Shantaram: A Novel Paperback – Sep 29 2005
|New from||Used from|
Frequently Bought Together
Customers Who Bought This Item Also Bought
No Kindle device required. Download one of the Free Kindle apps to start reading Kindle books on your smartphone, tablet, and computer.
To get the free app, enter your e-mail address or mobile phone number.
From Publishers Weekly
At the start of this massive, thrillingly undomesticated potboiler, a young Australian man bearing a false New Zealand passport that gives his name as "Lindsay" flies to Bombay some time in the early '80s. On his first day there, Lindsay meets the two people who will largely influence his fate in the city. One is a young tour guide, Prabaker, whose gifts include a large smile and an unstoppably joyful heart. Through Prabaker, Lindsay learns Marathi (a language not often spoken by gora, or foreigners), gets to know village India and settles, for a time, in a vast shantytown, operating an illicit free clinic. The second person he meets is Karla, a beautiful Swiss-American woman with sea-green eyes and a circle of expatriate friends. Lin's love for Karla—and her mysterious inability to love in return—gives the book its central tension. "Linbaba's" life in the slum abruptly ends when he is arrested without charge and thrown into the hell of Arthur Road Prison. Upon his release, he moves from the slum and begins laundering money and forging passports for one of the heads of the Bombay mafia, guru/sage Abdel Khader Khan. Eventually, he follows Khader as an improbable guerrilla in the war against the Russians in Afghanistan. There he learns about Karla's connection to Khader and discovers who set him up for arrest. Roberts, who wrote the first drafts of the novel in prison, has poured everything he knows into this book and it shows. It has a heartfelt, cinemascope feel. If there are occasional passages that would make the very angels of purple prose weep, there are also images, plots, characters, philosophical dialogues and mysteries that more than compensate for the novel's flaws. A sensational read, it might well reproduce its bestselling success in Australia here.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.
A thousand pages is like a thousand pounds--it sounds like too much to deal with. Nevertheless, Roberts' very long novel sails along at an amazingly fast clip. Readers in the author's native Australia apparently finished every page of it, for they handed it considerable praise. Now U.S. readers can enjoy this rich saga based on Roberts' own life: escape from a prison in Australia and a subsequent flight to Bombay, which is exactly what happens to Lindsay, the main character in the novel; once in Bombay, he joins the city's underground. Roberts graphically, even beautifully, evokes that milieu--he is as effective at imparting impressions as any good travel writer--in this complex but cohesive story about freedom and the lack of it, about survival, spiritual meaning, love, and sex; in other words, about life in what has to be one of the most fascinating cities in the world. One's first impression of this novel is that it is simply a good story, but one soon comes to realize that Roberts is also a gifted creator of characters--not only Lindsay but also Prabaker, who becomes Lindsay's guide, caretaker, and entree into various elements of Bombay society. Soon, too, one becomes aware and appreciative of Roberts' felicitous writing style. In all, despite the novel's length, it is difficult not to be ensnared by it. And, be forewarned, it will be popular. Brad Hooper
Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.
Inside This Book(Learn More)
What Other Items Do Customers Buy After Viewing This Item?
Top Customer Reviews
One of the things I love is the multitude of genres included in this story. Romance, action,adventure, philosophy. All of these and more are blended in to this one mans figurative and literal journey. Another aspect I both loved and loathed was the jarring change of pace that happened at least 3-4 times. You're cozy, you're enjoying the scenery then WHAM! The trajectory flips 180 degrees and you're shaking your head wondering if it really DID just happen. I grew to love this device as I was never allowed to get TOO comfortable.
If there's one negative, and it's not exactly small- it's that I put the book down twice and had to read 200 pages before I found myself entrenched. I was very close to giving up, but am sooo glad I jumped back on board. After those 200 pages I could not stop reading nor could I wait to get back to find out what was going on with these beautifully imagined characters and the world they inhabited. I work in a book store and whenever this book comes up from someone who's read it, I find myself talking for 5-10 minutes to passionate readers both male and female. If you can, do what I did and don't read what it's about. Just dive in and let the author immerse you in his characters world.
The style of writing is, as a couple of commenters have also echoed, self-indulgent and over-dramatic at times. The author is prone to spending pages waxing poetic on personal ideologies on life, love, and even existentialism. Although these themes may be related to the novel's development, the time and effort dedicated to describing them do not add to the novel. In general, the author tends to be very eloquent, and the language over-use became distracting and made the novel difficult to read as the story wore on.
The sensational epic novel Shantaram by Australian author Gregory David Roberts is one that I don't think I will ever forget for as long as I live. It is the best book I have ever read and giving it 5 stars just isn't enough to express how much I loved it and what a profound effect its author has had on the way I look at the world.
This is a book I savored like a last bottle of water in the desert, while reading several others in between over a period of five months, because I never wanted it to end. Its gripping, visceral descriptions of prison life will make you squirm in your seat and its heartrending passages about the loss of loved ones will have you weeping uncontrollably, but it will also make you daydream, smile, and laugh out loud.
The theme of Shantaram is the exile experience, alienation, and man's quest for meaning. It's also about shame and self-loathing, sadness and hope, fear and forgiveness, poverty and true wealth, understanding and catharsis. And above all, it is about love.
Shantaram (which is actually the second book in a trilogy that has not yet been published) for the most part takes place in Bombay (Mumbai) and the author's knowledge and love for the Indian people is so intoxicating and infectious that it will make you want to visit India with the hope that you will come to know its people in the same way. He describes the sights, sounds, smells, tastes and feel of India (as well as his romantic retreat in Goa and the war torn and ravaged Afghanistan) with as much perfect detail, love and care as a famous artist put into his masterpiece with each strategic brush stroke.Read more ›
Most recent customer reviews
Loved the story, really appreciated his way with words, and it drew considerable discussion in book club. Read morePublished 26 days ago by Diane M. Schuller
Beguiling, frustrating and soaring chasing each other inside your head. And predictably leaving you wanting more. Read morePublished 1 month ago by Travelling Crone
A truly great book. An insight to India and its customs and values.Published 2 months ago by Amazon Customer
Great book, super entertaining with lots of practical wisdom and commentary.Published 2 months ago by David
One of the best books I've ever read! I'm now on to the sequel.Published 3 months ago by Lisa Elvers