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In his much-anticipated memoir
Shattered Love, TV actor Richard Chamberlain reveals he is gay and for decades lived a fictitious public life. "I was terrified that this news would alienate fans and topple my cherished career, robbing me of the work I loved and my only source of income," Chamberlain writes. But he pointedly adds, "I had to admit to myself that I was as homophobic as the public I sought to please." He reflects on his career with similar disarming ease, spinning tales about his many Tinseltown colleagues such as Paul Newman, Julie Christie, Raquel Welch, Sir John Geilgud, Steve McQueen, and the legendary Barbara Stanwyck, his co-star from the blockbuster TV mini-series
The Thorn Birds. Stanwyck, he writes, flubbed her lines just once--when he stripped off his clothes on-camera. "After a stunned pause she murmured, 'Well, it's been a
very long time since I've stood next to a naked man.'" Chapters about growing up in post-war California with his alcoholic father are written with the same breezy candour. Chamberlain also assesses his acting ability (he's "a character actor in leading-man clothing") and frankly deals with his onetime obsession with youth ("I was secretly certain that my success was almost entirely due to my youthful good looks"). Many of the later chapters explore Chamberlain's deep spirituality and lifelong quest for inner peace--Chamberlain's way of dealing with his double life all those years. "The important lesson in all this is not about revealing secrets," he says. "The real challenge is in daring to brave the silence." And in so doing Chamberlain has given readers a book that celebrates the resilience of the human spirit.
--Richard Burnett
From Publishers Weekly
Despite its fevered title, this is a courtly, ruminative life's accounting by the TV miniseries star and 1960s heartthrob. It relates Chamberlain's journey toward self-awareness and growoing capacity for love, through the scrim of an actor's career. Although the author, who's now 69, discusses his main television, movie and stage efforts, he dishes no dirt about his colleagues or directors. Raymond Massey, Chamberlain's Dr. Kildare co-star, was like a second father to him. The Thorn Birds' co-star Barbara Stanwyck was prepared down to her gestures when she hit the set. The Three Musketeers's bombshell Raquel Welch was beloved by all. As Chamberlain revisits his acting credits, he concentrates on what he gained from them as an artist, such as how he fought for the lead in Shogun or broke through the constraints of Rex Harrison's performance to carve his own characterization of Henry Higgins in a stage revival of My Fair Lady. Throughout, he centers his account on how he evolved as a spiritual being. He writes of his spiritual counselors, who showed him how to gain strength through dissociation and open his heart to forgive and love others, particularly his alcoholic father. He speaks intermittently about his homosexuality, but considers it a nonissue, rather than a political passion. His pantheistic theology is heartfelt, but might seem unfounded to orthodox believers. The book is most valuable as a portrait of a man who has made peace with his past. B&w photo insert not seen by PW.
Copyright 2003 Reed Business Information, Inc.