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Sgt. Pepper's Lonely Hearts Club Band
 
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Sgt. Pepper's Lonely Hearts Club Band [Enhanced, Limited Edition, Original recording remastered]

The Beatles Audio CD
4.4 out of 5 stars  See all reviews (819 customer reviews)
Price: CDN$ 15.00 & eligible for FREE Super Saver Shipping on orders over CDN$ 25. Details
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Customers Who Bought This Item Also Bought


Product Details


1. Sgt. Pepper's Lonely Hearts Club Band
2. With A Little Help From My Friends
3. Lucy In The Sky With Diamonds
4. Getting Better
5. Fixing A Hole
6. She's Leaving Home
7. Being For The Benefit Of Mr Kite
8. Within You Without You
9. When I'm Sixty Four
10. Lovely Rita
11. Good Morning Good Morning
12. Sgt. Pepper's Lonely Hearts Club Band (Reprise)
13. A Day In The Life
14. Sgt. Pepper's Lonely Hearts Club Band Documentary

Product Description

From Amazon.co.uk

Before Sgt. Pepper's, no one seriously thought of rock music as actual art. That all changed in 1967, though, when John, Paul, George and Ringo (with "A Little Help" from their friend, producer George Martin) created an undeniable work of art which remains, after 3-plus decades, one of the most influential albums of all time. From Lennon's evocative word/sound pictures (the trippy "Lucy in the Sky With Diamonds", the carnival-like "Being for the Benefit of Mr. Kite") and McCartney's music hall-styled "When I'm 64", to Harrison's Eastern-leaning "Within You Without You", and the avant-garde mini-suite, "A Day in the Life", Sgt. Pepper's was a milestone for both 1960s music and popular culture in general. --Billy Altman

Amazon.com essential recording

Before Sgt. Pepper, no one seriously thought of rock music as actual art. That all changed in 1967, though, when John, Paul, George and Ringo (with "A Little Help" from their friend, producer George Martin) created an undeniable work of art which remains, after 30-plus years, one of the most influential albums of all time. From Lennon's evocative word/sound pictures (the trippy "Lucy in the Sky With Diamonds," the carnival-like "Being for the Benefit of Mr. Kite") and McCartney's music hall-styled "When I'm 64," to Harrison's Eastern-leaning "Within You Without You," and the avant-garde mini-suite, "A Day in the Life," Sgt. Pepper was a milestone for both '60s music and popular culture. --Billy Altman

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Customer Reviews

819 Reviews
5 star:
 (585)
4 star:
 (93)
3 star:
 (54)
2 star:
 (53)
1 star:
 (34)
 
 
 
 
 
Average Customer Review
4.4 out of 5 stars (819 customer reviews)
 
 
 
 
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5.0 out of 5 stars This is my reason, July 17 2004
This album changed my life. If it weren't for this album I'd be trying to make it as a professional soccer player. Believe, I would never have had a shot. Thank God for the Beatles!
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4.0 out of 5 stars Dross covered by gold is still dross, July 12 2004
By 
Anyechka (Rensselaer, NY United States) - See all my reviews
This is the most overrated album of all time. It's one of those things that has such massive hype surrounding it that people only say it's the best because they've been told to say so, and have been told so so often they believe it's true, because no one ever questions it, and anyone who speaks up on the matter is shot down angrily. This isn't even the best Beatles' album out there; 'Revolver,' 'Abbey Road,' and the White Album are all better than this dated overrated overhyped project. When Paul talks about this in interviews, he does not come across as humble. Earth to Paul: A band giving a concert is not an original concept, or even a concept at all. Only three of the thirteen songs even relate to the alleged "concept." And there were concept albums before this, they just weren't called concept albums or thought of as such.

The songs for the most part are enjoyable ditties, if dated, but they're not the greatest songs The Beatles ever did. Only "A Day in the Life" qualifies as a classic; "Lucy" comes pretty close too. "She's Leaving Home" is very pretty, but not what I'd consider one of the songs in their classic canon. "With a Little Help from My Friends" is popular too, but again, it's not one of the songs most people would give as their greatest 20, 25, or however many they want to put in the top echelons of their catalogue. All of the instruments, layers, double-tracked vocals, overdubs, and sounds do nothing but to put layers of gold on top of dreck. And everyone knows deep down that the dreck is still there. More layers does not equal more quality. And I love "Within You Without You," though apparently a lot of people hate it, but it's safe to say that most non-Indian songs with Indian instruments in them were recorded in the late Sixties and early Seventies. It dates it right off the bat.

Of course, the hype surrounding this album is impossible to get away from. People will still automatically put it at the top of "the greatest albums ever" lists or spew empty hype about it being the best ever, without having taken time to really evaluate it. There are other concept albums, true concept albums, from this period in time, which have aged well and don't stand out like hideously dated bloated jokes. Don't let the classic cover disguise the fact that there's nothing but an empty shell beneath the fancy exterior.

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4.0 out of 5 stars Revolutionary -- but a bit dated, Jun 3 2003
By 
John Crawford (Terrace, BC Canada) - See all my reviews
There can be no doubt this album was unlike anything heard -- or seen -- before in pop music. The gate-fold album cover, the lyrics printed on the back, and the exotic sounds inside all showed the Beatles had turned the world of pop music inside out, just four years after issuing their first album. However, I wish I'd first heard this album then -- in 1967 -- so I could hear how revolutionary it was. Because by the time I heard it, 10 years later, some of its magic had worn off. There is still some incredible music here -- but I agree with most reviewers that it doesn't quite measure up to REVOLVER or ABBEY ROAD. One thing is clear -- this album was Paul McCartney's baby (and producer George Martin's), and it's easy to see why, in later years, Paul was the only Beatle who still sung its praises. John Lennon tended to debunk it, George Harrison said he wasn't all that interested in it, and Ringo Starr said he learned to play chess during the long, drawn out process of recording it. That said, there are great moments on it. We hear Ringo's finest vocal performance ever -- the one and only Billy Shears gives it all he's got on "With a Little Help From My Friends". John's "Lucy in the Sky" is a beautiful song, with George showing the influence India had had on his playing by mimicing John's vocal line with his guitar. Those influences were stronger still, of course, on Harrison's own contribution, "Within You Without You". Again, that must have sounded revolutionary in 1967, but nowadays, it cries out for editing --- shorten it by a couple of minutes and it would be fine! The most jarring moment of the album comes right after that -- we jump immediately from Harrison's mystic excursion to the goofy vaudeville clarinets of Paul's "When I'm 64". Every time I hear that song, I wonder what kind of self-respecting rock band could put out a number like this! McCartney's bass-playing, however, was stellar throughout, and show why Lennon, even at his angriest, would still call Paul the best bass-player in the business. And McCartney did have some good stuff here --"Lovely Rita" and "Fixing a Hole" are enjoyable -- especially George's extended guitar solo in the latter -- and "She's Leaving Home" is beautifully crafted -- especially the way John's counter melody blends with Paul's main theme. Yeah, I know it's a tear-jerker, but it still puts a lump in my throat. There are other interesting moments -- the swirling "Mr Kite", the honking brass and Paul's scorching guitar solo on "Good Morning, Good Morning" -- and I love the hen-cluck that turns into a guitar note as Sgt Pepper's Band comes out to say good night. But the one song that lifts PEPPER to the top ten of the all-time album list is the final one. "A Day In the Life" is such an extraordinary piece that it DEMANDS that you play the entire album over again, just to again be swept up in its incredible power. Lennon's eery, haunting vocal throughout and the vortex of noise that attack us -- TWICE -- followed by the crashing piano chord at the very end -- leave the listener breathless in their wake. Ringo's drumming was never more effective. And Paul's "ahhhh" that floats over the orchestral bridge that takes us from his section back to John's is a thing of beauty. This may be the very best Beatles song of all time! On the whole, PEPPER was definitely a strong album, and it's an essential part of anyone's Beatle collection. But oh, how much stronger it would have been had two songs originally meant to be part of it -- "Strawberry Fields Forever" and "Penny Lane" -- not been pulled in order to be released as a single (in those days, the Beatles tried to avoid their singles also being included on albums).
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