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Serpents Egg (Ltd Ed) Original recording remastered, Hybrid SACD

25 customer reviews

Price: CDN$ 173.95
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Frequently Bought Together

  • Serpents Egg (Ltd Ed)
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  • Within the Realm of a Dying Sun
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Total price: CDN$ 214.83
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Product Details

  • Audio CD (June 24 2008)
  • Number of Discs: 1
  • Format: Hybrid SACD, Original recording remastered
  • Label: Select Distributions
  • ASIN: B0015YFOHE
  • Other Editions: Audio CD  |  Audio Cassette  |  LP Record
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (25 customer reviews)
  • Amazon Bestsellers Rank: #236,172 in Music (See Top 100 in Music)
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1. The Host Of Seraphim
2. Orbis De Ignis
3. Severance
4. The Writing On My Father's Hand
5. In The Kingdom Of The Blind The One-Eyed Are Kings
6. Chant Of The Paladin
7. Song Of Sophia
8. Echolalia
9. Mother Tongue
10. Ullyses

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Customer Reviews

4.8 out of 5 stars
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Most helpful customer reviews

1 of 1 people found the following review helpful By Christopher Culver on June 2 2001
Format: Audio CD
Coming two years after their perfect WITHIN THE REALM OF A DYING SUN, Dead Can Dance's 1989 album THE SERPENT'S EGG shows the band continuing to evolve. Here, Dead Can Dance reached an interesting turning point. Lisa Gerrard's vocals begin to show the ethnic influence that would come to the front in 1993's INTO THE LABYRINTH, while the interest in older musical instruments foreshadows the renaissance-themed AION.
This album is especially remarkable because it departs from the use of orchestral musicians and lush atmospherics to give a more personal glimpse of Lisa and Brendan's partnership.
THE SERPENT'S EGG opens with "The Host of Seraphim," which may be their finest song ever. Featuring Lisa's pious wailing over the backing vocals of David Navarro Sust and Brendan Perry's drums, this song is literally heavenly.
As with much of Dead Can Dance's output, individual songs can be noticed as either Brendan's or Lisa's, such as the half-and-half split of WITHIN THE REALM OF A DYING SUN. Here, it's obvious that Brendan has provided "Severance," "In the Kingdom of the Blind...", and "Ulysses." Lisa clearly is the creator of "The Writing on My Father's Hand," "Song of Sophia," and "Mother Tongue."
Nonetheless, for the first time here are several tracks where Lisa and Brendan are equal, such as the aforementioned "The Host of Seraphim," as well as "Orbis de Ignis" and "Chant of the Paladin."
While not Dead Can Dance's best album, which is arguably WITHIN THE REALM OF A DYING SUN, this album should not be the last you purchase if you are a fan of this unique duo.
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Format: Audio CD
In einer Welt, wo "Harry Potters" Phantasiereisen Buch- und Kinorekorde machen, da ist die mysteriöse Musik von "Dead Can Dance" bei vielen willkommen.
Das Album liegt zeitlich zwischen Aion und Within the Realms of a Dying Sun. Es hat die mittelalterlichen Elemente-Assoziationen des ersteren und die ruhige Atmosphäre (aber nicht so düster) wie "Within the ...").
Manche Tracks werden von einer Art Kirchenorgen begleitet (The Host of Seraphim) und "Severance" einer der besten Tracks des Duos überhaupt und eine gesangliche Sternstunde von Brendan Perry. Auf diesen beiden Stücken ist die Stimmung sehr relaxed und ernst, im Radio könnte man unbekannterweise auch glauben, es sei eine Gottesdienst-Übertragung eines fernen Landes an einem Feiertag. Das gleiche gilt meines Hörens für "Orbis de Ignis" daß sich wie eine Art erfundener gregorianischer Choral anhört (nur Gesang und manchmal eine Glocke, die auch auf Aion zu hören war.
"The Writing of my fathers Hand" ist eine schöne Ballade von Lisa Gerrard und klingt fast überirdisch schön. Fast zu schön für meinen Geschmack oder um es einem Gast vorzuspielen, der die Gruppe nicht kennt. Ähnlich "fast zu schön um wahr zu sein" klingt der Vocal-Track "Song of Sophia".
"Mother Tongue" hat einen monotonen Percussion-Hintergrund, eine Streicher-Begleitung und Lisas Stimme. Die Percussion ist aber nicht so bombastisch Wagnermäßig wie auf "Spleen and Ideal"
"Ulysses" getragen von Perry's Stimme hat Harpsichord/Streicher Elemente, die sich rhytmisch strukturieren.
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Format: Audio CD
I do not own many CDs, and mostly because I never seem to find music I truly enjoy or even appreciate. Dead Can Dance has released many albums, but this one is something so different. "Aion" and "The Serpent's Egg" are the most treasured by me. After that, Dead Can Dance have seemed to drift off to other realms and cultures.
I find that "The Serpent's Egg" has a deep element of fear and sorrow. A serious maturity! Lisa Gerrard and Brendan are at their most developed musically and lyrically.
I am in love with "The Writing on my Father's Hand". I have never heard such a BEAUTIFUL, ELEGANT, POIGNANT piece in my whole life. Lisa, you are very lucky to have such a gorgeous voice and to be able to share it with the whole world. I also love mystical "Orbis De Ignis" with Brendan. Brendan has an artful way of representing his song called "Ullyses". His imagination and yearning to sing of old tales that were told throughout the world is so admirable.
When I listen to Dead Can Dance I hear a sincere desire to open the hidden doors of religions and myths. Dead Can Dance has been searching and searching all over and everywhere! Maybe they have found what they are looking for, because I know I have found a treasure that's sunk beneath tides and waves.
I LOVE this album "The Serpent's Egg"!
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By Tom on Dec 29 2000
Format: Audio CD
with mystic soul vibrating vocals this album gives you a peace that can only described as erie yet beautiful, calming yet deadly, you can almost feel death is soothing you in to your clay overcoat, to just as you surrender, jolt you back out again in to a primeval celtic hacker, which gets you bouncing and bearing your teeth at the modern entrapments about you and the cat if near by, although like a fish on a hook your lured back in to spicy middle eastern mantras conjuring up images of belly dancers on the caravan routs of old, dancing round the night time fires, you half expect them to be painted blue and captain Kirk is looking on concerned with a sweated brow, that is the modern yet ancient mix this album gives out. as with there later albums its rich and deeply textured, if you like Greenaway type visuals Lisa Gerrard is the vocal embodiment, with a soothing voice that stroke your soul, not supriseing the tv media gripped this album with both hands, using it as backing music for just about everything, from nature/history programs to love in sifi metropolis, if you want to get lost in the past whilst being able to touching the future this is the album. personally it was the music i was listening to when my daughter was born it holds that much weight, as music for life changing events wether it death or to be born too
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