From Publishers Weekly
For more than 30 years, legendary comics artist Kubert (Yossel) drew and occasionally wrote stories for Our Army At War, a war comic chronicling Sergeant Frank Rock and "the combat happy Joes of Easy Company" as they fought their way through Europe during WWII. Kubert's stark, mood-saturated drawings set Sgt. Rock apart as a classic. After many years away from the character, Kubert has teamed up with Eisner Award-winning writer Azzarello (100 Bullets) to produce an impressive and often moving graphic novel that showcases the development of Kubert's powerful, understated drawings. It's 1944 and Easy Company is battling through the Hurtgen Forest toward the German town of Grosshau. Out on patrol, the men of Easy Company - among them Bulldozer, Ice Cream Soldier, Wildman and Little Sure Shot - take four SS officers prisoner. But after the fighting, they return to their prisoners only to find that three of them have been murdered, shot at point blank range. The fourth prisoner has disappeared, forcing Rock to solve a murder mystery: is the killer from Easy Company, or is it the vanished officer? Azzarello contributes a fine script, taut with looming danger and the fatalistic humor of soldiers facing combat. Sadly, the ending (Rock and the killer banter while a beautiful French woman looks on) seems contrived and disappointing. Nevertheless, this is a terrific war yarn that conveys some measure of the grim courage and despair of American WWII infantrymen.
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From Booklist
Sgt. Rock is synonymous with the war comics that flourished in the 1950s and 1960s, before Vietnam changed the pop-cultural climate. This upscale graphic-novel revival teams Rock's original artist, the venerable Kubert, with scripter Azzarello, known for his hard-boiled contemporary comic-book thrillers. Grittier and grislier than the original, this
Sgt. Rock is more
Band of Brothers than the larger-than-life heroics of the old war genre. As the battle-scarred troops of Easy Company take some green replacements through their baptism of fire, they must ferret out who is behind the brutal murder of three German prisoners. Besides heightened realism and more gruesome combat scenes than were permissible four decades ago, Azzarello adds moral ambiguity to Easy Company's exploits and his trademark mordant dialogue. And Kubert, who recently released an ambitious graphic novel about the Holocaust,
Yossel, has never been better in his 60-year career. Revisiting one of his signature characters, his solid mastery shows on every page of this proof that there's life yet in a genre long fallen into neglect.
Gordon FlaggCopyright © American Library Association. All rights reserved
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