1 of 1 people found the following review helpful
5.0 out of 5 stars
just watch it, Feb 20 2008
i had heard great things about this movie over the years,but i thought
people were just exaggerating its greatness.imagine my shock when i
finally do end up watching.turns out,the greatness of this movie is not
at all exaggerated.this may be the greatest,most complete horror film i
have ever seen.by complete,i mean it has everything a good horror movie
should have.i'm not talking about your typical hack and and slash gore
fest.i'm talking about pure psychological terror.the suspense in this
movie starts from the get go,and doesn't let up.i gets pretty
unbearable.plus,there are some pretty terrifying images.and the
acting,don't get me started on the acting.it is simply brilliant.i'm
not really a big Jack Nicholson fan,but he leaves nothing on the table
here.Shelley Duvall is also excellent,and the kid who plays there
son,fantastic.the supporting cast are also very good.when you add a
fantastically eerie and terrifying soundtrack,there's nothing else
needed.id' pit this one right up there with the original The
Omen(1976)for sheer terror.the only downside to this movie is that for
some reason,it was only filmed in full frame.if there's ever a movie
that cries out for a widescreen presentation,this is it. 5/5
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1 of 1 people found the following review helpful
5.0 out of 5 stars
A question of preference, April 30 2004
By A Customer
I'm constantly baffled when I read poor reviews of this film. I suppose I simply have to understand that even a strongly held opinion is still an opion; however, I think that this film is a perfect example of Kubrick at the top of his game.
This film, like all the great Kubrick films, is first and foremost a feast for the eyes. Film is a visual medium - still frames in rapid succession - essentially pictures. Kubrick's composition in this film is wonderful. Don't believe it, actively looking for symmetry in the film should make this apparent. How is it that Kubrick is able to train the eye to see images of symmetry (ie. twins, two elevator doors, matching lamps, and pictures on the walls, etc.) in a way that becomes creepy in the context of the film? And what is Kubrick implying with the shots that take us into the Alice in Wonderland looking glass images of the characters? Asking these questions makes the film much more interesting.
There is subtle leading of the eye and mind and the attempt to elicit a primal response of fear to the landscape of the film. Ultimately, it is a question of preference. If visually engaging films are your thing, this is one that will demand multiple viewings. In my experience, this film has the uncanny ability to imprint its imagery in your mind long after the film is over, much in the same way that a negative of a picture that you focus on intently remains after you close your eyes.
If you didn't like the film on an initial viewing, taking a second look may be worth your while. Regardless of your assessment of Nicholson, the acting in general, the plot or any of these other conventional discussion topics related to the film, this masterful painting of images deserves the viewer's attention.
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5.0 out of 5 stars
267, July 6 2004
By A Customer
When i first saw this movie i was scared to death. realy it may have beeen the scariest movie i have ever seen. i also read the book but the movie was even scarier.
i realy recomend you this movie.
maby it had beeen the scariest movie i have ever seen...you are going to love this movie.
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