The Shining / L'Enfant lumi�re Bilingual 1980 Blu-ray: Amazon.ca: Stanley Kubrick: DVD

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Product Details

Directors: Stanley Kubrick
Format: NTSC
Language: English, French
Region: Region A/1
Aspect Ratio: 1.85:1
Number of discs: 1
MPAA Rating:
Studio: Warner Home Video
Release Date: Jan 29 2008
Run Time: 144 minutes

Average Customer Review: 4.2 out of 5 stars See all reviews (304 customer reviews)

ASIN: B000VXWXSS
Amazon Bestsellers Rank: #4,996 in DVD (See Top 100 in DVD)
- #67 in DVD > En fran�ais > Fantastique, Horreur et Science-fiction > Horreur et �pouvante

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Product Description

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Stanley Kubrick's The Shining is less an adaptation of Stephen King's bestselling horror novel than a complete reimagining of it from the inside out. In King's book, the Overlook Hotel is a haunted place that takes possession of its off-season caretaker and provokes him to murderous rage against his wife and young son. Kubrick's movie is an existential Road Runner cartoon (his steadicam scurrying through the hotel's labyrinthine hallways), in which the cavernously empty spaces inside the Overlook mirror the emptiness in the soul of the blocked writer, who's settled in for a long winter's hibernation. As many have pointed out, King's protagonist goes mad, but Kubrick's Jack Torrance (Jack Nicholson) is Looney Tunes from the moment we meet him--all arching eyebrows and mischievous grin. (Both Nicholson and Shelley Duvall reach new levels of hysteria in their performances, driven to extremes by the director's fanatical demands for take after take after take.) The Shining is terrifying--but not in the way fans of the novel might expect. When it was redone as a TV miniseries (reportedly because of King's dissatisfaction with the Kubrick film), the famous topiary-animal attack (which was deemed impossible to film in 1980) was there--but the deeper horror was lost. Kubrick's The Shining gets under your skin and chills your bones; it stays with you, inhabits you, haunts you. And there's no place to hide... --Jim Emerson

Special Features

Available on VHS and DVD editions of The Shining from the 1999 release of the Stanley Kubrick Collection, The Making of "The Shining" is a 30-minute documentary directed by Stanley Kubrick's daughter Vivian, who would later provide the eerie, mechanical music for Full Metal Jacket (credited as Abigail Mead). Rarely seen since it was originally broadcast on British television in 1980, this behind-the-scenes film eschews narration in favor of casual encounters with Kubrick, Jack Nicholson, and other members of the cast. It's one of the only audio-visual records of Kubrick at work, and offers a fascinating glimpse of the director's personality and its influence on his actors and crew. Particularly revealing is a confrontation between Kubrick and Shelley Duvall, who later explains that the filming was intense and often difficult but always rewarding. Nicholson is shown to be insightful, devoted to his craft, and mischievously energetic (this is Jack, after all!), and Scatman Crothers is moved to tears when describing the privilege of working on the film. There's a splendid moment when Kubrick's mother visits the set and gets a quick lesson on the rigors of script revision, and James Mason (who starred in Kubrick's Lolita) also stops by for a visit, still wearing his costume from Murder by Decree, which was being filmed in a nearby studio. For Kubrick fans, this is a "home movie" you don't want to miss.

EDITOR'S NOTE: According to a Warner Home Video technician involved in the production of The Stanley Kubrick Collection, Kubrick authorized all aspects of the Collection, from the use of Digital Component Video (or "D-1") masters originally approved in 1989, to the use of minimalist screen menus, chapter stops, and (in the case of 2001: A Space Odyssey and The Shining on DVD) supplementary materials. Full-screen presentation of The Shining and Full Metal Jacket was also approved by Kubrick, who recomposed his original framing, reportedly believing that those films looked best on video in the full-screen format. (In fact, the original theatrical aspect ratio of The Shining was 1.66:1, meaning that a relatively small portion of the image is lost.) Kubrick also chose mono over stereo, believing that inconsistencies in theatrical sound systems resulted in loss of control over theatrical presentation. In every respect, the Warner spokesman said, the films in the Collection remain as Kubrick approved them. Any future attempt to remaster or alter them would have to be approved by an appointee of the Kubrick estate.

Customer Reviews

Most helpful customer reviews

6 of 6 people found the following review helpful

5.0 out of 5 stars Still Amazing Feb 17 2009

By C. Gallant

Format:DVD

Great price for this amazing movie ($10.39 at the time of this writing). I thought I'd just fill you in on what's all included, because I myself took a chance on buying this, (Amazon doesn't seem to tell you whether its wide or full screen, regular or 2-disc, etc).

What you're buying is the 2-disc special edition, in a great cover, Wide Screen. It includes a only a few special features though, but its the film you really want! It's about 10 bucks cheaper than the other 2-disc edition, but it's still the same one. Great buy!

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2 of 2 people found the following review helpful

5.0 out of 5 stars The best horror film ever made? It's certainly in the discussion. Mar 20 2012

By Steven Aldersley TOP 50 REVIEWER

Format:Blu-ray

When I figured out my Top 10 horror movies, The Shining took the top spot. I'm not a fan of campy comedy-horror, so the list is dominated by psychological horror. The Shining is that and a whole lot more. It begins like a drama and takes plenty of time to establish its world, and the majority of the film takes place in the Overlook Hotel.

The opening shots are incredible and set the mood. We are shown a car driving along a mountain road. Kubrick sweeps across the countryside so we can see how isolated the Overlook Hotel would be if the only access road was blocked by snow.

Jack Torrance (Nicholson) is a recovering alcoholic and he's applying for a winter job as caretaker of the hotel. He'll live there for six months with his wife, Wendy (Duvall), and their young son, Danny (Lloyd).

What is shining? It appears to be a form of extrasensory perception. We learn that Danny has the ability and so does the hotel's cook, Dick Hallorann (Scatman Crothers). They can communicate without words. Danny's parents know that he talks to Tony, his imaginary friend, but they aren't aware that he has the shining.

I mentioned that the film takes time setting things up. We are shown the hotel in great detail. They live in an apartment inside the hotel and Wendy spends most of her time there. Jack uses one of the large rooms to work on his novel and Danny explores by driving around the halls in his toy car.

The film is 32 years old, so spoilers won't be a problem for most people, but stop reading now if you are about to see it for the first time.

***Spoiler Alert***

The hotel appears to be populated by ghosts. All three people see them while they are alone, so that suggests that the ghosts really do exist. Another explanation would be that all the events are happening inside the mind of one of the characters, or that the hotel itself is 'alive' and remembering some of the events that occurred within its walls. I tend to believe that the ghosts and everything we see is real. That would explain all of the events, including how Jack escapes from a locked room and why Danny has marks on his neck.

Time is another factor. Some of the occurrences involve one of the characters visiting the past. Wendy sees guests at a party and Jack interacts with Grady and Lloyd. Sometimes the ballroom is filled with people from the past.

Danny's gift is extremely powerful and attracts the attention of Dick when he is 2,000 miles away. Dick's attempts to intervene are significantly different from the story told in Stephen King's book, and Kubrick makes a lot of other changes. I like both versions of the story, but I have to admit that Kubrick's changes played out well on the screen.

The dialogue is sparse, but very satisfying at times. I particularly enjoy the exchanges when Jack is talking to Lloyd and Grady. Nicholson is convincing when he acts crazy and the final act shows him at his crazy best. Is his transformation some kind of mental illness, or possession by the spirits that occupy the hotel?

The black and white photograph near the end of the film shows Jack attending a 1921 party at the hotel. Grady says at one point that Jack is the caretaker and has always been the caretaker. Is this some kind of living hell? Suppose Jack has had a number of families throughout some kind of supernatural existence and he's been bringing them to the hotel without any previous knowledge of those he has brought there before? He mentions at the start that he's experiencing déjà vu and knows what is around every corner.

One shot shows him looking rather demonic. Is he in fact a demon or Satan?

What's your take on The Shining? What's your version of the truth?

The Blu-ray presentation is one of the best for an older movie. Fans should definitely upgrade.

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