Neil Young's parents recall a boy who could be both shy and charming and who was deeply affected by the rupture in their marriage. His ambition as a musician was matched by his ability to protect his feelings, often at the expense of other peoples. Even one of Youngs earliest supporters--Ray Dee, a DJ in Fort William, Ontario, who was the first person to properly record Youngs music--ended up burned and abandoned when the teenage upstart took off for Toronto without warning. Of all the people that I left behind on my journey, Young admits to McDonough, Ray Dee got screwed more than anybody. I think I was just so irresponsible that I didnt realize what I was doing. Yet he would do the same to his friends in Crazy Horse and CSN over and over again, dropping projects and collaborations at the first sign of rust.
McDonough portrays the nascent rock scenes in Winnipeg and Toronto with as much verve as he brings to Youngs days in Los Angeles and the formation of the incendiary but doomed Buffalo Springfield. Shakey takes a twisted turn with descriptions of cocaine-fuelled, egomaniacal excesses of CSNY and Youngs salad days within Topanga Canyons community of bikers, drug dealers, actors, and artists in the early 70s. The book is full of cameos by the famous and the infamous--Bob Dylan, Dennis Hopper, and Charlie Manson among them--but Young remains the most inscrutable and fascinating of the lot. Perhaps thats because his blunders--like the unwatchable movie Human Highway and a string of 80s albums so bad and weird that Geffen Records sued him for making records that were musically uncharacteristic--were as unique as his many triumphs. They too were marked by a sense of adventure and a willingness to lay his soul bare.
Shakey maintains a delightfully profane tone throughout and is generally well-researched, though McDonough isnt enough of a Canuck to know how to spell the names of Farley Mowat or Murray McLauchlan. On the whole, it is a clear-eyed assessment of Youngs life and times, with McDonough presenting the hoary history of the American rock n roll business through a very idiosyncratic lens. As Young would say, that makes for an innaresting story. --Jason Anderson --This text refers to the Hardcover edition.
More than a biography, this work from journalist McDonough (Village Voice, Variety, Spin) is the re-creation of an era.
Copyright 2002 Cahners Business Information, Inc.--This text refers to the Hardcover edition.
Took a long time to read, but I followed along with the music by listening to the albums as I read. Neil comes across as a real person, warts and all. Read morePublished on Feb. 20 2013 by Rudy
I am a big fan of Neil Young; but, this book sucks.
The first chapters were actually very good...and then it really bogged down. Read more
This is McDonough's first major publication and it shows. The book meanders here, there and everywhere but never quite finds it target. Read morePublished on June 10 2002 by Enrico
This book is a fantastic insight into an enigmatic man. Neil Young provides quite a lot of replies to his own story through extensive interviews conducted by the author. Read morePublished on June 6 2002 by Zimi Ahzrix
To say that I enjoyed this "biography"of Neil Young would be sadly untruthful. While it held my interest, in a morbid way, I have come away from the subject matter... Read morePublished on June 5 2002 by William M. Schmidt
Knowing Neil Young was loathe to have his story told, this is a book I never thought I would see. I was not able to put it down until I completed reading it. Read morePublished on May 31 2002
I've only read 2 books in my life, that I was completely unable to put down. Shakey and Helter Skelter. Read morePublished on May 28 2002 by Meggie
Shakey is a great read for anyone who is a die-hard Neil fan like me. It takes you through the years starting with Neil's childhood, how he got involved in R&R, and every band and... Read morePublished on May 24 2002 by George Ciottone