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The Shelters of Stone (Earth's Children, Book Five)
 
 

The Shelters of Stone (Earth's Children, Book Five) [Mass Market Paperback]

Jean M. Auel
2.4 out of 5 stars  See all reviews (625 customer reviews)
Price: CDN$ 9.99 & eligible for FREE Super Saver Shipping on orders over CDN$ 25. Details
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Frequently Bought Together

The Shelters of Stone (Earth's Children, Book Five) + The Plains of Passage (Earth's Children, Book Four) + The Mammoth Hunters (Earth's Children, Book Three)
Price For All Three: CDN$ 29.97

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Product Details


Product Description

From Amazon

Jean Auel's fifth novel about Ayla, the Cro-Magnon cavewoman raised by Neanderthals, is the biggest comeback bestseller in Amazon.com history. In The Shelters of Stone, Ayla meets the Zelandonii tribe of Jondalar, the Cro-Magnon hunk she rescued from Baby, her pet lion. Ayla is pregnant. How will Jondalar's mom react? Or his bitchy jilted fiancée? Ayla wows her future in-laws by striking fire from flint and taming a wild wolf. But most regard her Neanderthal adoptive Clan as subhuman "flatheads." Clan larynxes can't quite manage language, and Ayla must convince the Zelandonii that Clan sign language isn't just arm-flapping. Zelandonii and Clan are skirmishing, and those who interbreed are deemed "abominations." What would Jondalar's tribe think if they knew Ayla had to abandon her half-breed son in Clan country? The plot is slow to unfold, because Auel's first goal is to pack the tale with period Pleistocene detail, provocative speculation, and bits of romance, sex, tribal politics, soap opera, and homicidal wooly rhino-hunting adventure. It's an enveloping fact-based fantasy, a genre-crossing time trip to the Ice Age. --Tim Appelo --This text refers to the Hardcover edition.

From Publishers Weekly

The tiny minority of authors with the power to sell millions of novels each time out are a diverse bunch, but they share a talent for ushering readers into previously closed worlds, whether they're the top-secret inner sanctums of the American military or the ancient lands of magic. The best of them craft terrific stories that tap into universal topics, primal fears and deep-seated longings. In 1980, Auel became a member of this elite club. Her first novel, Clan of the Cave Bear, the exceptional and absorbing account of a bright Cro-Magnon girl struggling to understand the ways of the Neanderthals who adopted her, became a huge bestseller and launched the Earth's Children series, which has sold 34 million copies to date. In the next three of an intended six volumes, Ayla the Cro-Magnon girl grew up and put a pretty face on our earliest ancestors, as Auel explored the mother of all human themes: adapt or die. After the fourth bestseller, The Plains of Passage, however, 12 years elapsed, and Auel thereby added the protracted anticipation of her fans to her bestselling mix. Here at last, beautiful Ayla and her tall, gorgeous Cro-Magnon lover, Jondalar, arrive in Jondalar's Zelandonii homeland, to live with his clan in vast caves of what today is France. Travelling with a pet wolf and two horses, able to speak the strange language of the "flatheads," Ayla is once again an exotic outsider. Pregnant with Jondalar's child and as zealous in her desire to help as she is resourceful and creative as a medicine woman, Ayla soon wins the respect of the people she wishes to join. Bursting with hard information about ancient days and awash in steamy sex (though lacking the high suspense that marked Ayla's debut), Auel's latest will not only please her legions of fans but will hit the top of the list, pronto.
Copyright 2002 Cahners Business Information, Inc. --This text refers to the Hardcover edition.

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Customer Reviews

625 Reviews
5 star:
 (71)
4 star:
 (70)
3 star:
 (118)
2 star:
 (146)
1 star:
 (220)
 
 
 
 
 
Average Customer Review
2.4 out of 5 stars (625 customer reviews)
 
 
 
 
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11 of 11 people found the following review helpful
1.0 out of 5 stars SOS Indeed, Sep 30 2002
By 
J. Pravatiner "corglacier7" (New Jersey) - See all my reviews
(REAL NAME)   
First off, I'm very glad that I got this from the library and didn't waste my money.

This book hardly justifies a 12 year wait for some fans. 3 years, in my case. It's boring, repetitive, and doesn't even offer anything significant to justify its incredible length.

What about all the buildup, the incredible conflict we expected? What about Zolena, Jondalar's former lover, being a possible factor between Ayla and Jondalar? Nope, she has to be incredibly fat and thus sexually undesirable, an effectively neutered woman. Jondalar's former fiancee is portrayed as completely rabid and malicious, when she's more than entitled to a little resentment of Ayla and Jondalar. The man *jilted* her, after all. But no, if you dislike Ayla, that makes you rotten to the core.

The Zelandoni prejudice against the people of the Clan that we were all so afraid of? Dealt with in one tiny scene wherein all Zelandoni are ooing and ahhing over Ayla's sign language. Give me a break. That's disgustingly unreal, and a disgrace after all the hype about it for the past three books.

The "villains" are cardboard stereotypes. Those who aren't immediately enthralled by Ayla we *surprisingly* find are bad, evil people. I'm in mind of Frebec from "MH" here...he was a fully developed quasi-villain whose transformation was within the realms of belief. No such luck here. They're totally bad and have the utter gall to try and humiliate or hurt dear Ayla.

Ayla makes no faux pas, saves every situation with perfect panache, enchants everybody despite her having been raised by (and having had sex with) "animal flatheads". (Which everybody conveniently accepts despite long-standing prejudice that's been harped on for the past three books.) In fan fiction there is a word for a beautiful, incredibly talented, and universally liked perfect young woman. It's a "Mary Sue", and it is not a complimentary term.

Ayla's lost all depth she had in "Cave Bear" to become the original Cro-Magnon Mary Sue, perfect in every way. Every Paleolithic (and some Neolithic!) innovation can apparently be traced to her somehow: the atlatl (spear thrower), iron pyrite as a fire striker, animal domestication, the needle, the concept of conception via sexual intercourse being just a few.

I'm just waiting for her to invent the wheel. Though she probably will as First Among Those Who Serve the Mother (come on, you know she'll have the spot soon enough.) I much prefer the uncertain, definitely flawed and definitely human Ayla of "CotCB" instead of this prissy, power-hungry, perfect and boring woman. Give us a normal woman with fears, flaws, and all, instead of this laughable, inane Super-Ayla.

Jondalar is also disgustingly perfect, though he's basically just Ayla's stud and bodyguard. I'm also amused by the fact that the copious, purple-prosed love scenes seem to portray him as merely a one-trick pony. (So much for his prowess in the furs). This increasing trend towards nauseating perfection has annoyed me slightly since it began in "VoH" and has increased steadily with every book. Perhaps Thonolan should have survived that cave lion attack in Jondalar's place...

The characters have become cardboard, mere shadows of what they could have been, should have been. What they were promised to be when we first met them and they enchanted us. Many good books have been ruined with multiple steadily more awful sequels. Laurie R. King's "The Beekeeper's Apprentice" is one. "The Clan of the Cave Bear" is another. Ms. Auel should have left it at the end of "CotCB" and been remembered for that splendid masterpiece instead of cranking out ever worsening tripe *ad nauseum*, justifying it by, "It continues the storyline."

How about Ayla being an outcast from Zelandoni society because of her past? How about that causing strife with Jondalar, torn between love and his people? That was the book we should have received, the book that previous volumes promised us. Instead we find the couple happily married and accepted, with unquestioned incredibly high status, showering benevolence and help upon all who are needy. Is this supposed to be a parody, a farce?

This book has no conflict. This book has no action. This book has positively no character development. This book practically deconstructs any good done in "CotCB" and "VoH". In fact, this book has absolutely *nothing* to justify spending 28 dollars and 12 years of anticipation. Any first-time writer sending this in would be firmly rejected and laughed at. "SoS" indeed--very apt. Send out the distress call and load the lifeboats, because this one plummets to the bottom fast under the weight of its own bloated self-importance. A solid F.

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21 of 22 people found the following review helpful
2.0 out of 5 stars Not worth reading, even to a Jean Auel fan, May 8 2002
By 
Zeneve (Los Angeles, CA United States) - See all my reviews
First I want to establish my "credentials." Of my favorite books in the world, Jean Auel's Earth's Children series make up the first four. I have been her ardent fan since I first read her books at ten years old and have devoured every word many times over. I have owned many copies of the series and they have all fallen apart from rereading. They were a major formative force in my life, leading me to study archaeology and ancient art in college. I waited eleven years for this book!
It is difficult to say anything that has not already been covered by other reviewers, but I will try. The good first ... it is an absolute joy to read about Ayla and Jondalar again :^)) It's like catching up with old friends, camping with them for a weekend. I also enjoyed the fact I am familiar with the area where all of this took place, along the Dordogne River of France. I guess I could say that if you had never read anything else by Jean Auel you could still read this book and follow the "plot."
But you see, that is the problem. Any attempt at a plot is submerged beneath the recaps of the material from the previous books, word for word, in italics. Nothing is left to the imagination nor the memory. The scenes tend to be repeated more than once, like the scene with Creb in the cave of the Mog-urs; that scene is repeated no less than four times. Repetition is the name of the game here, with Ayla's names and ties repeated each time she meets someone new. There are several hundred people for her to meet (all with names like pharmaceutical products) and her full name is repeated to each one. Also, each and every one is afraid of Wolf and the exact same procedure of hand sniffing and petting is demonstrated for EACH ONE. They accept the horses pretty easily, frankly. I have horses and I know a lot of people who are more afraid of horses than just about any one of the Zelandonii. Another gripe, the religion plays a huge part, but in a very dogmatic way. This, I must admit, may be a very very subtle foreshadowing for the next book, but if it is it is a way more subtle touch than JA usually uses, even at her best. (More a Robin Hobb subtlety.) The style seems stilted and awkward as well, telling rather than showing. If you read the book, the more shame on you, you will see what I mean.
I think that the person reading this review may feel that I am nitpicking and not including anything about the plot. Quite simply, there is no plot. There are some things that happen (Ayla mates Jondalar, they have a baby, so does Whinney) but not enough to constitute a story. The best part of the book is the last fifty pages, with the plot finally taking off ... in the last paragraph. No kidding. There is no story here, just a series of recaps of the first four books, although rather twisted and changed to fit THIS setting. Also, there is a lot of description of the area which she obviously knows well; in fact, she tries to give a guidebook to the area without giving exact names. Now honestly, none of us are likely to hike up the Dordogne, so the extensive travelogue is not helpful. One more substitute for plot is the really heavy "mother" religion, which revolves around a very long creation song that gets repeated at full length twice, and parts of it about ten times, as though it held some great truth.
The last big problem, and it is a huge one, is that the Zelandonii accept her flathead background with scarcely a ripple. Even when she tells them about her other child, they don't say a thing. This is my biggest problem because it was reinforced from the start of the Valley of Horses that the Zelandonii are racially intolerant to an extreme degree.
This book could have been better very easily. It could have been another 300-700 pages longer. It could have have a plot involving the flatheads. It could have had more "inventions," like the other four books. And last, but certainly not least, it could have had better sex. Each and every one was boring and just like the one before. Someone described them as "copy and paste" -- a very good summation of the feel of the love scenes. ...

If you really want to know what happens, wait for the paperback. If you are looking for a really good read, try anything by Robin Hobb, in particular Fool's Errand, or Faith of the Fallen by Terry Goodkind. They evidence the subtlety and dynamism so sadly lacking in this woefully boring book. I gave it two stars for the sake of how much I still love the other four books in the Earth's Children series, otherwise it is a one star book.

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4.0 out of 5 stars Not sure what everyone's problem is..., Sep 8 2002
By 
Susan Bridges "slbridges" (Los Angeles, CA) - See all my reviews
(REAL NAME)   
I went back and read the rest of the books in the series a few months before Shelters of Stone came out. In fact, I didn't get it right away based on the terrible Amazon reviews!

Honestly, I do not see what everyone's problem is. Yes, Jean is in need of an editor--that's been obvious from the beginning. I'm an editor myself and yes, she repeats herself from time to time. She does that in all of the books. This isn't fine literature here, folks--it's entertainment. :)

Now, about this book. It's not terrible, but not the best book from the series either. No, there's not a lot of adventure because it focuses mainly on character development and Ayla's relationship with the Zelandonii. It also talks about her pregnancy with Jondalar and her relationship with the Zelandoni (first among those who serve the mother, who was Jondalar's red-foot that he fell so hard for). It's a really fascinating dynamic.

The one thing that got annoying is the very long poem that gets repeated time and time again, and I just skimmed over it after the first time through.

I really don't understand how people can complain about the length of the book and the lengthy descriptions of life back then. That's in all of the books. I wonder how many of the negative reviews are written based on their rosy memories of the past books, which they may not have read recently.

So basically, don't believe all of the reviews. Check it out from the library and see for yourself (that's what I did). I for one was not disappointed and intend to buy the book. :)

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