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Shella [Paperback]

Andrew Vachss
4.6 out of 5 stars  See all reviews (17 customer reviews)
List Price: CDN$ 18.00
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Book Description

Aug 23 1994 Vintage Crime/Black Lizard
From the author of the acclaimed Burke private-eye series comes an ambitious and chilling novel that shows us not only what evil is, but where it comes from. For Shella is nothing less than a tour of evil's spawning ground, conducted by one of its natural predators.

He is called "Ghost" because he is so nondescript as to be invisible and because he slays with such reflexive ease that he might be one of the dead. Once he traveled with a woman who was called "Shella" -- because those who had treated her as a horrendously ill-used child had tried to make her come out of her shell. Now Shella has vanished in a wilderness of strip clubs and peep shows, and Ghost is looking for her, guided by a killer's instinct and the recognition that can only exist between two people who have been damaged past the point of no return. The result is Andrew Vachss's most compelling work to date, the thriller reimagined as a bleak romance of the damned.

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Product Description

From Publishers Weekly

In Vachss's seventh novel, an asassin searches for his partner in crime, a topless dancer who vanished three years ago.
Copyright 1994 Reed Business Information, Inc.

From Kirkus Reviews

Vachss's seventh novel--and his first not to feature ``outlaw'' p.i. Burke (Sacrifice, 1991, etc.). The author's new antihero inhabits the same mean streets as Burke, but on the shadow side: Known as ``John Smith'' or ``Ghost,'' he's an uneducated contract killer--and in a voice that's so stripped-down simple that it veers close to parody, he tells the compelling, violent tale of how he tracked down a long-lost girlfriend. John and Shella first meet in a bar where she strips: ``Like blind dogs, we heard the same whistle. Recognized each other in the dark.'' The two hook up to play the ``Badger game''--a dry-hustle extortion--until John's caught and sent to prison. There, he makes an example of one ``wolf'' (``I got my thumb in his eye. Pushed it through until I felt it go all wet and sticky'') in order to serve quiet time for the next three years. Released, he begins to search for Shella even as he picks up stripper/hooker Misty, a born victim who doubles as a springboard for Vachss's usual street-moralizing (Shella won't hook so she's superior to Misty, etc.). John-- revealed as a product of child abuse and Dickensian reform schools- -travels with Misty until a lead on Shella takes him alone to Chicago. There, he hooks up with a radical Native American who introduces him to a mysterious government operative, a computer genius who asks John to kill the head of the paramilitary group of white supremacists who murdered the operative's undercover agent. In exchange, the operative will find Shella. John poses as a redneck bigot, infiltrates the group's camp, and, after much danger and death, makes his kill. He's then directed to Shella--whose surprising fate closes the story with a punch to the heart. Despite the absurdly hard-boiled prose: a swift, savage, and unexpectedly moving exploration--somewhat reminiscent of Jim Thompson--of love among the swamp lizards. -- Copyright ©1993, Kirkus Associates, LP. All rights reserved. --This text refers to the Hardcover edition.

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Customer Reviews

4.6 out of 5 stars
4.6 out of 5 stars
Most helpful customer reviews
4.0 out of 5 stars Love? Dec 28 2002
Format:Paperback
Ghost promises to kill Shella's father. He tells her this. It is so romantic you weep when you read it. Vachss writes crisp. So sharp it cuts your mind. He creates characters with such depth they are bottomless. They are bottomless because the depths of human depravity is bottomless. You like Ghost by the end of the book. Hell, you like him at the beginning. To label him an antihero belittles his character, just as labeling him a murderer belittles his actions. It would be accurate but not accurate. He does kill. A lot. But there is no emotion in it. He is like a weapon. Neither truly good nor truly evil. Simply there. Waiting to have its sights locked and its trigger pulled. But Ghost, John, whatever his name, doesn't need anyone to justify his actions. He doesn't care about those things. All he cares about is Shella. He will go to hells without number to find her if necessary. And it is necessary. I don't know if one could call what he feels for Shella love. I don't know what it is. Love doesn't exist where he and Shella are. It never did and never will. But the closest word that describes it is love. Does love exist in hell? You'd have to ask Ghost. Perhaps that is what Vachss wants to tell a story about. Maybe he wants to show us what true love is like in true hell.
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4.0 out of 5 stars A disturbing nightmare. Oct 11 2001
Format:Paperback
This story, about a soulless man's obsessive search for the woman he loves, is a dark, disturbing nightmare of a book. It shows in graphic detail what this world can do to those unfortunate lost children crushed by the cruelty of the world. Recommended for readers with steely nerves.
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5.0 out of 5 stars A merciless urban tragedy Feb 20 2001
Format:Paperback
With "Shella," Vachss strips the narrative down even further than in his Burke novels. The first-person delivery rivals Forrest Gump.

The coverflap lays it out. Ghost is (metaphorically) an alligator; his body and skills have grown during captivity, but his soul is crippled in its youth. With "no experience of nurture or education," he becomes a bare-hands killer with no sense that lives might matter beyond their bounty. The hardback edition features a drawing of an alligator. The corners of the page show a diamond, a spade and a club...no heart. After Ghost's last prison term, he needs to find Shella, the "sole witness to his own humanity." If she's gone, Ghost loses his only evidence of hope in human connection.

The plot involves no self-discovery. Other killers help him find Shella and he helps them by infiltrating a white supremacist stronghold and closing in on the leader. The events serve a cautionary theme. When Ghost (more than once) shows a steadiness and strength of hand ideal for a life-giving surgeon, it's too late for that. When Shella and Ghost reunite, it's also too late.

"Shella" is a sad picture of what people become, by society's doing and by their own. Shella and Ghost weren't torn apart from each other. They were each torn apart when they met, and needed each other to become more or less whole. This is Vachss' best example of dead souls still walking around, playing their roles. An alligator has no greater destiny than One More Day...

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Most recent customer reviews
5.0 out of 5 stars The peak of terror for Vachss
All of Andrew Vachss's early novels depict a New York City underbelly of infinite danger and infinite twisted evil... they make for terrifying reads. Read more
Published on July 15 2000 by Rory Coker
5.0 out of 5 stars Plain and simple...
...the finest love story written.

While many see the darkness of Vachss' work, this book shows the "love" that drives Ghost's search for the only thing he really... Read more

Published on May 24 2000 by Crime_Dog
5.0 out of 5 stars Incredible writing.
This is the greatest book I've ever read. The first time I read this book I literally couldn't put it down. The writing style is like a punch to the face. I cried at the end. Read more
Published on Nov 17 1999 by David W. Guffey (dguff@preferred.com)
5.0 out of 5 stars best book ever
All I can say: I started drinking my drinks in two glasses and watched TV whithout sound after I went through this book. Every men loves Ghost eventhough he's a killer.
Published on Oct 27 1999
5.0 out of 5 stars Gripping and disturbing.
My favorite of Vachss' novels. The character of Ghost is a fascinating, compelling caraciture of abuse and its sustained effects on children. Read more
Published on Aug 16 1999
5.0 out of 5 stars "Shella" -- Great book
"Shella" is one of the best novels I've ever read. It's a no-nonsence book with a moral twist and characters I can relate to. Read more
Published on July 2 1999
2.0 out of 5 stars as bare as unfinished furniture
The Village Voice review excerpt, straight from the back of the novel, reads: "A noir archetype as bare as unfinished furniture. The plot... Read more
Published on May 14 1999
5.0 out of 5 stars hard-bitten, shank-edged truth in a bottle
In a sharp departure from his Burke series novels, Vachss tackles a different arena laced with the same themes, arsenic and lace wrapped into a prose style so minimalist as to... Read more
Published on Aug 26 1998
4.0 out of 5 stars dark, stylish, fantastic and utterly human
Vachss is an amazing writer. He writes about things that most of us will never see, in fact, most of us pray that we will never see the types of things he writes about. Read more
Published on July 18 1998
5.0 out of 5 stars Another noir tour d' force by Vachss with a message!!!
Having read the entire Burke series by Andrew Vachss, I decided to read his one novel outside the series called Shella. And as with his other works I was more than pleased. Read more
Published on Jun 12 1998
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