unethical, since a reader unfamiliar with the dance could take her opinions as fact.
If you're looking for some general information about the history of Middle Eastern dance, and are prepared to take this book with a large grain of salt, go ahead and enjoy. If you're looking for a serious history, with well researched and solid information, do your homework on this book, and then keep looking.
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2.0 out of 5 stars
great pictures but..., Aug 29 2000
By A Customer
The quality and quantity of pictures in this book is wonderful and there is also some good information but unfortunately all the information is not very accurate and there are even many things that are not true. As a book this is nice to watch but as this book has become "a bible of belly dance" when other more accurate documents have been hard to find I can't rate this higher because readers tend to believe everything that is written here.
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